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    <title>Yorkshire Artspace</title>
		<link>http://artspace.org.uk/latest-news_rss</link>
    <description>Latest from Yorkshire Artspace</description>
    <copyright>Copyright 2012 Yorkshire Artspace</copyright>
    <category>Arts &amp; Entertainment</category>
    <language>en-uk</language>
    <itunes:author>Yorkshire Artspace</itunes:author>
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    <media:copyright>Copyright 2012 Yorkshire Artspace</media:copyright>
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      <media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts &amp; Entertainment</media:category>
      <itunes:owner>
      	<itunes:email>info@artspace.org.uk</itunes:email>
        <itunes:name>Yorkshire Artspace</itunes:name>
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       <itunes:keywords></itunes:keywords>
       <itunes:subtitle>Latest from Yorkshire Artspace</itunes:subtitle>
       <itunes:summary>Latest from Yorkshire Artspace</itunes:summary>
       <itunes:category text="Religion &amp; Spirituality"><itunes:category text="Christianity" /></itunes:category>
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    	<link>http://artspace.org.uk/latest-news_rss</link>
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      <title>Yorkshire Artspace</title>
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						<title>Wood fired kiln a success</title>
						            	<link>http://artspace.org.uk/latest-news/2012-05/Wood-fired-kiln-a-success</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-05/Wood-fired-kiln-a-success&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/table_full_of_wood_fired_stuff.jpg&quot; alt=&quot;wood fired stuff&quot; /&gt;&lt;/a&gt;&lt;br /&gt;The brand new wood fired kiln, recently built by Yorkshire Artspace ceramicists Penny Withers and Sarah Villeneau, Green Estate's Andy Shepherd and a number of local, not-so local and Hungarian volunteers, was properly tested on the weekend on 5th May. The results were revealed on Saturday 12th May as part of the annual Open Up Sheffield/South Yorkshire event.
Some 50-odd pieces consisting of bowls, cups, sculptural pieces, plates, vases and other vessel forms, some made with clay from the site itself even! appeared as if by magic from the chamber of the kiln. Sarah and Penny proudly presented the work to all who took part in the building, pot-making and test-firing course. A truly great achievement for a project that has taken almost year to complete.
Manor Stokers wood-firing society are now keen to increase the membership to get this kiln used by as many local and regionally based wood-firing enthusiasts. Different types of membership are available. Contact &lt;a href=&quot;mailto:penn@talktalk.net&quot;&gt;Penny Withers&lt;/a&gt; or &lt;a href=&quot;mailto:sarah@villeneau.co.uk&quot;&gt;Sarah Villeneau&lt;/a&gt; directly for membership details and costs.</description>         
            						<pubDate>Mon, 14 May 2012 00:00:00 +0000</pubDate>
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						<title>Paul Morrison at Millennium Gallery</title>
						            	<link>http://artspace.org.uk/latest-news/2012-05/Paul-Morrison-at-Millennium-Gallery</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-05/Paul-Morrison-at-Millennium-Gallery&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/pm_auctorum_small.jpg&quot; alt=&quot;PM auctorum&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Yorkshire Artspace and Museums Sheffield invite you to the launch of&lt;a href=&quot;http://www.museums-sheffield.org.uk/museums/millennium-gallery/exhibitions/coming-soon/paul-morrison&quot; target=&quot;_blank&quot;&gt;Paul Morrison: Auctorum&lt;/a&gt; on Tuesday 12th June, from 6pm to 8pm at Millennium Gallery
Over the past 15 years, Sheffield-based artist Paul Morrison has established a global audience for his bold and intriguing images. After solo exhibitions in many major cities from London to Tokyo and New York, we're thrilled that 2012 will see Paul's first large-scale exhibition in his home town of Sheffield. Morrison's striking, often black and white, work finds its inspiration in the historic and contemporary, from engravings and botanical illustrations to comics and animation. Featuring a host of new works created specifically for this exhibition, Auctorum will be one of Morrison's most wide-ranging exhibitions to date.
Please RSVP to Chris Harvey on 0114 278 2664 or &lt;a href=&quot;mailto:rsvp@museums-sheffield.org.uk&quot;&gt;rsvp@museums-sheffield.org.uk &lt;/a&gt;
&lt;a href=&quot;http://www.museums-sheffield.org.uk&quot; target=&quot;_blank&quot;&gt;www.museums-sheffield.org.uk&lt;/a&gt;</description>         
            						<pubDate>Thu, 10 May 2012 00:00:00 +0000</pubDate>
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						<title>Open Up Sheffield</title>
						            	<link>http://artspace.org.uk/latest-news/2012-05/Open-Up-Sheffield</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-05/Open-Up-Sheffield&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/hd_stack_of_books.jpg&quot; alt=&quot;HD stack of books&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Yorkshire Artspace will be taking part in this year's &lt;a href=&quot;http://www.openupsheffield.co.uk&quot; target=&quot;_blank&quot;&gt;Open UpSheffield&lt;/a&gt; event.
Artists at Manor Oaks Studios are open on 5th, 12th and 13th May and artists at Persistence Works/Porter Brook Studios are open on 12th and 13th May from 11am to 5pm.
Come and See
At Manor Oaks Studios (389 Manor Lane, Sheffield, S2 1UL) artists: Annette Petch (Jewellery), Finbarr Lucas (furniture), Susan Disley, Anne Laycock, Joel Neild and Miles Gavin (ceramics).
AtPorter Brook Studios (next door to Persistence Works) artists: Mary Charlton and Chris Boland (jewellery/silversmithing), Lynn Carruthers andSue Taylor (sculpture/mixed media), Tim Rose,Paul Dearden and Trevor Pollard(painting/printmaking).
And at Persistence Works Studios (21 Brown Street, Sheffield, S1 2BS) artists: Robert Almond, John Thatcher and Anna Childs (furniture), Sarah Villeneau, Brian Holland, Emilie Taylor, Hanne Westergaard and Katharine Boyd (ceramics and glass), Ross Gilbertson and David Appleyard (sculpture/mixed media), Carol Lambert, Neil Woodall, Madeleine Walton, Isobel Walker andRosemary Watson (painting/printmaking) and Heather Dewick (book binding).
Also at Persistence Works, meet the team behind &lt;a href=&quot;http://www.craftfinder.org.uk&quot; target=&quot;_blank&quot;&gt;CraftFinder&lt;/a&gt;, a new venture promoting the work of high quality craftspeople.
With Tea &amp; Cake sale on Saturday 12th May at Persistence Works Studios. Proceeds will be donated to the Cavendish Cancer Care centre as part of the Master Cutler Challenge.</description>         
            						<pubDate>Thu, 3 May 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-05/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-05/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ab_blue_chair_orchestra.jpg&quot; alt=&quot;AB_Blue Chair Orchestra&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
After an initial three months of research (taking to people, blue chair walking, hanging out) I am proceeding towards more tangible forms of making work. On 19th May I am inviting residents of Parson Cross and anyone interested in visiting Knutton Road Studios to come to an open and free event:PX Story, Spring: Location.
This event is the first in a series of four. Spring one is all about Parson Cross LOCATION, during Summer we will look for PX &lt;a href=&quot;http://www.actionherofitnessinc.com/wp-content/uploads/2012/02/hero3.png&quot; target=&quot;_blank&quot;&gt;HERO&lt;/a&gt;, in the Autumn we will search for PX &lt;a href=&quot;http://2.bp.blogspot.com/-_LF1RQYArTM/TfY4btkFldI/AAAAAAAAARA/FyjFMDa_sTI/s1600/Plot+development+chart.gif&quot; target=&quot;_blank&quot;&gt;PLOT &lt;/a&gt;and we will finish during Winter concentrating on PX &lt;a href=&quot;http://www.google.co.uk/imgres?q=dialogue&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1221&amp;bih=604&amp;tbm=isch&amp;tbnid=OHObGWYKpzhjWM:&amp;imgrefurl=http://animesmusings.blogspot.com/2011/07/writing-wednesday-dialogue.html&amp;docid=1m52RFkMsD1IGM&amp;imgurl=http://1.bp.blogspot.com/_IZ1wip6Y4vk/TESCkIoiyKI/AAAAAAAABRQ/OLbOVlzoNFY/s1600/Dialogue%252Bart.gif&amp;w=446&amp;h=373&amp;ei=bzWhT4KxEMi80QWM8byxCA&amp;zoom=1&amp;iact=hc&amp;vpx=856&amp;vpy=281&amp;dur=713&amp;hovh=110&amp;hovw=132&amp;tx=153&amp;ty=220&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=110&amp;tbnw=132&amp;start=0&amp;ndsp=23&amp;ved=1t:429,r:21,s:0,i:138&quot; target=&quot;_blank&quot;&gt;DIALOGUE&lt;/a&gt;. All events are leading to the creation of the PX Story, a book about Parson Cross which will be compiled with direct input from residents and visitors to Parson Cross. 
The Open Day event is an opportunity to contribute to the PX Story and also offers guided tours of the &lt;a href=&quot;http://www.soarworks.co.uk/&quot; target=&quot;_blank&quot;&gt;building&lt;/a&gt;,workshops, an exhibition of &lt;a href=&quot;http://www.google.co.uk/imgres?q=artistic+tools&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1221&amp;bih=604&amp;tbm=isch&amp;tbnid=XZAWqcuh6AlpkM:&amp;imgrefurl=http://www.picturesof.net/pages/111208-095539-393001.html&amp;docid=KY3VR7zDFChVIM&amp;imgurl=http://www.picturesof.net/_images_300/Artists_Drawing_and_Painting_Tools_Icons_Vector_Clip_Art_Picture_111208-095539-393001.jpg&amp;w=346&amp;h=470&amp;ei=ujWhT_bQNInT0QWsncmTCA&amp;zoom=1&amp;iact=hc&amp;vpx=232&amp;vpy=16&amp;dur=264&amp;hovh=140&amp;hovw=100&amp;tx=86&amp;ty=150&amp;sig=106365422149744353835&amp;page=4&amp;tbnh=140&amp;tbnw=100&amp;start=69&amp;ndsp=26&amp;ved=1t:429,r:1,s:69,i:227&quot; target=&quot;_blank&quot;&gt;my artistic tools,&lt;/a&gt; a chance to meet other artists and enjoy &lt;a href=&quot;http://www.google.co.uk/imgres?imgurl=http://www.phrases.org.uk/images/my-cup-of-tea.jpg&amp;imgrefurl=http://www.phrases.org.uk/meanings/my-cup-of-tea.html&amp;h=187&amp;w=237&amp;sz=14&amp;tbnid=-NfRDA3-zBzpOM:&amp;tbnh=90&amp;tbnw=114&amp;prev=/search%3Fq%3Dcup%2Bof%2Btea%26tbm%3Disch%26tbo%3Du&amp;zoom=1&amp;q=cup+of+tea&amp;docid=bBlOhujZHI_XyM&amp;sa=X&amp;ei=4zWhT4m5OpSn8QOE16y-CA&amp;ved=0CFEQ9QEwAg&amp;dur=567&quot; target=&quot;_blank&quot;&gt;a free cup of tea.&lt;/a&gt;
I have invited four artists from Parson Cross and further afield to join her - Paula Kirby, Paul Allender, Abi Goodman and Sarah Smizz who are going to present their work.
Artists Abi Goodman and Sarah Smizz's site specific &lt;a href=&quot;http://readvertise.wordpress.com. &quot; target=&quot;_blank&quot;&gt;Re:Advertise &lt;/a&gt;project is all about re-ordering the words of advertisers to say what YOU really want.
Paul Allender will show and talk about &lt;a href=&quot; http://www.youtube.com/watch?v=5mX6ec64tIs&quot; target=&quot;_blank&quot;&gt;his film&lt;/a&gt;.
Paula Kirby will be showing film clips. Currently she has a film in &lt;a href=&quot;http://www.fringeartsbath.co.uk&quot; target=&quot;_blank&quot;&gt;Bath Fringe Festival. &lt;/a&gt;Check it out!
This is a free event and everyone is welcome atSOAR Works/Knutton Road Studios,14 Knutton Road, Parson Cross, Sheffield S5 9NU&lt;a href=&quot;http://maps.google.co.uk/maps?client=safari&amp;rls=en&amp;oe=UTF-8&amp;redir_esc=&amp;q=14+Knutton+Road+S5+9NU&amp;um=1&amp;ie=UTF-8&amp;hq=&amp;hnear=0x487979076b9277d9:0x130cf99ed1d52e51,14+Knutton+Rd&amp;gl=uk&amp;ei=-G-WT8qVDaGP0AWS86CKDg&amp;sa=X&amp;oi=geocode_result&amp;ct=title&amp;resnum=1&amp;ved=0CBUQ8gEwAA&quot; target=&quot;_blank&quot;&gt;click here for a google map&lt;/a&gt;
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            						<pubDate>Wed, 2 May 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/px_ania_bas_meeting_2.jpg&quot; alt=&quot;AB PX meeting&quot; /&gt;&lt;/a&gt;&lt;br /&gt;I would like to apologies the gentleman who lives by the island in Parson Cross for inaccuretly describing his actions during the meeting on my blog. Dear sir, please accept my sincere apologies.</description>         
            						<pubDate>Mon, 30 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Starter Studio Programme for Silversmiths and Jewellers 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Starter-Studio-Programme-for-Silversmiths-and-Jewellers-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Starter-Studio-Programme-for-Silversmiths-and-Jewellers-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/yas_prog_blog_im_lrg4.jpg&quot; alt=&quot;silversmith card 2012&quot; /&gt;&lt;/a&gt;&lt;br /&gt;The Yorkshire Artspace &lt;a href=&quot;http://artspace.org.uk/starter-studios&quot;&gt;Starter Studio Programme for Silversmiths and Jewellers&lt;/a&gt; is 10 years old and this year we are offering places for up to 3 early-career, ambitious and dedicated makers from October 2012 onwards for a maximum of 2 years.  You will join our supportive community of current starters &lt;a href=&quot;http://zoewattsdesigns.co.uk/&quot; target=&quot;_blank&quot;&gt;Zoe Watts&lt;/a&gt;, &lt;a href=&quot;http://www.acj.org.uk/index.php/user-profile/userprofile/Chiara&quot; target=&quot;_blank&quot;&gt;Chiara Bet&lt;/a&gt;, &lt;a href=&quot;http://www.artsthread.com/p/cathysutherland&quot; target=&quot;_blank&quot;&gt;Cathy Sutherland&lt;/a&gt; and &lt;a href=&quot;http://www.alexanderkerrison.co.uk/index.html&quot; target=&quot;_blank&quot;&gt;Alexander Kerrison&lt;/a&gt; who are sharing this excellent workshop based at our city-centre flagship building Persistence Works Studios.    Successful applicants will have 24/7 access to this space.  Each starter will also benefit from our tailored business start up course , mentor support from our team of established silversmiths and jewellers including our technical design expert Cameron Maxfield who helps out once a week.  All silversmiths and jewellers selected for the programme will also enjoy a free hall-marking service from Sheffield Assay Office who is keen supporter of the programme.  Further details and an application form can be downloaded from our starter studio website page.
We welcome visits from prospective candidates any time during the year.  Please contact the programme manager Mir Jansen, either by &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;email&lt;/a&gt; or telephone 0114 2130111.     Deadline for applications: Friday 13th July /Start date: early October 2012. Please note that we welcome early applications and will consider offering places earlier to applicants who we deem suitable. 
Some Background on the Programme:
Studio 10 - the silversmiths starter studio - is a 108m2 shared space equipped with individual benches and storage space, a hearth with torch and a range of machinery and tools.  The programme has supported 22 silversmiths and jewellers to date, 5 of whom now have their own workspace at Persistence Works.  The programme has provided excellent support from established silversmiths &lt;a href=&quot;http://www.siapplied.com/people/1/chris-knight/&quot; target=&quot;_blank&quot;&gt;Chris Knight&lt;/a&gt;, &lt;a href=&quot;http://www.brettpayne.com/&quot; target=&quot;_blank&quot;&gt;Brett Payne&lt;/a&gt; and &lt;a href=&quot;http://www.mariahanson.co.uk/&quot; target=&quot;_blank&quot;&gt;Maria Hanson&lt;/a&gt;.   We have recently added &lt;a href=&quot;http://www.designsinsilver.co.uk/&quot; target=&quot;_blank&quot;&gt;Rebecca Joselyn&lt;/a&gt;, a previous beneficiary of the programme, and jeweller &lt;a href=&quot;http://www.greatnorthernevents.co.uk/2011/jewellery/JennieGill.html&quot; target=&quot;_blank&quot;&gt;Jennie Gill&lt;/a&gt; to our cohort of mentors.  All the mentors have their own workspace at Persistence Works Studios.
&lt;a href=&quot;http://artspace.org.uk/studios/persistence-works-studios&quot;&gt;Persistence Works Studios&lt;/a&gt; opened in November 2001 and was one of the first purpose built artists studio complexes in the UK with studios for visual artsists and makers working in a variety of practices: furniture makers; sculptors, painters and printmakers; textile artists; mixed media and installation artists; fine art photographers and film makers; jewellers etc.  In November 2011 we celebrated its 10th anniversary with the exhibition: &lt;a href=&quot;http://artspace.org.uk/blog/permalink/2011-11/pw10-exhibition&quot;&gt;PW10&lt;/a&gt;, limited edition artworks by Yorkshire Artspace artists for sale.
The programme has excellent links with the &lt;a href=&quot;http://www.assayoffice.co.uk/&quot; target=&quot;_blank&quot;&gt;Sheffield Assay Office&lt;/a&gt; who have supported the programme from its humble beginnings and continue to provide two commission opportunities and a free hall-marking service to everyone on the programme.  Selected candidates also have access to the extensive Assay Office library at the Guardian's Hall on Beulah Road in Sheffield.
&lt;a href=&quot;http://www.museums-sheffield.org.uk/museums/millennium-gallery/home&quot; target=&quot;_blank&quot;&gt; Museums Sheffield: Millennium Galleries&lt;/a&gt; houses the prestigious &lt;a href=&quot;http://www.museums-sheffield.org.uk/collections/metalwork&quot; target=&quot;_blank&quot;&gt;Metalwork Gallery&lt;/a&gt;.  Over the last 8 years we have built excellent relationships with Museums Sheffield and all our silversmiths have been given the chance to create a new piece of work, commissioned by the Sheffield Assay Office, which will be displayed at the Museum for a period of 6 months.  These 'Little Gems' commissions have been donated to the Museum's metalwork gallery or have remained in the private silverware collection of the Sheffield Assay Office.  Zoe Watts and Alexander Kerrison were the latest silvermiths selected for Little Gems 2012 and their new silverware pieces are currently on display in the main reception area of Millennium Gallery.
Yorkshire Artspace is also actively involved with the bi-annual &lt;a href=&quot;http://www.galvanizefestival.com/&quot; target=&quot;_blank&quot;&gt;Galvanize Sheffield&lt;/a&gt; festival of contemporary metal.  Our next festival will take place in May 2013, co-inciding with a year long celebration of 'stainless steel, developed in Sheffield by metallurgist &lt;a href=&quot;http://en.wikipedia.org/wiki/Harry_Brearley&quot; target=&quot;_blank&quot;&gt;Harry Brearly&lt;/a&gt; in 1913.  All of our previous beneficiaries have been featured in past Galvanize Sheffield festivals and we hope this will again be the case for our 2013 festival.
The Starter Studio Programme for Silversmiths and Jewellers has received support from Arts Council England, Sheffield Assay Office, Sheffield Church Burgesses Educational Foundation and Sheffield Town Trust</description>         
            						<pubDate>Fri, 27 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Starter Studio Programme 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Starter-Studio-Programme-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Starter-Studio-Programme-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/yas_prog_blog_im_lrg5.jpg&quot; alt=&quot;starter studio postcard both 2012&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Applications for the 2012 intake for the &lt;a href=&quot;http://artspace.org.uk/starter-studios&quot;&gt;Yorkshire Artspace starter studio programmes&lt;/a&gt; are now open.
The Starter Studio Programme for Ceramicists is entering its 3rd year. This year we have places for up to 3 early-career, ambitious and dedicated makers who will start their programme in October 2012 onwards and can stay for a maximum of 2 years. Successful applicants will have 24/7 access to a fully equipped shared ceramics workshop at our new eco-designed Manor Oaks Studios situated approximately 2km from Sheffield City Centre. Each starter will also benefit from our tailored business start up course , mentor support from our team of established ceramicists including our artist in residence (this year &lt;a href=&quot;http://artspace.org.uk/residency-journal/src/residency/manor-oaks-edith-garcia&quot;&gt;Edith Garcia&lt;/a&gt;), exhibition and paid-work opportunities.    This year we will be organising our first Open Day for prospective candidates on Saturday 12th May, between 11am and 4pm, co-inciding with the annual Open Up - open studio event. You will be able to meet with the current beneficiaries of our programe as well as the other artists who work at these studios and Starter Studio Programme manager, Mir Jansen will be present to answer any questions. No need to book - just turn up. for directions, click &lt;a href=&quot;http://maps.google.co.uk/maps?q=S2+1UL&amp;hl=en&amp;sll=53.800651,-4.064941&amp;sspn=22.297654,57.084961&amp;hnear=Sheffield+S2+1UL,+United+Kingdom&amp;t=m&amp;z=16&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;
Deadline for applications: Friday 13th July /Start date: early October 2012.
The Starter Studio Programme for Silversmiths and Jewellers has been running for 10 years.  We offer places for up to 3 early-career silversmiths and/or jewellers who will also start the programme in October 2012 and can benefit from 24/7 access to a fully equiped shared silversmith workshop at Persistence Works Studios in Sheffield city centre.  All beneficiaries will have free access to a start-up business training course, mentor support from established silversmiths/jewellers Chris Knight, Brett Payne, Maria Hanson, Rebecca Joselyn and Jennie Gill as well as techinical design expert Cameron Maxfield.
Deadline for applications: Friday 13th July /Start date: early October 2012.
Starter Studio for Engaged Practice. We have a new offer for early career artists interested in exploring and developing their socially engaged practice.  From 2013 we will offer at least 4 artists each year the opportunity to develop and deliver projects within a community setting.  These professional development learning opportunities will enable the artists to actively test ideas and explore approaches to collaborative/participatory/engaged practice in a 'real-life' setting with full support from Yorkshire Artspace programme manager and mentors.  The artists will have access to the Starter Studio unit at Knutton Road Studios in Parson Cross during an intensive period of time (e.g. 4-8 weeks) and each learning project comes with a budget attached.  We will be advertising these learning opportunities soon with information in next e-newsletters.</description>         
            						<pubDate>Fri, 27 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Creative art & craft workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Creative-art-craft-workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Creative-art-craft-workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/mg_bee_persistent_2011.jpg&quot; alt=&quot;MG bee persistence 2&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Ceramics Course with Miles Gavin
Manor Oaks Studios based ceramicist &lt;a href=&quot;http://www.milesgavin.com/&quot; target=&quot;_blank&quot;&gt;Miles Gavin&lt;/a&gt; will be running a brand new series of ceramics classes on on Wednesday evenings, starting 9th May from 6pm to 8pm.  This will be a rolling program delivered in blocks of 6 sessions for a maximum of 6 people.  Each session costs &#163;10 per person and includes clay, firing, basic stains and glazes.  Over the course of the 6 weeks you will  try out different ceramic techniques, ranging from hand building and press moulding to decorating with glazes. It is suitable for absolute beginners and those with previous experience.
Miles graduated from Central St. Martin college of Art &amp; Design with a degree in ceramic design.  His quirky approach to ceramics and use of traditional methods is already bringing him some notoriety. He has run classes with elderly and young people alike and tailors his classes to be suitable for mixed abilities.  To book your place and receive further details, including directions to the workshop, please email Miles directly &lt;a href=&quot;mailto:milesgavin@hotmail.com&quot;&gt;milesgavin@hotmail.com&lt;/a&gt; or phone him on 07951894691
Printmaking, Life Drawing and Painting workshops with Rosemary Watson
Etching is a direct method of printmaking with unique qualities in which the image is drawn by means of a pointed tool into either a hard or soft ground applied to the surface of a metal plate. On completion the plate is immersed in a copper sulphate solution which etches into the areas of metal exposed by the drawn marks. Limited editions may be printed from the plates or unique prints made using monoprint inking techniques
On Saturday 26th May from 11am to 5pm Rosemary Watson will run a 5-hour printmaking workshop working directly from the life figure.  You will learn to explore and develop the soft ground etching technique using less toxic and more environmentally-friendly etching and printmaking processes. The workshops is for max. 4 participants and costs &#163;45 including all materials but with an additional fee for the model at approx &#163;9.  On Saturday 16th June from 11am to 5pm, she will run another 5-hour printmaking workshop without the life figure present.  Same as above but without the life figure. for max. 4 participants.  Cost &#163;40.00 including all materials.  And on Saturday 23rd June from 11am to 5pm Rosemary will run a 5-hour Life Drawing + Painting from studio 22 at Persistence Works.  The workshop will use pastels and water-based media to draw directly from the life figure.   Max 4 participants Cost &#163;30 (plus models fee approx. &#163;15)
All Rosemary's workshops are suitable for beginners and those with previous experience. To book a places on the workshops please contact the artist directly at &lt;a href=&quot;mailto:Info@arosemarywatson.co.uk&quot;&gt;Info@arosemarywatson.co.uk&lt;/a&gt;
Mosaic Courses with Coralie Turpin
Coralie Turpin has 20 years experience of working on public art projects with schools and communities, fabricators and architects, public art officers and commissioning agencies. She has lead many creative art workshops, specialising in mosaic, sculpture and textile art alongside exhibiting her work in many galleries across the UK. This spring/summer Coralie will be running three different mosaic courses:
Beginners Mosaic Course is a 2-day course teaching you the 'direct' method with cutting and laying techniques. The course costs &#163;170 and includes all materials.
Advanced Mosaic Course is a 2-day course teaching you the 'reverse' method with laying and applying techniques. This course also costs &#163;170 with all materials included
Pebble Mosaic Course is a 2-day course teaching 'direct' and 'reverse' method and slab casting. You will produce 2 mosaics and this course costs &#163;180 with all materials included. 
The course is likely to run on Wednesdays and Thursdays or Saturday and Sundays. For a booking form and further details please contact &lt;a href=&quot;mailto:turpin.thomson@btinternet.com&quot;&gt;Coralie&lt;/a&gt; directly. You will need to bring packed lunch, apron (or old clothes) and a pair of sunglasses as at least two design ideas.</description>         
            						<pubDate>Thu, 26 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Starter Studio Programme for Ceramicists 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Starter-Studio-Programme-for-Ceramicists-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Starter-Studio-Programme-for-Ceramicists-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/yas_prog_blog_im_lrg3.jpg&quot; alt=&quot;Postcard ceramics 2012&quot; /&gt;&lt;/a&gt;&lt;br /&gt;The Yorkshire Artspace Starter Studio Programme for Ceramicists is  now entering its 3rd year.  This year we have places for up to 3 early-career, ambitious and dedicated makers from October 2012 onwards for a maximum of 2 years.  Successful applicants will have 24/7 access to a fully equipped shared ceramics workshop at our new eco-designed Manor Oaks Studios situated approximately 2km from Sheffield City Centre.  Each starter will also benefit from our tailored business start up course , mentor support from our team of established ceramicists including our artist in residence (this year &lt;a href=&quot;http://www.nanadot.com&quot; target=&quot;_blank&quot;&gt;Edith Garcia&lt;/a&gt;), exhibition and paid-work opportunities.
 This year we will be organising our first Open Day on Saturday 12th May, between 11am and 4pm, co-inciding with the annual &lt;a href=&quot;http://www.openupsheffield.co.uk&quot; target=&quot;_blank&quot;&gt;Open Up&lt;/a&gt; - open studio event.
Potential starter studio candidates will be able to meet with our current beneficiaries of the programe as well as the other artists on site and the Starter Studio Programme manager, Mir Jansen.  No need to book - just turn up. Further details and our application form are available from our &lt;a href=&quot;http://artspace.org.uk/starter-studios&quot;&gt;website&lt;/a&gt;.    Deadline for applications: Friday 13th July /Start date: early October 2012.
Some Background on the Programme
The programme's funders and supporters are very proud of the new studios which are part of a heritage and visitor attraction site, developed over the last 12 years by our partner organisation &lt;a href=&quot;http://www.greenestate.org.uk&quot; target=&quot;_blank&quot;&gt;Green Estate&lt;/a&gt;.  Studio 4 is now a fully equipped space with kiln, test kiln, wheel, spraybooth and spraygun and several workbenches and display cases.  It is suitable for up to 4 early career ceramicists. 
Yorkshire Artspace runs an annual residency programme for more established ceramicists.  In 2011 we worked with Edinburgh based ceramicist &lt;a href=&quot;http://www.francespriest.co.uk&quot; target=&quot;_blank&quot;&gt;Frances Pries&lt;/a&gt;t and this year we are working with ceramicist &lt;a href=&quot;http://artspace.org.uk/residency-journal/src/residency/manor-oaks-edith-garcia&quot;&gt;Edith Garcia&lt;/a&gt;.  The resident artist is offered time, space and money to develop their ideas and create new work over the course of one year.  They also freely share their knowledge and skills with the starters on our programme.
Apart from the eco-designed studios with green roofs, economical underfloor heating and a living green wall, this former deerpark now houses the new Discovery Centre - linked to the significant Tudor remains located here -  a Farm Shop Cafe which uses local produce, and a Nature Garden.    A small team of Yorkshire Artspace ceramicists have just completed the building of a (smokeless) woodfired kiln with access to basic classroom facilities from which workshops may be run.  Recently a replica Roman Kiln was built by students from the experimental archaeology course at University of Sheffield, under guidance of professor Roger Doonan.  The next year or so a  heritage craft skills centre will be added to complete the building programme.
Green Estate organises a series of well attended events such as the annual flower and food festivals where you will have the opportunity to open the studio to sell work, demonstrate skills or run workshops for the visiting public.
The Yorkshire Artspace team will be visiting New Designers in London on 28th June 2012!  Come and talk to us or let us find you if you are interested:  &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;mir@artspace.org.uk&lt;/a&gt;
Yorkshire Artspace - Manor Oaks Studios are located at 389 Manor Lane, Sheffield, S2 1UL
This programme has received support from Arts Council England and Foyle Foundation</description>         
            						<pubDate>Wed, 25 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Socially Engaged Adventures: a-n article</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Socially-Engaged-Adventures-a-n-article</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Socially-Engaged-Adventures-a-n-article&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ruthie_and_ania_in_wysing_web.jpg&quot; alt=&quot;RF &amp; AB_co-mentoring&quot; /&gt;&lt;/a&gt;&lt;br /&gt;In 2011 artists Ania Bas and Ruthie Ford embarked on a co-mentoring project initially supported through Yorkshire Artspace and the Engaged Practice Starter Studio Programme (of which Ruthie was one of our first beneficiaries). Their co-mentoring relationship is still going and they recently did an interview with Andrew Brayant for a-n magazine's &lt;a href=&quot;http://www.a-n.co.uk/artists_talking&quot; target=&quot;_blank&quot;&gt;Artist Talking&lt;/a&gt; feature where they talked about socially engaged practice, the importance of process, whether it be performance or embroidery, and the artists' relationship to critical reading, writing and debate.  &lt;a href=&quot;http://www.a-n.co.uk/artists_talking/article/2183604&quot; target=&quot;_blank&quot;&gt;Read the interview here...&lt;/a&gt;
They documented their 'Socially Engaged Adventures' by creating a project blog (via the a-n Artists Talking blog platform) which capturesthe journey of co-mentoring between Ruthie and Ania and thier explorations into socially engaged issues, language and practice whilst visiting artists, arts projects and arts organisations working in the field across the UK. &lt;a href=&quot;http://www.a-n.co.uk/artists_talking/projects/single/1090364/0/5/desc&quot; target=&quot;_blank&quot;&gt;Read Social Engaged Adventures blog here....&lt;/a&gt;
Engaged Practice Programme supported via Paul Hamlyn Foundation &amp; Arts Council England</description>         
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/abas_story_to_tell.jpg&quot; alt=&quot;AB_story to tell&quot; /&gt;&lt;/a&gt;&lt;br /&gt;I keep leaving notes in the shop windows at &lt;a href=&quot;http://artspace.org.uk/blog/permalink/2012-03/wallpapering-roses-the-movie&quot; target=&quot;_blank&quot;&gt;Roses Hardware,&lt;/a&gt; next to other offers to sell/buy/rent. Some people texted me back to investigate what sort of stories I am interested in and &lt;a href=&quot;http://media.herald-dispatch.com/blog/drawing/uploaded_images/tyler1-787764.jpg&quot; target=&quot;_blank&quot;&gt;how wide their smile needs to be&lt;/a&gt; to qualify. Sadly, as soon as they learnt that my research is art related their interest was gone. I am wondering if I should have &lt;a href=&quot;http://mirandajuly.com/writing/attachment/it-chooses-you/&quot; target=&quot;_blank&quot;&gt;Miranda July approach &lt;/a&gt;and pay people to sit and chat with me?</description>         
            						<pubDate>Tue, 24 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_bess_2_110412.jpg&quot; alt=&quot;EG Bess 2 110412&quot; /&gt;&lt;/a&gt;&lt;br /&gt;April 18, 2012
A very wonderful and exciting week. I was able to travel with my fellow artists Anne, Miles and Joel to the Yorkshire Sculpture Park yesterday and be inspired by the amazing and breathtaking work of Joan Miro - it is always such a unique experience to see these classic works in person and be able to see how they have helped to shape contemporary art.
Also enjoyed the sound of the kiln clicking away as it fired my second work inspired by Manor Lodge history, Bess of Hardwick. I decided to sculpt and armour unto my Bess of Harwick sculpture, since she was such an amazingly strong woman from what I have learned and read.
For additional images of our experience at Yorkshire Sculpture Park and of Bess: http://www.facebook.com/edith.garcia.nenadot
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Wed, 18 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/blue_boys.jpg&quot; alt=&quot;AB blue boys 2&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
Some young people in PX like the&lt;a href=&quot;http://t0.gstatic.com/images?q=tbn:ANd9GcTFDn5pa2Jc1wE3k1FuHSlTRRdWMTlRcGCB5m46IzV_c1R4NL_vVyFX66ry&quot; target=&quot;_blank&quot;&gt; navy blue&lt;/a&gt; too!
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            						<pubDate>Wed, 18 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/3_blue_chairs.jpg&quot; alt=&quot;AB 3 blue chairs&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
JOIN CHAIR ORCHESTRA!
Qualities required: FONDNESS OF WALKING, ABILITY TO CARRY A CHAIR, INTEREST IN MUSIC AND SPACE, SENSE OF HUMOUR, TEAM PLAYER.
FIRST PERFORMANCE IN PARSON CROSS IN MID MAY!
JOIN NOW: 077 31509854 / ANIABAS{AT}GMAIL{DOT}COM
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            						<pubDate>Mon, 2 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_280312_head_torso_with_hand_web.jpg&quot; alt=&quot;EG 280312 head collar and hand&quot; /&gt;&lt;/a&gt;&lt;br /&gt;April 2, 2012
Very excited to be back to the studio, I will place the sculpture in the kiln today and being to work on the second work inspired the history of Manor Lodge. I also want to take a closer look at the Cathedral in Sheffield as I have heard that is has strong ties to the area - so I will head that way when I need a break or the clay needs to dry a bit! Back to work...Oh! kiln is being used...well straight into getting my hands dirty and next to figure out a unique wall wooden base for this lovely Royal Lady...;-)!
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Mon, 2 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-04/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/blue_blue_.jpg&quot; alt=&quot;AB Blue Blue&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
Yes, yes, the chair also works with&lt;a href=&quot;http://www.google.com/imgres?q=council+blue&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1280&amp;bih=705&amp;tbm=isch&amp;tbnid=oDS_ZgKYv3CjuM:&amp;imgrefurl=http://en.wikipedia.org/wiki/File:Council_of_Europe_(blue).svg&amp;docid=kSaMH0UBKq9zlM&amp;imgurl=http://upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Council_of_Europe_(blue).svg/713px-Council_of_Europe_(blue).svg.png&amp;w=713&amp;h=600&amp;ei=EwR_T82YH4KF4gTasvj3Bw&amp;zoom=1&amp;iact=hc&amp;vpx=339&amp;vpy=162&amp;dur=3300&amp;hovh=206&amp;hovw=245&amp;tx=166&amp;ty=59&amp;sig=107733900883422612598&amp;page=1&amp;tbnh=171&amp;tbnw=203&amp;start=0&amp;ndsp=16&amp;ved=1t:429,r:1,s:0,i:71&quot; target=&quot;_blank&quot;&gt; 'council' blue....&lt;/a&gt;
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            						<pubDate>Sun, 1 Apr 2012 00:00:00 +0000</pubDate>
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						<title>Little Gems 2012 at Millennium Gallery Sheffield</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Little-Gems-2012-at-Millennium-Gallery-Sheffield</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Little-Gems-2012-at-Millennium-Gallery-Sheffield&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ak_littel_gems_carafe.jpg&quot; alt=&quot;AK little gems carafe&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Little Gems 2012 - new commissions made by next generation of silversmiths
Two young silversmiths who only recently started working in Sheffield, Zoë Watts and Alexander Kerrison, have been commissioned by the Sheffield Assay Office to design and create two brand new silverware objects that will be added to Sheffield's renowned Metalwork collections. The pieces are now on public display in the main reception area of Millennium Gallery until 17th September 2012.
The Little Gems commissions project was started in 2004 to develop new silversmithing talent in Sheffield and continue the city's longstanding tradition of metalworking expertise and creativity. The project gives up and coming makers a unique opportunity to see their designs join the work made by some of the UK's leading silversmiths in the city's nationally significant metalwork collections. &lt;a href=&quot;http://www.assayoffice.co.uk/&quot; target=&quot;_blank&quot;&gt;The Sheffield Assay Office&lt;/a&gt; has to date commissioned 18 of the new Little Gems pieces, created by talented early-career silversmiths who are part of Yorkshire Artspace's prestigious Starter Studio Programme for Silversmiths and Jewellers. All of the Little Gems artworks reflect the interests and skills of each individual maker. These commissions, worth &#163;1500 each, provide the silversmiths with time and materials to develop their ideas into an ambitious new piece of work. 
For Little Gems 2012 the Sheffield Assay Office stipulated that this year's Diamond Jubilee Hallmark was clearly visible in the design.  After the display period one piece will be taken into the collection of the Sheffield Assay Office and the other will become part of Museums Sheffield's Metalwork collection. For Little Gems 2012, Alexander Kerrison designed a carafe, combining his passion for silversmithing and glass blowing. He says: &amp;ldquo;My idea to combine the two materials developed since I was awarded a place on the Starter Studio Programme at Yorkshire Artspace. I think this work has great potential to be taken into many different directions and product ranges. I am passionate about these materials because they are so different in the way they respond to the making process: glassblowing gives instant results but can so easily go wrong; shaping the silver is a much slower process and requires more planning. I think they complement each other beautifully.&amp;rdquo;
Zoë Watts chose to continue to perfect her chasing skills having recently received a &amp;lsquo;Commendation' for the use of traditional hammering techniques at the Goldsmiths' Craft and Design Council's &amp;lsquo;Craftsmanship Awards' held in London earlier this month. She used the Little Gems opportunity to create a candle and match-stick holder with candle snuffer, an ambitious and time-consuming set to make as Zoë explains: &amp;ldquo;I love the energy that needs to go into the skill of raising and chasing. You really have to know the capabilities of the material you are working with. It takes hours of constant hammering and heating which, if you are not careful, can wear the silver thin and brittle to breaking point. This particular piece has been a real challenge for me but I'm very pleased with the results. &amp;ldquo;
Ashley Carson, Assay Master at the Sheffield Assay Office said: &amp;ldquo;The Assay Office is proud to have been involved in the career development of so many young silversmiths who have been supported by Yorkshire Artspace's Starter Studio Programme. We believe it is important to help younger silversmiths in this city as they start their career and we are particularly proud of the fact that traditional skills are passed on by the more experienced generations who have made their home in Sheffield.&amp;rdquo;
Little Gems 2012 stays on display in the main reception area of Museums Sheffield: Millennium Gallery until 17th September 2012.  Little Gems is a partnership project supported by The Sheffield Assay Office, Museums Sheffield and Yorkshire Artspace.
 Aditional Background Notes:
&amp;bull; &lt;a href=&quot;http://www.museums-sheffield.org.uk/collections/metalwork&quot; target=&quot;_blank&quot;&gt;Museums Sheffield's Metalwork Collection&lt;/a&gt; has been classed as a Designated Collection by the Department for Culture Media and Sport (DCMS) in recognition of its national and historical significance. The collection, which exemplifies the Sheffield's rich cultural and historical association with the production of metal that dates as far back as the 14th century, is housed in the Millennium Gallery. Comprising over 13,000 pieces it pays tribute to the skill and craftsmanship of past British metalworkers as well as highlighting the most contemporary cutting edge designs by new and emerging talents. www.museums-sheffield.org.uk
&amp;bull;	&lt;a href=&quot;http://artspace.org.uk/starter-studios&quot;&gt;The Starter Studio Programme for Silversmiths and Jewellers&lt;/a&gt; is a two year rolling programme for early career silversmiths and jewellers who have access to a fully equipped space, business support, mentoring and technical expertise as well as exhibition and commission opportunities. It has been in existence since 2002 and has supported over 20 young makers to date.  Application forms for the October 2012 intake are now available from the Yorkshire Artspace website.
&amp;bull; Little Gems is an annual commission worth &#163;1500 for early career silversmiths who are part of the Starter Studio Programme for Silversmiths and Jewellery at Yorkshire Artspace to design and create new work. These commissions are provided by the Sheffield Assay Office and are displayed for a period of 6 months in the main reception area of Museums Sheffield: Millennium Gallery
&amp;bull;	&lt;a href=&quot;http://www.assayoffice.co.uk/&quot; target=&quot;_blank&quot;&gt;The Sheffield Assay Offic&lt;/a&gt;e was licensed to assay silver in 1773 and is one of the four assay offices in the UK. From 1906 changes in the law allowed some its surplus to be spent on providing a collection of books or objects and the Office now has a large specialised library and a magnificent collection of silver, much of it made in Sheffield. &lt;a href=&quot;http://www.assayoffice.co.uk/the-library-and-the-silver-collection&quot; target=&quot;_blank&quot;&gt;The collection&lt;/a&gt; numbers more than 1000 items of silver and silver plate, dating right back to 1773 and spanning the centuries right up to the present day. Each year a commission is made to add to the collection, from the most elaborate and ornate historical pieces to the stunning simplicity of the more contemporary pieces, including The Little Gems pieces made by participants of the Starter Studio Programme at Yorkshire Artspace. www.assayoffice.co.uk</description>         
            						<pubDate>Fri, 30 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Parson X: Made to Measure</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Parson-X-Made-to-Measure</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Parson-X-Made-to-Measure&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/lg_parson_cross_label_web_1.jpg&quot; alt=&quot;LG parson cross label web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;An exhibition of made-to-measure garments and photo portraits made with residents of Parson Cross &amp; artist Lisa Gallacher on The Moor, Sheffield from 26th March to 6th April 2012
This exhibition of unique garments reflecting personal aspects of life in Parson Cross in one of the shop windows on The Moor Sheffield, is a very public celebration marking the end of a very intimate year-long residency. The Parson Cross: Made to Measure residency project was undertaken by Glasgow based artist Lisa Gallacher following her selection by Yorkshire Artspace in January 2011. Her work focuses on designing and creating wearable garment collections that can be seen as artworks in their own right.
This project has seen Lisa work with 10 Parson Cross residents during 2011/12. Lisa proposed to make bespoke &amp;lsquo;made to measure' garments inspired by family, community life, local history or memories of particular places in the Parson Cross neighbourhood. The work contained in the Parson Cross: Made to Measure exhibition aims to express the unique character and identity of the place and its people. Her brief has been to help Yorkshire Artspace get to know the neighbourhood - prior to their new artists' studios opening up within the SOAR Works development at Knutton Road in Parson Cross - and to connect with local people. As Lisa says &amp;ldquo;I am drawn towards situations where I can explore what it means to belong (or not belong) to a particular place. The reason I was drawn to this residency offered by Yorkshire Artspace was that it had a very specific location; Parson Cross. Parson Cross: Made to Measure has not only provided a chance for participants to exchange ideas and share skills but during the course of the year I understand a little better what it means to be from the area.&amp;rdquo;
The early months of 2011 saw Lisa trying to bring a group of people together to join her in the project and though many techniques were employed, it was word of mouth that drew people in. Lisa recalls &amp;ldquo;By March, Kate introduced me to Betty and I met Janet through Betty. I contacted Gwen through Sarah who then introduced me to Lisa. Ruthie told me about Anna and through Rachael mentioned Dan, who recommended I speak to Lucy.... who in turn introduced me to Grant and through him I met Scott, Courtney &amp; Shannon.&amp;rdquo; By the end of April Lisa had the full group of ten; men and women and ranging in ages from 15 to over 70. Lisa then began to meet with the group, individually and together and so began a series of conversations; about the history of the area and the origins of its name, others expressing frustration at how Parson Cross is viewed negatively by outsiders. Conversations that have celebrated family and community life (past and present) - that have explored the geography of Parson Cross and its fluid boundaries. Discussions that have revealed the powerful sense of pride that local people feel for their area, as well as their hopes for its future - in light of the current regeneration process underway. 
All of the garments in the exhibition have a story reflecting each person's feelings about their area; Scott, Shannon and Courtney, the three young people in the project, all said that Parson Cross gets a bad press and wanted their garment to re-dress this. Courtney's &amp;lsquo;Headline Dress' for example contains newspaper headlines relating to the area with the positive ones (in a minority) in bold type. Grant, a local key-worker based at Yewlands School has a Parsons-style-teddy-boy-frock-coat which draws on the many local legends about how Parson Cross got it name and is embroidered on the breast pocket with a &amp;lsquo;PX' emblem designed by members of his own &amp;lsquo;flock'. Lisa's dress represents how Parson Cross became a place of sanctuary for her, when as a young girl in the 1980s she got on a bus one day, and, instead of going to school she went to see her older sister in Parson Cross; she stayed until her early twenties. Betty, a former Sheffield Transport employee, travelled around the edges of Parson Cross for much of her life. She has marked the landmarks and routes that are significant to her on a map of Parson Cross which will has been translated into a digital print fabric for her blouse. Living alongside the human residents, is a large population of magpies, crows, foxes and domestic cats. Ian's &amp;lsquo;Ponka' poncho-meets-parka-urban-safari-suit made from an &amp;lsquo;up-cycled' retro blanket Ian found locally enables him to view the wildlife incognito! Every year in the spring, fields of wild flowers appear on the patches of waste ground where houses once stood. Gwen's garment will be edged with the poppies, sunflowers and forget-me-nots that represent (for her) new beginnings from old.
The exhibition also contains photo portraits by local photographer &lt;a href=&quot;http://www.jonathan-turner.com/&quot; target=&quot;_blank&quot;&gt;Jonathan Turner&lt;/a&gt; of each person wearing their garment and at the end of the exhibition, they will be returned to their respective owners who will (hopefully) wear them with pride. As Lisa says: &amp;ldquo;Now that the garments are finished and will be with their respective owners in Parson Cross, hind-sight reminds me that this project was never really about &amp;lsquo;manufacturing' a collection of clothes. Each garment is the by-product of a relationship or a series of relationships developed over the past year - and the result of conversations that have explored (amongst other things) the experience of living in and belonging to a particular place. And when the garments are worn around Parson Cross and further afield, I hope that the conversations I had with the group will be extended. They might start with a simple &amp;lsquo;that really suits you' or &amp;lsquo;that's really unusual - where did you get it?' and maybe they'll continue where the garments began, with the personal stories that inspired each one. Whether you call it &amp;lsquo;art' or something else - this is what clothing can do.&quot;
The exhibition of all the garments is on show in a vacant shop window on The Moor Sheffield (Sheffield city centre, near Debenhams) which seems like a perfect place for the work; a socially beneficial re-use of a former commercial clothing retailer bringing a bit of bespoke Parson Cross tailoring to the city centre. Yorkshire Artspace's work in Parson Cross is funded via the Paul Hamlyn Foundation &amp; Arts Council England - if you live in the area and are interested in knowing more or getting involved email &lt;a href=&quot;mailto:rachael@artspace.org.uk&quot;&gt;rachael@artspace.org.uk&lt;/a&gt;
 Additional Background Notes: 
The purpose of the Yorkshire Artspace programme, made possible with funding from Paul Hamlyn Foundation and Arts Council England, is to help us attract artists to the Knutton Road Studios and the Parson Cross area and to help us get to know our new neighbours; make links with local businesses, organisations and individuals. The central enquiry running through all of this work is to explore &amp;ldquo;how artists can contribute to a successful neighbourhood&amp;rdquo;.
The programme specifically looks at how art, artists and arts organisations can operate in a neighbourhood like Parson Cross and more importantly how we can be open and accessible to local people who want to get involved with art and artists. Parson Cross, an inter-war housing estate and a Sheffield example of the Garden City movement. It could be considered an unconventional place for contemporary art. Although council estates, tower blocks and the places that people live and work do attract their fair share of art and artists,  what makes this art programme different is that the attention and focus on this particular area is artists' studios being placed right in the heart of this neighbourhood.
Artists Details: &lt;a href=&quot;http://lisagallacher.wordpress.com/&quot; target=&quot;_blank&quot;&gt;Lisa Gallacher&lt;/a&gt; lives and works in Glasgow and has been developing her practice to a national and international level for the past 12 years. Her work focuses on designing and creating wearable garment collections then can be seen as artworks in their own right. Recently Lisa has worked on arts projects with groups of young people addressing issues around identity, locality and fashion. In one of these projects 'From D&amp;G to D&amp;G' (from Dumfries &amp; Galloway to Dolce &amp; Gabbana) Lisa worked with over 250 young people from Dumfries schools to explore their sense of self, community and place.
Exhibition Venue: The Moor, Sheffield from 26th March to 11th April.  This is a FREE event</description>         
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/chair_and_2_blue_things.jpg&quot; alt=&quot;AB 2 blue things&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
It was a fine sunny day and I was walking around PX again, carrying &lt;a href=&quot;http://www.kindminds.com/images/K317/K317-4-0.jpg&quot; target=&quot;_blank&quot;&gt;a chair.&lt;/a&gt;The chair fits into the locality perfectly. It is exactly same &lt;a href=&quot;http://wiki-images.enotes.com/thumb/b/bd/Color_icon_blue.svg/250px-Color_icon_blue.svg.png&quot; target=&quot;_blank&quot;&gt;shade of blue&lt;/a&gt; as many fences, cars and clothing that people in Parson Cross choose to wear. A couple of examples above!



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            						<pubDate>Wed, 28 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/px_ania_bas_meeting_2.jpg&quot; alt=&quot;AB PX meeting&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
The meeting at the island took place! The group of 4 women and one girl turned up to discuss the island's issues with me. The concerned gentleman watched us from afar. The island was transformed into a gathering place and within minutes we attracted attention of the &lt;a href=&quot;http://content.met.police.uk/Home&quot;&gt;police&lt;/a&gt;, some neighbours (passing by in cars twice!) and a handful of local chirpy youth who came to check what is going on and how it is going to affect them. We discussed some of the options for the island (converting it into a &lt;a href=&quot;http://4.bp.blogspot.com/-PRFmeJUBmTw/TZ4chkLdZbI/AAAAAAAAAe0/S70i2aRdwsc/s1600/carpark.jpg&quot;&gt;car park &lt;/a&gt;being one of them) and will continue the debate via post and during another island gathering. Big thank you to Island Women for their time and energy and ideas!
Meantime &lt;a href=&quot;http://www.kindminds.com/images/K317/K317-4-0.jpg&quot;&gt;the blue chair &lt;/a&gt;and me are going to explore a new green patch and revisit &lt;a href=&quot;http://maps.google.co.uk/maps?q=fulmere+crescent+parson+cross+sheffield&amp;ll=53.42957,-1.482317&amp;spn=0.007735,0.01929&amp;client=safari&amp;oe=UTF-8&amp;hnear=Fulmere+Crescent,+Sheffield+S5+9NP,+United+Kingdom&amp;gl=uk&amp;t=m&amp;z=16&amp;layer=c&amp;cbll=53.430348,-1.483583&amp;panoid=qepfs2sqct02wHit8LAYdA&amp;cbp=12,0,,0,0&quot;&gt;the crescent!&lt;/a&gt;
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            						<pubDate>Tue, 27 Mar 2012 00:00:00 +0000</pubDate>
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						<title>PX: Made to Measure</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/PX-Made-to-Measure</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/PX-Made-to-Measure&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/shannon_26_mum_web.jpg&quot; alt=&quot;LG_Moor_shannon&amp;mum&quot; /&gt;&lt;/a&gt;&lt;br /&gt;To mark the end of her residency in Parson Cross during 2011 we recently held an exhibition of the PX: Made to Measure project in a vacant shop unit on The Moor Sheffield. &lt;a href=&quot;http://www.flickr.com/photos/yorkshireartspace/&quot; target=&quot;_blank&quot;&gt;Click here to see more images via our flickr account&lt;/a&gt;. </description>         
            						<pubDate>Mon, 26 Mar 2012 01:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_280312_head_and_collar_2_web.jpg&quot; alt=&quot;Eg 280312 head and collar 2&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 23, 2012
Have had a busy week in the studio, after being engulfed in the history of Green Estates and Manor Lodge...especially the history of Mary, Queen of Scots and her relationship with Bess of Hardwick and Queen Elizabeth I. Has made my mind race with ideas and possibilities for new works. There are also some artifacts in the Discovery Center (the Education Centre here) that are extremely impressive. I think all of these will be great inspiration for a series of work to create. I hate to leave the studio today as am full of ideas - but next week I will have a chance to get all my ideas down on paper and be ready to work when I return.
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Fri, 23 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_280312_head_web.jpg&quot; alt=&quot;EG 280312 head&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 21, 2012
The Tour was amazing! Peter is such an impressive guide and historian (as well as once being a Headteacher and currently he is the Education and Visitor Experience Officer at Green Estate). I have had glorious privilege of being guide through the history of Green Estates as well as the history of the Sheffield Manor Lodge. As I walked and documented the gorgeous landscape I could not help and wonder how beautiful this area must have been as a deer park with the Earl of Shrewsbury, Bess of Hardwick and Mary, Queen of Scots roaming through the gardens. I do love history! The greatest thrill was to be able and walked into the Manor Lodge and think that Mary, Queen of Scots, had lived here. This for me has been one of the most amazing and fantastic experiences as been a artist in residence in Sheffield. It is truly breathtaking.
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Wed, 21 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_280312_torso_web.jpg&quot; alt=&quot;EG 280312 torso&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 19, 2012
Arrived today with some ideas as to what I would like to create, but have also been looking forward to my tour of the area from Peter on Thursday, to help inspire some new idea, it will be great to be able and get a more in-depth understanding of the area. I have been researching in the meantime, into the history of Mary, Queen of the Scots. It is amazing that she was held prisoner here for 14 years by the 6th Earl of Shrewsbury and his partner Bess of Hardwick. Of course, very well looked after, she was after all a Queen. I decided this week to create a work inspired by this historical story. And will wait to see what else I learn after my tour...and wait for my brain to start turning those creative wheels.
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Mon, 19 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Studios Available at Knutton Road</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Studios-Available-at-Knutton-Road</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Studios-Available-at-Knutton-Road&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/krs_studio_interior_web.jpg&quot; alt=&quot;KRS_studio&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Yorkshire Artspace's latst purpose-built studios, Knutton Road Studios, opened in December. The 9 self contained studios are on the top floor of &lt;a href=&quot;http://www.soarworks.co.uk/&quot; target=&quot;_blank&quot;&gt;SOAR Works&lt;/a&gt;, a stunning new mixed use workspace in the north of Sheffield combining office and light industrial units with those for artists.
Warm and secure with wonderful natural skylights, steel sinks and extract units, the studios are suitable for a wide variety of visual arts and craft practices. Facilities include free on-site parking, bike rack and sun terrace, a triple height communial atrium space with reception, showers and brew points and access to business services. The whole building is fully accessible. 
We currently have just four 34m sq studios remaining at &#163;199 per month, one at 55m sq at &#163;323 per month and one 49m sq at &#163;319 per month (inclusive of VAT and rates, metered utilities extra).
Knutton Road Studos are in the heart of Margetson Crescent neighbourhood centre in Parson Cross with good local facilities and public transport links and are particualrly easy to access from north, east and west Sheffield and Rotherham, Barnsley, Doncaster via the M1.
For direction to Knutton Road Studios &lt;a href=&quot;http://maps.google.co.uk/maps?q=Knutton+Road,+Margetson+Crescent,+Sheffield&amp;hl=en&amp;ll=53.431475,-1.479571&amp;spn=0.010624,0.027874&amp;sll=53.432076,-1.481695&amp;sspn=0.010623,0.027874&amp;vpsrc=0&amp;hq=Knutton+Road,&amp;hnear=Margetson+Crescent,+Sheffield+S5,+United+Kingdom&amp;t=m&amp;z=16&amp;iwloc=A&quot; target=&quot;_blank&quot;&gt;click here&lt;/a&gt;
or see films of the completed studio interiors &lt;a href=&quot;http://vimeo.com/11906066&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;
Follow this link to complete your &lt;a href=&quot;http://artspace.org.uk/studios/applying-for-studio-space&quot;&gt;studio application form&lt;/a&gt;. You can more on our &lt;a href=&quot;http://www.flickr.com/photos/knutton-road-studios&quot; target=&quot;_blank&quot;&gt;Knutton Road Studios flickr page&lt;/a&gt;
or see films of the complteted studio interiors at&lt;a href=&quot;http://www.youtube.com/watch?v=OjPMNKrRB2A&quot;&gt; http://www.youtube.com/watch?v=OjPMNKrRB2A &lt;/a&gt;</description>         
            						<pubDate>Thu, 15 Mar 2012 01:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_girls_with_black_buns_120312_1.jpg&quot; alt=&quot;EG black buns 2 160312&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 9, 2012
Wow! This black clay said that it was perfect for handbuilding; not so sure about that! With no grog this clay is quite difficult to get to handle the handbuilding process...nothing the use of a hairdryer could not fix! Ha! I am pleased to almost be done with this piece, since this clay - has gotten me pretty close to given up a few times! Ha! Am hoping that this clay will come out of the kiln looking luscious and dark! I am looking for the feel of a shadow creeping out of the darkness...let's hope it delivers!
Looking forward to next week, since now that I feel comfortable with the materials and kiln I can start making some larger pieces! Yeaaa! It's almost like it's my birthday next week ;-)! Excited!
For now, back to working on the computer for some laser cutting as the clay dries...really have to stop putting black clay on my keyboard...! Ha!
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Fri, 9 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_man_with_hand_on_head_bw_1.jpg&quot; alt=&quot;EG man with hand on head 160312&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 8, 2012
Began working in black clay for the second piece to partner with the female wall piece. Needed to put away all my white clay materials don't want to mix all these materials together - what a mess that would be! Ha! I purchased some already coloured black earthenware - instead mixing black stain as usual into the clay body. A bit of treat for me to use and already mixed clay - I sure hope this fires black and not a dark brown - otherwise...I might have a few choice words to share! Ha! Well, I am excited to work with this new clay. Lets see what fabulous things we can do...Happy to see the hand I sculpted fit snuggly into the top of its piece...was a bit worried.. ;-)!
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Thu, 8 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_head_110312.jpg&quot; alt=&quot;EG head 120212&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 7, 2012
It is always like Christmas opening a kiln! I am so pleased to be able and see that all the pieces came out perfectly, testing a new clay and slip - was pleased to see that they worked together, yet not so pleased that you can see the brushstrokes. Will see if I can smooth this out a bit...but am pleased that two of the six heads for the Faces of Sheffield piece are done. Will need to start thinking of surface treatments for these. Finished the female figure for the second wall pieces, I am going to start working on the partner for this...
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Wed, 7 Mar 2012 00:00:00 +0000</pubDate>
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						<title>video tour of Manor Oaks</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/video-tour-of-Manor-Oaks</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/video-tour-of-Manor-Oaks&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/MO-complete-2.jpg&quot; alt=&quot;MO complete 2&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We used our old office camera on a very sunny 6th March 2012 to film this short tour of the Manor Oaks Studios' site and a glimpse inside the Starter Studio for Ceramicists. The quality is not great, but we hope it will give an adequate impression of this wonderful location, right on the top of Sheffield.
If you are a new graduate and want to develop your creative ceramics practice, or are returning to a career in clay - you can read more on our starter studio page. We are now accepting applications for this programme. If you are interested in visiting us - we welcome you on our Open Day on Saturday 12th May from 11am to 4pm, co-inciding with the &lt;a href=&quot;http://www.openupsheffield.co.uk/&quot; target=&quot;_blank&quot;&gt;'Open Up&lt;/a&gt;' Sheffield 2012 weekend. Alternatively, please arrange a more convenient day and time by emailing &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;Mir Jansen&lt;/a&gt;, Programme Manager at Yorkshire Artspace.
Application forms for our next programme can be downloaded from our &lt;a href=&quot;http://artspace.org.uk/starter-studios&quot;&gt;Starter Studio Page&lt;/a&gt; (downloads on right hand side) - Deadline 13th July 2012 with a start date in early October 2012.</description>         
            						<pubDate>Wed, 7 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_girl_with_black_buns_050312.jpg&quot; alt=&quot;EG girl with black buns 050312&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 6, 2012
Kiln is at 336 degrees! Yes! So hope to be able and take the piece out today...fingers crossed. First time using studio kiln - even though these are my test pieces, I hope they come out perfect so I can keep the work moving forward! Was busy day, I had a lovely lunch outside today at the organic Café that is part of the Green Estates. Was so great to be able and sit in the sun - with the rest of the artist Miles, Anne and Mir (Organiser) for a tasty lunch. After lunch, I was able to finish building a second piece and hope to place both pieces in the kiln tomorrow. Excited to see them all when they are out of the kiln! 
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Tue, 6 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_tiny_feet_050312.jpg&quot; alt=&quot;EG tiny feet 050312&quot; /&gt;&lt;/a&gt;&lt;br /&gt;March 5, 2012
On first day back to Sheffield and Manor Oak studios, I was so pleased to complete a figure and place it in the kiln. I hope to be able and take the piece out of the kiln in the next day or so. Also continuing with the concepts of Faces of Sheffield, piece - I was able to complete one that was influenced by a young mom walking thought the Green Estates with the most unique style and personality. Tomorrow, I will start a second Face of Sheffield that is being influenced by the creativity of the artists and landscape of the Green Estates around me.
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Mon, 5 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Made for You: slideshow</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Made-for-You-slideshow</link>
                                    	<description>As part of their residency&lt;a href=&quot;http://www.thecollaborators.org.uk/blog&quot; target=&quot;_blank&quot;&gt; THE COLLABORATORS&lt;/a&gt; artists Steve Pool &amp; Kate Genever chose to use part of their residency fee to commission 4 other artists to collaborate with and produce work in response to the Parson Cross neighbourhood.  These 'Small Commissions' were advertised via Arts Council England's 'Artsjobs', drawing national attention to our Parson Cross Programme and the new Knutton Road Studios. Each artist commissioned was offered &#163;300, including materials and travel.  We received a number of very high quality and very diverse proposals from artists who, we assume, were attracted by the open brief and the Parson Cross context rather than the small fee offered.  Short films and images accompany all these projects and they can be found on our website blog page.
This project was supported by Paul Hamlyn Foundation &amp; Arts Council England</description>         
            						<pubDate>Mon, 5 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Art on the Estate</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Art-on-the-Estate</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Art-on-the-Estate&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/pa-art_on_teh_estate_film_jpg_1.jpg&quot; alt=&quot;PA_Art on the Estate film&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Paul Allender a former local resident who grew up on Parson Cross made a film 'Art on the Estate' which sees him return to the house of an old friend whose father painted copies of Dutch Masters.  &quot;This refers to a moment in my youth that transformed my life&quot; he said of this poignant film.
This work was one of four 'Small Commissions' made via THE COLLABORATORS and their Yorkshire Artspace residency in Parson Cross. </description>         
            						<pubDate>Mon, 5 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Wallpapering Rose's: The Movie</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Wallpapering-Roses-The-Movie</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Wallpapering-Roses-The-Movie&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/spkg_wallpapering_jpg.jpg&quot; alt=&quot;SPKG_Wallpapering&quot; /&gt;&lt;/a&gt;&lt;br /&gt;THE COLLABORATORS a short film 'Wallpapering Roses - the Movie' which shows them installing their 'Made for You' artwork in Roses Hardware Shop on Margetson Crescent.
Yorkshire Artspace residency in Parson Cross supported via Paul Hamlyn Foundation &amp; Arts Council England</description>         
            						<pubDate>Thu, 1 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Wallpapering Rose's: The Movie</title>
						            	<link>http://artspace.org.uk/latest-news/2012-03/Wallpapering-Roses-The-Movie</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-03/Wallpapering-Roses-The-Movie&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/spkg_wallpapering_jpg.jpg&quot; alt=&quot;SPKG_Wallpapering&quot; /&gt;&lt;/a&gt;&lt;br /&gt;THE COLLABORATORS a short film 'Wallpapering Roses - the Movie' which shows them installing their 'Made for You' artwork in Roses Hardware Shop on Margetson Crescent.
Yorkshire Artspace residency in Parson Cross supported via Paul Hamlyn Foundation &amp; Arts Council England</description>         
            						<pubDate>Thu, 1 Mar 2012 00:00:00 +0000</pubDate>
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						<title>Starting Out continues with</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Starting-Out-continues-with</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Starting-Out-continues-with&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/starting_out_2011_feat_ania_bas.jpg&quot; alt=&quot;Starting Out 2011 feat ania bas&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Starting Out, our annual start-up course aimed at early career artists and makers continues on March 20th with our popular session : &quot;Money Matters&quot;.
Regular contributer Christopher Bagnell from accountancy firm Grant Thornton will be offering advice on basic accountancy issues, from registering your business to completing your tax returns.
Mir Jansen, programme manager at Yorkshire Artspace will talk to you about pricing your artwork and arts services and will talk to you through the basics of making a good funding application.
The session will take place at Persistence Works Studios, meeting room. Please book in advance by phone 0114 2130111 or email &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;Mir&lt;/a&gt;. Cost &#163;10 (payable on the day). We have a maximum of 20 places available for this session and takes place from 1pm to 4pm.</description>         
            						<pubDate>Wed, 29 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Yorkshire Artspace Gallery</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Yorkshire-Artspace-Gallery</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Yorkshire-Artspace-Gallery&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/gal7.jpg&quot; alt=&quot;gal7&quot; /&gt;&lt;/a&gt;&lt;br /&gt;In the last few months we have been busy running a pilot project of selling shows in the Gallery at Yorkshire Artspace.   We are now keen to receive expressions of interest from individuals or organisations who would like to take on this new exciting venture with commercial potential.
 If you have great ideas,  good business and marketing skills and a passion for contemporary visual art and craft then we would like to hear from you. If you think you have what it takes to run a commercial gallery at Persistence Works, our city centre award winning studio complex, then please submit your expression of interest to Yorkshire Artspace director &lt;a href=&quot;mailto:kate@artspace.org.uk&quot;&gt;Kate Dore&lt;/a&gt; no later than 27th March (5pm).  Details with a vision for the gallery can be found on our &lt;a href=&quot;http://artspace.org.uk/programmes/exhibitions&quot;&gt;exhibition website page&lt;/a&gt;.  We are particularly keen to hear from those who see real benefit of running the gallery as a stand-alone business but as part of a  mutually supportive relationship with Yorkshire Artspace.
You are welcome to arrange a visit to the gallery space, Monday to Friday (between 10am and 4pm).  Please &lt;a href=&quot;mailto:kate@artspace.org.uk&quot;&gt;email&lt;/a&gt; or phone 0114 2130111.</description>         
            						<pubDate>Wed, 29 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/eg_residency_started.jpg&quot; alt=&quot;EG starting residence&quot; /&gt;&lt;/a&gt;&lt;br /&gt;February 17, 2012
During my first week as the artist in residence at Manor Oak Studio's in Sheffield, I was able to get an intimate look into the way people live in Sheffield, during my first week I was able to get to know the city bit by bit. Learning the transportation system (since I quickly found out Sheffield has a lot of hills! ha!).
My first day in the studio, I was very pleased to see that the studio was ready for me to set up and get to work. I awaited the delivery of clay and was pleased to see that my studio mate Miles Gavin was available to help me through the first days in the studio. After setting up my tables and shelf space, I was able to make some initial sketches of ideas for new work. On the second day my clay arrived so was very excited to see that in the first few days I was able to create a new pieces.
During the week I was able to walk around the Green Estates, City Centre and the surrounding area and discover a bit more about life in Sheffield (and try to get a better sense for where I was) . During my walks I began to notice the diversity and unique friendly-ness of the people of the Green Estate community and Sheffield. This inspired! me to try and capture some of the unique faces of Sheffield and I have begun to sketch out a possibilities for new work. I will be back in the studio from 5th March to 9th and from 19th until 23rd and begin to transform these intimate sketches into 3-D sculptural works. In the mean time, keep following my blogs on the Residency Journal page of this website.
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Wed, 29 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Art on the Estate</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Art-on-the-Estate</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Art-on-the-Estate&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/pa-art_on_teh_estate_film_jpg_1.jpg&quot; alt=&quot;PA_Art on the Estate film&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Paul Allender a former local resident who grew up on Parson Cross made a film 'Art on the Estate' which sees him return to the house of an old friend whose father painted copies of Dutch Masters.  &quot;This refers to a moment in my youth that transformed my life&quot; he said of this poignant film.
This work was one of four 'Small Commissions' made via THE COLLABORATORS and their Yorkshire Artspace residency in Parson Cross. </description>         
            						<pubDate>Wed, 29 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Lisa Gallacher exhibition</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Lisa-Gallacher-exhibition</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Lisa-Gallacher-exhibition&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/lg_yewlands_group.jpg&quot; alt=&quot;LG photoshoot&quot; /&gt;&lt;/a&gt;&lt;br /&gt;To mark the end of Lisa Gallacher's residency and the Parson Cross: Made to Measure project, we will be exhibiting the garments created and portraits taken of all ten local participants in one of the empty shop windows on the Moor from 26th of March to 6th April.
The photographs were taken bySheffield based photographer &lt;a href=&quot;http://www.jonathan-turner.com/&quot; target=&quot;_blank&quot;&gt;Jonathan Turner&lt;/a&gt;. We will be using a vacant shop on the Moor, the former  Mark One shop (nearby and on the same side as Debenhams) which seems a perfect place for this exhibition as it presents a socially beneficial re-use of a former commercial clothing retailer to bring a bit of bespoke Parson Cross tailoring to the city centre.
Read more on Lisa Gallacher's &lt;a href=&quot;http://artspace.org.uk/residency-journal/src/residency/knutton-road-lisa-gallacher&quot;&gt;Residency Journal&lt;/a&gt;.   The essay: Parson X: Made to Measure, written by Fiona Jardine, appears on the &lt;a href=&quot;http://artspace.org.uk/blog/permalink/2012-01/parson-x-made-to-measure&quot;&gt;blog page&lt;/a&gt; of our website.</description>         
            						<pubDate>Wed, 29 Feb 2012 00:00:00 +0000</pubDate>
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						<title>New Model Art Institutions & Social Engagement</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/New-Model-Art-Institutions-Social-Engagement</link>
                                    	<description>...A 1 day event in Liverpool 23 May 2011 exploring how socially engaged visual arts practice can change individuals and communities.  Artangel (London), CCA (Glasgow), FACT (Liverpool) and Grizedale (Cumbria) provide case studies offering distinctive approaches to socially engaged practice...
 This was, on the face of it, just another arts related conference event where you find yourself in a room for the best part of a day listening to others talk.  In actuality it was a conference style event where we did find ourselves in an auditorium for the best part of the day listening to others -  but it proved to be somewhat of a turning point for Rachael Dodd Programme Manager at Yorkshire Artspace.
 &amp;ldquo;Hearing from some other organisations involved in this field was informative and inspiring but it was actually the conversations and ideas that happened on the train home with Steve Pool &amp; Kate Genever and the chats in-between workshop sessions at the event with Ania Bas that were really a catalyst for the Parson Cross Programme.  It was our reaction, inspiration, provocation, irritation that sparked ideas and clarified intentions for our work in Parson Cross.&amp;rdquo;   &amp;ldquo;So it is a renewed interest that I will read the study report just published arising from this conference event and also a point to pause and reflect on what has happened in Parson Cross since that day in May 2011.&amp;rdquo; 
&lt;a href=&quot;http://www.uclan.ac.uk/schools/school_of_social_work/research/pru/files/wzw_nmi_report.pdf &quot; target=&quot;_blank&quot;&gt; Research Report can be downloaded by clicking here&lt;/a&gt;&lt;br /&gt;</description>         
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						<title>Wood Fired Kiln building course</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Wood-Fired-Kiln-building-course</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Wood-Fired-Kiln-building-course&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/sv_kilnbuilding_in_hungary_web.jpg&quot; alt=&quot;SV kiln building in Hungary&quot; /&gt;&lt;/a&gt;&lt;br /&gt;This unique opportunity to learn to build the first urban smokelesswood-fired kiln will be lead by expert ceramicists &lt;a href=&quot;http://www.freeformceramics.co.uk/&quot; target=&quot;_blank&quot;&gt;Penny Withers&lt;/a&gt; and &lt;a href=&quot;http://studiopottery.co.uk/profile/Sarah/Villeneau&quot; target=&quot;_blank&quot;&gt;Sarah Villeneau&lt;/a&gt;. It takes place from 24th March to 1st April 2012.
Sheffield Manor Lodge is managed by the social enterprise, Green Estate and in keeping with their ethos of environmental sustainability, community involvement and education, ceramcists Penny Withers and Sarah Villeneau  are offering a unique opportunity to participate in the building of a  unique wood fired kiln, designed by internationally acclaimed Japanese master of wood-fired kiln building: &lt;a href=&quot;http://www.miharuarts.com/kusakabe/index.php?page=home&quot; target=&quot;_blank&quot;&gt;Masakazu Kusakabe&lt;/a&gt;. Experience in kiln building is not required but a keen interest in ceramics and wood-firing is!
You will have the opportunity to test fire the kiln and there are facilities on site for making and glazing. Penny and Sarah were both previous Chairs of the Rufford Wood-firing Society and are highly experienced workshop leaders and wood-firers. Sarah recently participated in a smokeless kiln-building Masterclass with Masakazu Kusakabe in Hungary and brings this first-hand experience to the course.
Participants will have the opportunity to learn through application, the basics of kiln design and construction and the specific plan for the Manor Oaks kiln. They will learn about the theory and practice of firing and use of specific glazes for wood-firing. Penny and Sarah will give demonstrations on throwing and hand-building in the pottery workshop, offering one to one tuition if necessary.
The course fee &#163;270 for 9 days.  There are additional test firing sessions planned which are free of charge.  Alternatively, individuals can choose to take part for a shorter period at &#163; 30 per day for a minimum 4 days. Price includes: one 12.5 Kg bag clay per person (with additional clay available at cost); use of oxides and glazes for decoration; one biscuit firing (additional firings available at cost); one post course glaze firing in the completed kiln.  Free camping and barbecue facilities, washrooms and toilets are available on site.  Booking is essential!  Contact  &lt;a href=&quot;mailto:manorstokers@yahoo.co.uk&quot;&gt;manorstokers@yahoo.co.uk&lt;/a&gt; for a booking form.
For directions &lt;a href=&quot;http://maps.google.co.uk/maps?q=Sheffield,+S2+1UL,+UK&amp;hl=en&amp;sll=53.800651,-4.064941&amp;sspn=22.297654,57.084961&amp;oq=S2+1UL&amp;hnear=Sheffield+S2+1UL,+United+Kingdom&amp;t=m&amp;z=16&quot; target=&quot;_blank&quot;&gt;click here&lt;/a&gt;.  Manor Lodge and Manor Farm are situated 10 minutes from Sheffield train station by car/taxi, 20 to 30 minutes by foot or is accessible by bus number 22 from Sheffield City Centre, &lt;a href=&quot;http://maps.google.co.uk/maps?q=Arundel+Gate,+Sheffield,+S1,+UK&amp;hl=en&amp;sll=53.376412,-1.434926&amp;sspn=0.010945,0.027874&amp;oq=Arundel+&amp;hnear=Arundel+Gate,+Sheffield,+South+Yorkshire+S1,+United+Kingdom&amp;t=m&amp;z=16&quot; target=&quot;_blank&quot;&gt;Arundel Gate AG3&lt;/a&gt;.</description>         
            						<pubDate>Tue, 28 Feb 2012 00:00:00 +0000</pubDate>
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						<title>A Day in the Life of PX</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/A-Day-in-the-Life-of-PX</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/A-Day-in-the-Life-of-PX&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/tb_parson_x.jpg&quot; alt=&quot;TB a day in the life of&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://www.tessabunney.co.uk/&quot; target=&quot;_blank&quot;&gt;Tessa Bunney&lt;/a&gt;, an international documentary photographer spent 2 days on the Parson Cross estate taking photo portraits to produce a book 'A Day in the Life of Parson Cross' which has been distributed around the neighbourhood.
This was one of four 'small commissions' made via THE COLLABORATORS as part of their Yorkshire Artspace residency in Parson Cross</description>         
            						<pubDate>Sat, 25 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ab_blog_at_the_post_office.jpg&quot; alt=&quot;AB_blog at the post office&quot; /&gt;&lt;/a&gt;&lt;br /&gt;I am guessing people who read this blog rarely live in Parson Cross. So I went with the print out of one of my entries to the post office on &lt;a href=&quot;http://maps.google.com/maps?q=margetson+crescent+sheffield&amp;hl=en&amp;ll=53.43154,-1.478782&amp;spn=0.00096,0.002642&amp;sll=37.0625,-95.677068&amp;sspn=41.682395,86.572266&amp;hq=margetson+crescent&amp;hnear=Sheffield,+South+Yorkshire,+United+Kingdom&amp;t=m&amp;z=19&amp;layer=c&amp;cbll=53.43154,-1.478782&amp;panoid=Q1_h7xhz3NMZc7YDxKI9Ug&amp;cbp=12,318.42,,0,0&quot; target=&quot;_blank&quot; title=&quot;post office &quot;&gt;Margetson Crescent&lt;/a&gt; in Parson Cross and asked the ladies who work there to display it for me in their window. They agreed! So since February the blog lives its life on PX Post Office. I shall make sure the window is frequently updated.
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            						<pubDate>Thu, 23 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ab_island.jpg&quot; alt=&quot;AB_island&quot; /&gt;&lt;/a&gt;&lt;br /&gt;I found &lt;a href=&quot;http://maps.google.com/maps?q=Dugdale+Road,+Sheffield,+United+Kingdom&amp;hl=en&amp;ll=53.43287,-1.481178&amp;spn=0.000967,0.002642&amp;sll=37.0625,-95.677068&amp;sspn=41.682395,86.572266&amp;oq=dugdale+road+&amp;hnear=Dugdale+Rd,+Sheffield,+United+Kingdom&amp;t=m&amp;z=19&amp;layer=c&amp;cbll=53.43289,-1.481431&amp;panoid=KdIIF7xXsnymXgY0Q087Qg&amp;cbp=12,149.81,,0,6.03&quot; target=&quot;_blank&quot; title=&quot;The Island&quot;&gt;the island.&lt;/a&gt; It looks like a miniature oasis. It hosts a telephone post, a street lamp and is covered in thick grass but not a single tree or a bench in sight. I took there &lt;a href=&quot;http://www.google.co.uk/imgres?q=blue+plastic+chair&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=nOAhwzzB4UBhoM:&amp;imgrefurl=http://www.kindminds.com/stackable-blue-plastic-chair-K317-4.html&amp;docid=yp0ri0Ax1MZ04M&amp;imgurl=http://www.kindminds.com/images/K317/K317-4-0.jpg&amp;w=600&amp;h=600&amp;ei=arpHT7y2HrO10QWyjJ2NDg&amp;zoom=1&amp;iact=hc&amp;vpx=188&amp;vpy=150&amp;dur=890&amp;hovh=225&amp;hovw=225&amp;tx=129&amp;ty=117&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=166&amp;tbnw=160&amp;start=0&amp;ndsp=19&amp;ved=1t:429,r:0,s:0&quot; target=&quot;_blank&quot; title=&quot;Blue Chair&quot;&gt;the blue chair &lt;/a&gt;during my February visit and spent a bit of time sitting around, reading and organizing my notes after the morning meetings.
A gentleman who lives by the island approached me to check &quot;What is all of this about?&quot; He found it weird that it was all about sitting, reading and enjoying the green spot. I was directed towards &lt;a href=&quot;http://maps.google.com/maps?q=Dugdale+Road,+Sheffield,+United+Kingdom&amp;hl=en&amp;ll=53.435125,-1.472114&amp;spn=0.007734,0.021136&amp;sll=37.0625,-95.677068&amp;sspn=41.682395,86.572266&amp;oq=dugdale+road+&amp;hnear=Dugdale+Rd,+Sheffield,+United+Kingdom&amp;t=m&amp;z=16&amp;layer=c&amp;cbll=53.435125,-1.472114&amp;cbp=12,0,,0,0&amp;photoid=po-25787958&quot; target=&quot;_blank&quot; title=&quot;Colley Park&quot;&gt;the park&lt;/a&gt;that had &quot;millions spent on it&quot; and surely must be a better spot to enjoy greenery and fresh air.
It came to me then. I will invite all the people living by the island to join me for&lt;a href=&quot;http://www.literary-liaisons.com/article005.html&quot; target=&quot;_blank&quot; title=&quot;Tea&quot;&gt; 5 o'clock tea &lt;/a&gt;on the green and have a chat about this area. Explore possibilities and opportunities that the island has. There are 14 houses around the green. I posted hand written cards through the doors the very next day with my intentions (let's meet and chat) and contact details on it.
Almost immediately the same gentleman emerged from his house and came running my way to let me know that he is happy with the island as it is and he doesn't want &lt;a href=&quot;http://www.google.co.uk/imgres?q=dogs&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=_r9YKJ88l22vxM:&amp;imgrefurl=http://www.clickpets.co.uk/pet-advice-guides/offering-free-dogs-to-a-good-home/&amp;docid=qyp53Lc8htLiGM&amp;imgurl=http://images.clickpets.co.uk/dogs.jpg&amp;w=514&amp;h=350&amp;ei=PLxHT83bLsLW8QPR-tiFDg&amp;zoom=1&amp;iact=hc&amp;vpx=963&amp;vpy=202&amp;dur=5221&amp;hovh=185&amp;hovw=272&amp;tx=136&amp;ty=92&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=158&amp;tbnw=216&amp;start=0&amp;ndsp=19&amp;ved=1t:429,r:5,s:0&quot; target=&quot;_blank&quot; title=&quot;dogs&quot;&gt;dogs&lt;/a&gt; / &lt;a href=&quot;http://www.google.co.uk/imgres?q=kids&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=zmq8Y_9z_DpwQM:&amp;imgrefurl=http://www.egodevelopment.com/4-fun-silent-auction-ideas-for-kids/&amp;docid=to4iDKcfRa13MM&amp;imgurl=http://www.egodevelopment.com/wp-content/uploads/2011/01/kids.jpg&amp;w=847&amp;h=567&amp;ei=WrxHT9niK9Tx8QP0m-irDg&amp;zoom=1&amp;iact=hc&amp;vpx=606&amp;vpy=166&amp;dur=1304&amp;hovh=184&amp;hovw=275&amp;tx=127&amp;ty=45&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=158&amp;tbnw=222&amp;start=0&amp;ndsp=15&amp;ved=1t:429,r:2,s:0&quot; target=&quot;_blank&quot; title=&quot;kids&quot;&gt;kids &lt;/a&gt;/ &lt;a href=&quot;http://www.google.co.uk/imgres?q=football&amp;um=1&amp;hl=en&amp;client=safari&amp;sa=N&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=nrmRXMZsK6XjLM:&amp;imgrefurl=http://en.wikipedia.org/wiki/Association_football&amp;docid=og4UokzQ_jIFTM&amp;imgurl=http://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Football_iu_1996.jpg/300px-Football_iu_1996.jpg&amp;w=300&amp;h=208&amp;ei=jLxHT6eDINLb8QP7oZnADg&amp;zoom=1&amp;iact=hc&amp;vpx=1087&amp;vpy=368&amp;dur=126&amp;hovh=166&amp;hovw=240&amp;tx=100&amp;ty=102&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=146&amp;tbnw=202&amp;start=0&amp;ndsp=18&amp;ved=1t:429,r:11,s:0&quot; target=&quot;_blank&quot; title=&quot;football&quot;&gt;football&lt;/a&gt; / &lt;a href=&quot;http://www.google.co.uk/imgres?q=trouble&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=7afaGfcf39YedM:&amp;imgrefurl=http://alexhughescartoons.co.uk/category/cartoon/illustration-friday-cartoon/&amp;docid=QFDwZwfDN02BuM&amp;imgurl=http://alexhughescartoons.co.uk/archive/2006-10-07-Trouble.jpg&amp;w=300&amp;h=408&amp;ei=qbxHT6aKN4bp8QPV1L2yDg&amp;zoom=1&amp;iact=hc&amp;vpx=343&amp;vpy=309&amp;dur=209&amp;hovh=262&amp;hovw=192&amp;tx=92&amp;ty=121&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=154&amp;tbnw=106&amp;start=0&amp;ndsp=19&amp;ved=1t:429,r:7,s:0&quot; target=&quot;_blank&quot; title=&quot;trouble&quot;&gt;trouble&lt;/a&gt; /&lt;a href=&quot;http://www.google.co.uk/imgres?q=benches&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=sT_3z0sAp9KrIM:&amp;imgrefurl=http://www.gardenfurniture4u.co.uk/acatalog/Benches.html&amp;docid=yqSCpYnuIC3gwM&amp;imgurl=http://www.gardenfurniture4u.co.uk/acatalog/ar335_sm.jpg&amp;w=250&amp;h=250&amp;ei=xLxHT85rjLvyA_Ds-JoO&amp;zoom=1&amp;iact=hc&amp;vpx=725&amp;vpy=277&amp;dur=399&amp;hovh=200&amp;hovw=200&amp;tx=130&amp;ty=82&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=115&amp;tbnw=115&amp;start=0&amp;ndsp=22&amp;ved=1t:429,r:4,s:0&quot; target=&quot;_blank&quot; title=&quot;benches&quot;&gt; benches &lt;/a&gt;/ &lt;a href=&quot;http://www.google.co.uk/imgres?q=trees&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=1oAFUdz_M6E9jM:&amp;imgrefurl=http://www.telegraph.co.uk/earth/earthnews/7645505/Mysterious-new-disease-threatens-oak-trees.html&amp;docid=ziP5JAk6UZ5uoM&amp;imgurl=http://i.telegraph.co.uk/multimedia/archive/00785/oak-tree-460_785153a.jpg&amp;w=460&amp;h=288&amp;ei=2rxHT-27Ksqy8QOzydiYDg&amp;zoom=1&amp;iact=hc&amp;vpx=850&amp;vpy=356&amp;dur=2039&amp;hovh=178&amp;hovw=284&amp;tx=141&amp;ty=130&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=143&amp;tbnw=220&amp;start=0&amp;ndsp=20&amp;ved=1t:429,r:11,s:0&quot; target=&quot;_blank&quot; title=&quot;trees&quot;&gt;trees &lt;/a&gt;/&lt;a href=&quot;http://www.google.co.uk/imgres?q=loitering&amp;num=10&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=VhL_GztS-bRq7M:&amp;imgrefurl=http://www.wm.edu/as/geology/experiences/trips/spring2005/index.php&amp;docid=yWF0QvOiTqMBIM&amp;imgurl=http://www.wm.edu/as/geology/images/fieldexperiences/loitering.jpg&amp;w=580&amp;h=387&amp;ei=9LxHT_6SG46KhQfuxfWFDg&amp;zoom=1&amp;iact=hc&amp;vpx=193&amp;vpy=173&amp;dur=3160&amp;hovh=183&amp;hovw=275&amp;tx=170&amp;ty=72&amp;sig=106365422149744353835&amp;sqi=2&amp;page=1&amp;tbnh=170&amp;tbnw=220&amp;start=0&amp;ndsp=16&amp;ved=1t:429,r:0,s:0&quot; target=&quot;_blank&quot; title=&quot;loitering&quot;&gt; loitering &lt;/a&gt;/&lt;a href=&quot;http://www.google.co.uk/imgres?q=flowers&amp;num=10&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=5URCUoQZZYpHhM:&amp;imgrefurl=http://www.realhomeimprovement.net/tag/flowers&amp;docid=nJ1T6SDTKoLEJM&amp;imgurl=http://www.realhomeimprovement.net/wp-content/uploads/2011/05/flowers.jpg&amp;w=470&amp;h=369&amp;ei=Cr1HT97VNpC2hAfI0pWcDg&amp;zoom=1&amp;iact=hc&amp;vpx=1074&amp;vpy=188&amp;dur=1321&amp;hovh=199&amp;hovw=253&amp;tx=182&amp;ty=93&amp;sig=106365422149744353835&amp;sqi=2&amp;page=1&amp;tbnh=145&amp;tbnw=185&amp;start=0&amp;ndsp=21&amp;ved=1t:429,r:6,s:0&quot; target=&quot;_blank&quot; title=&quot;flowers&quot;&gt; flowers &lt;/a&gt;/ &lt;a href=&quot;http://www.google.co.uk/imgres?q=worry&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=X-SZ-0ebPDa8sM:&amp;imgrefurl=http://robertfagan.com/golf/coaching/5753/a-cure-for-worry&amp;docid=f-rfmR3xm2Mn4M&amp;imgurl=http://sat.gmncdn.com/Blogs/robertfagan/files/2011/10/Worry.png&amp;w=379&amp;h=512&amp;ei=Ir1HT8-cOoSy8QOhwfyGDg&amp;zoom=1&amp;iact=hc&amp;vpx=178&amp;vpy=321&amp;dur=266&amp;hovh=261&amp;hovw=193&amp;tx=141&amp;ty=127&amp;sig=106365422149744353835&amp;page=1&amp;tbnh=147&amp;tbnw=109&amp;start=0&amp;ndsp=21&amp;ved=1t:429,r:7,s:0&quot; target=&quot;_blank&quot; title=&quot;worry&quot;&gt;worry&lt;/a&gt; / &lt;a href=&quot;http://www.google.co.uk/imgres?q=people&amp;num=10&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=Lmoz-04boWXz7M:&amp;imgrefurl=http://www.jokeroo.com/pictures/other/persp.html&amp;docid=8Xvcq477daLXiM&amp;imgurl=http://cl.jroo.me/z3/z/Z/m/c/a.aaa.jpg&amp;w=396&amp;h=261&amp;ei=Rb1HT6DQF4fDhAelwsmqDg&amp;zoom=1&amp;iact=hc&amp;vpx=871&amp;vpy=199&amp;dur=2287&amp;hovh=182&amp;hovw=277&amp;tx=169&amp;ty=98&amp;sig=106365422149744353835&amp;sqi=2&amp;page=1&amp;tbnh=149&amp;tbnw=199&amp;start=0&amp;ndsp=18&amp;ved=1t:429,r:4,s:0&quot; target=&quot;_blank&quot; title=&quot;people&quot;&gt;people &lt;/a&gt;on his island. He doesn't want me either: a good-doer/council spy/non-local, intervening with his place. I reassured him that I have no plans of converting his island into &lt;a href=&quot;http://www.google.co.uk/imgres?q=amusement+park&amp;num=10&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=pW7m8XCHgzCxKM:&amp;imgrefurl=http://www.thetravelerszone.com/travel-information/popular-theme-parks-around-the-world/&amp;docid=Ou1NGKBO1yABmM&amp;imgurl=http://www.thetravelerszone.com/images/ThemeParks/Islands-of-Adventure.jpg&amp;w=450&amp;h=334&amp;ei=Xr1HT6GTJ8i0hAeF0sGTDg&amp;zoom=1&amp;iact=hc&amp;vpx=508&amp;vpy=352&amp;dur=684&amp;hovh=193&amp;hovw=261&amp;tx=134&amp;ty=59&amp;sig=106365422149744353835&amp;sqi=2&amp;page=1&amp;tbnh=148&amp;tbnw=191&amp;start=0&amp;ndsp=18&amp;ved=1t:429,r:8,s:0&quot; target=&quot;_blank&quot; title=&quot;amusment park&quot;&gt;amusement park&lt;/a&gt;. I have no plans what so ever apart from gathering people for a cup of tea and conversation. Maybe not everyone shares his feelings?
He reassured me that he would join the meeting to make his voice heard and tell everyone that the island is in perfect state as it is - empty, quiet and uninviting.
Shortly after that I had a phone call from another concerned islander. The lady who has been living by the island for a long while took me through the troubled times that the island had been through. The tree that used to grow on it was bit by bit killed by local youth. Branch by branch was taken down and the tree was eventually wrecked. Since it was gone the youth moved on and the empty bottles, swearing, thrown stones left with them. I asked what could happen to the green to make it better. The lady proposed to get rid of it all together and convert it into a &lt;a href=&quot;http://www.google.co.uk/imgres?q=concrete+car+park&amp;start=15&amp;num=10&amp;um=1&amp;hl=en&amp;client=safari&amp;rls=en&amp;biw=1366&amp;bih=701&amp;tbm=isch&amp;tbnid=XVoqsmapcH5gPM:&amp;imgrefurl=http://andyharraganandsons.co.uk/landscape.html&amp;docid=bG3jpoWs1J7f-M&amp;imgurl=http://andyharraganandsons.co.uk/images/carpark_big.jpg&amp;w=360&amp;h=266&amp;ei=vL1HT4X9FNKr8APAocHuCg&amp;zoom=1&amp;iact=hc&amp;vpx=371&amp;vpy=379&amp;dur=1401&amp;hovh=193&amp;hovw=261&amp;tx=142&amp;ty=103&amp;sig=106365422149744353835&amp;sqi=2&amp;page=2&amp;tbnh=161&amp;tbnw=216&amp;ndsp=24&amp;ved=1t:429,r:13,s:15&quot; target=&quot;_blank&quot; title=&quot;car park&quot;&gt;concrete car park&lt;/a&gt;for the residents.
I am going ahead with an outdoor tea meeting in March. Tea and biscuits will be served. Worries will be explored. Plans will be made or/and abandoned. Event by invitation only!</description>         
            						<pubDate>Thu, 23 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ab_notice_board.jpg&quot; alt=&quot;AB_notice board&quot; /&gt;&lt;/a&gt;&lt;br /&gt;I want to meet more people living in Parson Cross. My specification is: interesting folk, with sense of humour and something to say. They might be away when I knock on their door so I put an advert in the local shop window hoping that they may spot it on their way to buy a light bulb.</description>         
            						<pubDate>Tue, 21 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Breadmaking film</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Breadmaking-film</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Breadmaking-film&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/psalt_breadmaking_jpg.jpg&quot; alt=&quot;PD_Breadmaking&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://psaltdesign.co.uk/&quot; target=&quot;_blank&quot;&gt;Psalt Designs &lt;/a&gt;a Sheffield based design company produced beautifully crafted bread making tools, with a nod to the history of Fletchers Bakery, formerly one of the bigger employers in Parson Cross.  They also made a short film 'Bread Making', seeing the tools in use at a local bakers.
This was one of four 'small commissions' made via THE COLLABORATORS as part of their Yorkshire Artspace residency in Parson Cross.</description>         
            						<pubDate>Mon, 20 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Rooftops: slideshow</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Rooftops-slideshow</link>
                                    	<description>&lt;a href=&quot;http://www.peter-griffiths.com/&quot; target=&quot;_blank&quot;&gt;Peter Griffiths&lt;/a&gt; an artist based at Yorkshire Artspace made 'Rooftops', a series of window vinyls representing the roof profiles of local houses in the area, now permanently installed in the community room at the Library Learning Zone.
This work was one of four 'Small Commissions' made via THE COLLABORATORS and their Yorkshire Artspace residency in Parson Cross.</description>         
            						<pubDate>Wed, 15 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ab_wires.jpg&quot; alt=&quot;AB_wires&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
When I think I am a teapot. I brew for a while. There is a lot of staring through the window (at the shrubs / at the sky/ at my neighbours) and walking up and down the room involved. I scribble on post its. I spent a little bit too long chatting to the postman. I pick up magazine from my &amp;lsquo;to read' pile and enjoy adverts. I listen to music. I go for a walk to the post office. I file my nails.
None of this is superfluous. All of it is part of my practise so please bear /brew with me.
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            						<pubDate>Mon, 13 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ab_bluechair1.jpg&quot; alt=&quot;AB_bluechair1&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
In order to understand the role of Knutton Road Studios in Parson Cross I have invited a group of people to join me for one afternoon and do some group thinking around issues that bother me (and hopefully them too).
{What is studio for?}
{Who are the Knutton Road Studios designed for?}
{How the studios interact with their locality?}
{What kind of activities should and shouldn't be taking place in the studios?}
{What is the current relationship between people who attended the session and the artists who have studios in the Soar Works building?}
{What kind of relationship they would like to have with the creative folk present in the building?}
Artists, current tenants, managers of the building, representative from YAS and local residents came together to unpin these questions.
Studio was defined broadly, as a thinking - working - meeting - imagining - talking - development space that gives artists reason to be in Parson Cross. A few people commented on the fact that the studios relationship with the area is weak and might remain weak as local residents and locally based artists might not be able to afford spaces in the building.
There was a general willingness to open the building to wider public and not see it as enclosed business centre open only to tenants and their clients. So watch this space as I am definitely exploring this route!
If you are interested in reading all answers please contact me on aniabas{at}gmail{dot}com and I will send you a PDF.
Many thanks to Charlie, Gary, Ian W, Ian D, Karen, Livvy, Paul, Paula, Peter, Rachael, Ruthie, Sarah and Steve who all joined me.
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            						<pubDate>Wed, 8 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-02/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/aniabas2_px.jpg&quot; alt=&quot;AB_Flash Fiction&quot; /&gt;&lt;/a&gt;&lt;br /&gt;It started. I made my first journey up to Parson Cross. I took a bus. I arrived with a map, proper walking shoes, a smile the size of a genetically modified banana and a vague idea - to walk through the area and simply find places that make me stop and meet people who live there. Knutton Road Studios would serve as my temporary base, shelter and reference point.Off I went and within minutes I was standing on&lt;a href=&quot;http://maps.google.com/maps?q=fulmere+crescent,+sheffield&amp;hl=en&amp;ll=53.429417,-1.482403&amp;spn=0.007684,0.021136&amp;sll=37.0625,-95.677068&amp;sspn=41.682395,86.572266&amp;hnear=Fulmere+Crescent,+Sheffield+S5+9,+United+Kingdom&amp;t=m&amp;z=16&amp;layer=c&amp;cbll=53.430315,-1.483762&amp;panoid=9h-FfeisjbhJEOywvwIf2g&amp;cbp=12,0,,0,0&quot; target=&quot;_blank&quot; title=&quot;Fulmere Crescent on Google Maps&quot; class=&quot;googlemapscontainer&quot;&gt;Fulmere Crescent. &lt;/a&gt;Piece of green, curved. Perfect! It was a quiet piece of land though so after a few minutes of loitering I was aware I must have looked well dodgy. I really was ready for a chat but people were either out or busy indoors. So I started knocking on people's doors.Many thanks to Arnie &amp; Constance, Brian, Carol, Matthew, Peter and Stephen who all found time to open them and to talk.
 
I am interested in green spaces, little pockets of land in between houses because they have a potential to act as a gathering point, shared territory, place to meet and do stuff or talk about stuff, a piece of green to stand on to have a better view. I am fond of little green spaces dotted around becuase they often are my outdoor studio spaces, my thinking plots, making areas. In my head Knutton Road Studios and Fulmere Crescent are closely linked - both locations have capacity to act as a focal point.
Whilst chatting to people at Fulmere Crescent I asked them to donate a word that describes the green and learnt that it is occasionally used as a football pitch during warmer months.
Contributed words/phrases:
{quiet}
 {it's just there} 
{peaceful} 
{always the same} 
{green} 
{pleasant}
I used them all to write a short story. (Think &lt;a href=&quot;http://en.wikipedia.org/wiki/Flash_fiction&quot; target=&quot;_blank&quot; title=&quot;Flash Fiction&quot;&gt;flash fiction&lt;/a&gt; and &lt;a href=&quot;http://en.wikipedia.org/wiki/Do_it_yourself&quot; target=&quot;_blank&quot;&gt;DIY &lt;/a&gt;approach to display) The very next day I went to the crescent armed with &lt;a href=&quot;http://www.kindminds.com/images/K317/K317-4-0.jpg&quot; target=&quot;_blank&quot;&gt;a blue chair&lt;/a&gt; to act as my ladder and I attached the story to a utility pole. All hand-written on a card. I hoped for these words to stay on the pole for one afternoon. They lasted only a few hours until the first rain. I am sure Cath and Roy managed to read it all as they did it whilst I was still trying to detach the tape from my fingers and they questioned me about my intentions and my accent. However (surprise, surprise) a few people spotted me strolling through the estate with a blue chair in my arms. This might be my signature action and silent announcement of my presence. I might skip story-writing all together and just carry on promenading with furniture.
Now I am brewing. Anything and everything is possible.
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            						<pubDate>Mon, 6 Feb 2012 00:00:00 +0000</pubDate>
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						<title>Parson X - Made to Measure</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Parson-X-Made-to-Measure</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Parson-X-Made-to-Measure&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/lg_parson_cross_label_web.jpg&quot; alt=&quot;LG_PX Made to Measure_label&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Yorkshire Artspace commissioned artist and writer &lt;a href=&quot;http://www.axisweb.org/ofSARF.aspx?SELECTIONID=16094&quot; target=&quot;_blank&quot;&gt;Fiona Jardine&lt;/a&gt; to produce a text on Lisa Gallacher's residency project: Parson Cross Made to Measure. This projectsaw Lisa work with 10 residents of the Parson Cross neighbourhood of Sheffield during 2011/12 to explore their relationship with the place they live through creating unique 'made to measure' garments. 
Parson X - Made to Measure
Christopher Kane, who graduated from Central St Martins in 2006, is one of the most idiosyncratic designers to have established a label in his own name in recent years. Whereas old school &amp;ldquo;arty&amp;rdquo; fashion designers play with the sculptural potential of clothing, or deconstruct traditional tailoring, (Issey Miyake, Hussein Chalyan, Comme de Garcons, Martin Margeila for example), Kane's approach, (no less &amp;ldquo;arty&amp;rdquo;), is essentially conversational: he draws on personal experiences and affections - his clothes often seem to embody those poignant moments of banality and fantasy which combine to characterize teenage obsessions and aspirations. He says his Autumn/Winter 2011 collection was inspired by lollipops, Sodastreams and pencil cases, the kind of pencil case I think I remember lusting over - padded bubblegum plastic and gel-filled liquid vinyl. For his Spring/Summer 2012 collection, he remarks that the characters he was thinking of when he developed the collection were &quot;the girls you hate at school&quot;.
&amp;ldquo;Arty&amp;rdquo; is an outmoded, off-hand term - in fashion, you might rather substitute &amp;ldquo;directional&amp;rdquo; or &amp;ldquo;conceptual&amp;rdquo;, &amp;ldquo;experimental&amp;rdquo; or &amp;ldquo;editorial&amp;rdquo;. Nonetheless, it is useful in connoting designers who are less immediately concerned with trading on established conventions in relation to what garments are, than what they have been or could be: &amp;ldquo;arty&amp;rdquo; designers are somewhat removed from the present tense. The fact that Miyake, Chalyan etc. are considered &amp;ldquo;arty&amp;rdquo; by virtue of their sculptural innovations in volume, texture and material is to a degree reflective of priorities in &amp;ldquo;art&amp;rdquo; at the time they rose to prominence - the 1980s and early 1990s. Likewise, Kane's conversational approach could be seen to reflect the influence of the type of &amp;ldquo;relational art&amp;rdquo; practices that have characterized the late 1990s and 2000s. Nicolas Bourriaud, the curator credited with coining the term &amp;ldquo;relational art&amp;rdquo;, describes it as &amp;ldquo;an art taking as its theoretical horizon the realm of human interactions and its social context&amp;rdquo;.  He opposes this horizon to the &amp;ldquo;assertion of an independent and private symbolic space&amp;rdquo;. Although his description is not without its problems - the opposition between social context and private symbolic space is not one that can (or should) be sustained - the work of the artists he chooses to illustrate it emphasize &amp;ldquo;conversation&amp;rdquo; and &amp;ldquo;process&amp;rdquo; over &amp;ldquo;object&amp;rdquo; and &amp;ldquo;completion&amp;rdquo;.Similarly, rather than marveling at the technical ingenuity and clever shapes of Miyake and Chaylan, those who buy and admire Kane's clothes enter into a dialogue with his memories and characters - whether they know it or not - (subconsciously) invoking memories and characters of their own: human interaction is privileged over any pure sense of the garment as &amp;ldquo;object&amp;rdquo; in both design and use. Wearing Kane's clothes extends the dialogue through whichever particular contexts, places or events they are worn in, and they enter the ambient geography of our visual environment.
Of course, this is true for all the clothes we choose (or are made) to wear, and it doesn't matter whether choices are deliberate or not, whether the choices are made by someone who loves clothes and the act of dressing or not. Judgments about the class, status and character of people we don't know are made on the basis of reflex first impressions which mesh with our own background and experiences, our social conditioning: clothes are as important determinants of &amp;ldquo;the first impression&amp;rdquo; as facial expressions and accented voices. The power of first impressions is more exaggerated in urban areas where social interactions can be as passing and anonymous as they are frequent and varied. In towns and cities, the opportunity to controvert first impressions is often restricted and decisions about what-to-wear assume greater significance.
In the opening chapter of  Dostoyevsky's &amp;ldquo;Crime and Punishment&amp;rdquo;, the state of the Raskalnikov's hat as he walks through (St)Petersburg, a hat which had &amp;ldquo;originally come from Zimmerman's fashionable shop, but was very shabby now, grown rusty with age, full of holes and covered with stains, without a brim, and cocked on one side at a most disreputable angle&amp;rdquo;, draws attention to him as an oddity, even &amp;ldquo;though that in that particular part of town it would be hard to astonish anyone by the kinds of clothes one wore. The proximity of the Hay Market, the great number of disorderly houses, and, most of all, the working-class population which crammed these streets and alleyways in the centre of Petersburg, lent so bizarre an aspect to the whole place that it would have indeed been strange to be surprised at meeting any man, however curiously dressed.&amp;rdquo; Significantly, Dostoyvesky observes the intersection between &amp;ldquo;place&amp;rdquo; and &amp;ldquo;dress&amp;rdquo;: he suggests that in working class areas of the city - areas which have transient, heterogeneous, immigrant populations - modes of dress are more varied than they are in middleclass parts of town, where the unspoken rules of (19th century) polite society enforce a stricter code and tend towards homogeneity in vestment. The intersection between place and dress maps a complex geography of class, ethnicity, trade and fortune.
Today, &amp;ldquo;fashion&amp;rdquo; - which determines the currency of clothes - reconfigures such a geography to some extent, blending with class and ethnicity across cultural boundaries.  Fashion feeds the power of impression, speeding up the rate at which clothes become outdated (and relegating those who sport them).  Despite the growing importance of relatively stable brand identities and maturing sub-cultural dressing codes, (for example Goth, Fifties Revival, Rudeboy, Harijuku, Geek), fashion's trends are led by an industry still tied to the traditions of textile-manufacture, (although the recent, marked preponderance of &amp;ldquo;celebrity&amp;rdquo; driven fashion ranges might suggest that the site of value in textiles is changing, moving away from fabric, from &amp;ldquo;actual material&amp;rdquo;). For all that Christopher Kane is a designer whose inventiveness and personality distinguishes him as an &amp;ldquo;artist&amp;rdquo; - whose transfer of thoughts into product are an essential element in establishing his brand - he is also an industrial presence, who, in common with the rest of the fashion industry, is locked into the demands of fashion's seasonal cycle. Seasonality marks Kane's clothes in colours and fabrics. Trends are developed by colour forecasters and trend spotters in tandem with textile manufacturers for every level of the industry. Where they are synthesized with the (brand) vision of a high-end designer like Kane, hall-of-mirrors style, they will work their way through the most incidental polyester ruffle, the size of the polka dots on a pair of leggings. Seasonality betrays the temper of last year's mustard, the form of last year's paperbag waist. Colours and shapes mark the dispensible.
All this is a necessary preamble to my consideration of Lisa Gallacher's project &amp;ldquo;Parson X - Made to Measure&amp;rdquo;. For all the geographical, sociological and personal reasons outlined above, Gallacher uses clothing discursively to investigate relationships between people, and between people and their environment. The &amp;ldquo;Parson X - Made to Measure&amp;rdquo; project takes aspects of a design process like Kane's, as well as the theoretical concerns of relational art and notions about the social significance of dressing, and allies them to ideas gleaned from her conversations with residents in the Parson Cross area of Sheffield about their relationship to the area. If we understand Kane's clothes as entering the geography of the visual environment marked by his memories and by seasonality, we can understand the Parson X collection as marked by the personal recollections of the project's participants and the cultural particularity of the area in a similar way. In the Parson X collection, the place of the designer generating ideas and responding to influences is occupied by the residents who volunteered to participate, (who each performed as &amp;ldquo;designer&amp;rdquo; for an individual garment), and the place of seasonality is occupied by their (collective) notion of Parson Cross itself. These substitutions - &amp;ldquo;resident&amp;rdquo; for &amp;ldquo;designer&amp;rdquo;, &amp;ldquo;locality&amp;rdquo; rather than &amp;ldquo;seasonality&amp;rdquo; - and the changes they produce in the emphasis and outcomes of designing garments are at the heart of Gallacher's artistic process. Her role as an artist is as a dispassionate production manager and expert, orientated towards directing the development of the garments and realizing the manufacture according to the ambitions of the project's participants within the realms of practicability. She seeks to open out the processes of (industrial) garment production, explaining technical possibilities and limitations, overseeing and tweaking manufacture, positioning herself as a manufacturer/facilitator, asking - along the way - questions about what an artist is and does. She also occupies a covert role as &amp;ldquo;client&amp;rdquo;, the party with whom the ultimate decision-making power lies. The inspiration for, and detail of, each garment stems freely from the resident/designers individually, but the overall project coheres under Gallacher's broad intent, the way she oversees production and facilitates manufacture.
So, Gallacher's interest in developing the &amp;ldquo;Parson X - Made to Measure&amp;rdquo; project is less in garments themselves, than it is in the processes and roles associated with the production of them. Which is far from saying that the garments are not important. From the outset, in establishing the boundaries of the project - considering the algebra of the substitutions she wished to direct - Gallacher placed a primacy on the everyday functionality of garments - their &amp;ldquo;wearability&amp;rdquo;. The 10 participants chosen to work with Gallacher in &amp;ldquo;Made to Measure&amp;rdquo; worked with her to design functional garments carrying personal narratives in the detail of the pattern on fabric printed to order, or in the particular form of the garment. These narratives, prompted by each resident's consideration of their relationship to the area, use design sources which range from newspaper headlines related to Parson Cross's mediation in the press and photographs of wildflowers seeded on wasteground, to &amp;ldquo;found&amp;rdquo; fabric in the form of a blanket rescued from a skip and the shape of a Victorian gentleman's frock coat intended to evoke the history of Parson Cross's name. Gallacher's emphasis on wearability means that the Parson X project does not end with realising the production of illustrative garments for display or performance, as might be the case if Gallacher had exaggerated the ideas of the residents who participated and directed production towards &amp;ldquo;costume&amp;rdquo;. Costume might be thought of as clothing with peculiar function, removed from the continuum of the everyday by exaggeration, symbolism or purpose; it declares itself and its function immediately, making whoever sports it (self)consciously aware of the distinction of their appearance. Inasmuch, costume is always &amp;ldquo;formal&amp;rdquo;, always inherently &amp;ldquo;impersonal&amp;rdquo;, a mask more than an expression. By directing the production of &amp;ldquo;wearable&amp;rdquo; garments, Gallacher ensures that those garments can enter the ambient geography of our visual environment without necessarily declaring themselves as a costume might. The significance and particularity of the garments' design becomes apparent and relevant through conversation - indicative of the project's central and circular process - otherwise it might pass hidden amongst the general noise of everyday life. Despite the diversity of the garments produced, the variety of colour, fabric and form, the Parson X collection coheres around a place and time - and an experience - which is shared and specific. Perhaps in this, there is a metaphor for the community at Parson Cross itself.
Fiona Jardine, 2012</description>         
            						<pubDate>Tue, 31 Jan 2012 01:00:00 +0000</pubDate>
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						<title>Lisa Gallacher Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Lisa-Gallacher-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Lisa-Gallacher-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/scott.jpg&quot; alt=&quot;LG_Scott_portrait&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&quot;Until quite recently, I've been absorbed in the business of designing and printing fabrics. Developing garment designs and modifying garment patterns. Sourcing zips and matching fabrics; interfacings; shoulder pads; linings; buttons; threads and bias bindings. Preparing instructions for the seamstress. Travelling to and from Sheffield for fittings with each member of the group. Making bias bindings; covering buttons; trying to get collars to sit right; embroidering breast pockets. Stitching; un-picking; re-stitching. Adjusting hemlines, adding fabric - taking it away again; fitting zips; making button-holes; trimming threads; pressing collars and cuffs; attaching garment labels. AND worrying! Will they fit? Will they be flattering? Will the reality of each garment live up to the version that exists in Ian's, Courtney's, Betty's, Janet's, Gwen's, Grant's, Scott's, Shannon's, Lisa's and Anna's imagination?
And now that the garments are finished and with their respective owners in Parson Cross, hind-sight reminds me that this project was never really about &amp;lsquo;manufacturing' a collection of clothes.  Each garment is the byproduct of a relationship/series of relationships developed over the past year - and the result of conversations that have explored (amongst other things) the experience of living in/belonging to a particular place.
Conversations about the history of the area and the origins of its name, others expressing frustration at how Parson Cross is viewed negatively by outsiders. Conversations that have celebrated family and community life (past and present) - that have explored the geography of Parson Cross - its fluid boundaries. Discussions that have revealed the powerful sense of pride that local people feel for their area, as well as their hopes for its future - in light of the current regeneration process underway. Conversations about many things.
And when the garments are worn around Parson Cross and further afield, I hope that these conversations will be extended. They might start with a simple &amp;ldquo;That really suits you&amp;rdquo; or &amp;ldquo;That's really unusual - where did you get it?&amp;rdquo;
And maybe they'll continue where the garments began, with the personal stories that inspired each one.  Whether you call it &amp;lsquo;Art' or something else - this is what clothing can do.&quot;
31 Jan 2012</description>         
            						<pubDate>Tue, 31 Jan 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/edith_photo.jpg&quot; alt=&quot;EG portrait&quot; /&gt;&lt;/a&gt;&lt;br /&gt;January 21, 2012
I had the pleasure of attending the induction for my residency last week, it was a whirl-wind action pack day of trains, transfers and tour of the facilities. Along with meetings to discuss the wonderful opportunities to showcase my work as well the possibility of working with the local community.
The Manor Oaks studio's are gorgeous and the spaces the artists have the privilege of being house in would make any London artists weep in jealousy. They were spacious and pristine. Had a lovely visit and meet some great artists. I am really looking forward to setting up my own work area in the upcoming weeks and start to get my hands dirty... I am so excited and can't wait!
Until next time...Keep in touch at &lt;a href=&quot;http://www.nenadot.com/&quot; target=&quot;_blank&quot; title=&quot;www.nenadot.com&quot;&gt;www.nenadot.com&lt;/a&gt;! xxx</description>         
            						<pubDate>Sat, 21 Jan 2012 00:00:00 +0000</pubDate>
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						<title>Starting Out 2012 continues</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Starting-Out-2012-continues</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Starting-Out-2012-continues&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/group_discussion_web.jpg&quot; alt=&quot;group discussion web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Starting Out, our annual start-up course aimed at early career artists and makers, continues this January with 3 Tuesday afternoon sessions. All sessions take place in the meeting room at Persistence Works Studios, start at 1pm (sessions finish between 4 and 5pm) and cost &#163;10 (payable on the day). This course is now in its 7th year and has proved to be very popular.  We aim to keep the sessions interactive by giving all the artists on the course time to ask questions relating to their individual practice.  Please book your place by contacting &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;Mir Jansen&lt;/a&gt; or phone 0114 2130111.  We have a maximum of 20 places available for each afternoon.
Our first session this year took place place on Tuesday 17th January and focussed on &amp;lsquo;Working with schools, communities and groups'  what do you need to know? \ what do they need to know from you? \ what do you need in place before embarking on delivering workshops or run projects with other people? There were presentation from artist and Creative Director of Encounters, &lt;a href=&quot;http://www.encounters-arts.org.uk/index.htm&quot; target=&quot;_blank&quot;&gt;Ruth Ben-Tovim&lt;/a&gt;. Encounters was formed in 2003 in Sheffield by artists Ruth Ben-Tovim and Trish O-Shea and is now based in Devon where they work on creative projects which are driven by a social responsibility and ethos of community engagement and involvement. Ruth's presentation provided a brief history of Encounters and the impact artist lead projects can have within city/urban regeneration context.  &lt;a href=&quot;http://studiopottery.co.uk/profile/Sarah/Villeneau&quot; target=&quot;_blank&quot;&gt;Sarah Villeneau&lt;/a&gt;is a ceramicist with extensive experience in the management and delivery of education projects. Sarah talked about the practicalities of what you need to know when planning and delivering workshops. &lt;a href=&quot;http://www.ruthieford.blogspot.com/&quot; target=&quot;_blank&quot;&gt;Ruthie Ford&lt;/a&gt;one of our current starter artists in engaged practice shared her experiences of a co-mentoring project with current resident artist Ania Bas and Rachael Dodd, programme manager at Yorkshire Artspace finished the afternoon with a brief outline on policies and procedures to follow when working with children, young people and vulnerable adults.
Our second session this month takes place on Tuesday 24th January and is entitled &amp;lsquo;Work, Work, Work'. We will focus two of our sessions on working in the Public Realm with confirmed presentations from Jill Kelly from &lt;a href=&quot;http://www.beam.uk.net/&quot; target=&quot;_blank&quot;&gt;BEAM&lt;/a&gt; in Wakefield and Yorkshire Artspace artist &lt;a href=&quot;http://www.davidappleyard.co.uk/&quot; target=&quot;_blank&quot;&gt;David Appleyard&lt;/a&gt; who has been working on a number of public realm projects in the last 4 years. We follow with two sessions on taking part in Craft Fairs with confirmed presentations from Lesley Beale from the annual &lt;a href=&quot;http://www.lakesidearts.org.uk/Crafts/LUSTRE.html&quot; target=&quot;_blank&quot;&gt;&amp;lsquo;Lustre' Crafts Fair&lt;/a&gt; in Nottingham and Yorkshire Artspace jeweller Jennie Gillwho attends many of the more prestigious Craft &amp; Trade Fairs in the UK and will talk about how to make the most of these opportunities. We finish the day with a presentation on How (and how not) to Approach Galleries delivered by Yorkshire Artspace programme manager Mir Jansen who will attempt to unravel some of the mysteries surrounding the gallery sector.
Our final session in January takes place on Tuesday 31st January and focuses on &amp;lsquo;You and Your Work on-line' with presentations on &amp;lsquo;how to make the most of websites and social media' delivered by Ruth Wilbur and Michael Cockle from&lt;a href=&quot;http://www.axisweb.org/&quot; target=&quot;_blank&quot;&gt;AXIS&lt;/a&gt; in Leeds. This is a longer session where Michael and Ruth will taking questions from the audience focusing on individual needs and cost effective solutions. Michael and Ruth will also talk about what AXIS does and how artists can benefit from what they do. 
Janet Paske, Director of a soon to be launched, brand new website &amp;lsquo;CraftFinder' will be talking about how her initiative will promote Craft and Craftspeople in the UK. And finally we will be hearing from Andrew Pendrick from Sheffield based on-line craft selling website &lt;a href=&quot;http://www.folksy.com/&quot; target=&quot;_blank&quot;&gt;Folksy&lt;/a&gt; about what they do, who they do it for and how you can get your work sold on-line professionally and securely.</description>         
            						<pubDate>Wed, 18 Jan 2012 01:00:00 +0000</pubDate>
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						<title>Cutler's Hall display</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Cutlers-Hall-display</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Cutlers-Hall-display&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ch_owen_and_katey_jan_2012_web.jpg&quot; alt=&quot;CH katey and owen web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;The second display at the Cutler's Hall features the work of Katey Felton, Owen Waterhouse, Rebecca Lawley and Cameron Maxfield. 
Pam Liversidge, the first lady Master Cutler in the history of the Company of Cutlers in Sheffield, chose Yorkshire Artspace and The Cavendish Centre as her Charities for her year in office. In October 2011 we saw the first display featuring the work of previous starter studio programme beneficiaries Steffan Tooke, Christina Spencer and Andrew Sutherland. We hope that during Pam's year in office we can display as many of our previous and current silversmiths as possible.
The current work will stay on display until end of April 2012.</description>         
            						<pubDate>Mon, 16 Jan 2012 00:00:00 +0000</pubDate>
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						<title>Introducing:</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Introducing</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Introducing&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/AL-bowl.jpg&quot; alt=&quot;AL Bowl&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Anne Laycock, ceramicist
The Starter Studio Programme for Ceramicists was launched in October 2010 and offers early career ceramicists access to a fully equipped shared space for up to 4 people, technical, mentor and ongoing business support for a maximum of 2 yeasr. In addition we are working closely with our partner organisation Green Estate, a regeneration agency who have been working in the Manor area of Sheffield since 1999 and have developed this former 17thC deerpark into a heritage visitor attraction with education centre, farmshop cafe and artists' studios. 
In the forthcoming year an additional wood fired kiln will be built on site with classroom sized workshop facilities to enhance the community and education programme of Green Estate. We envisage that there will be many more opportunities for artists to learn and deliver clay workshop type activities and thereby develop an income strand alongside which may benefit the development of their professional practice. More information on the Manor Oaks Studios can be found on the studios page.
Anne Laycock was selected in July 2011 and began her programme in October. She describes her practice as follows:-
&quot;The design process for me begins with play. I take a material and explore how it behaves bends, breaks reacts to heat, pressure, water, what ever comes to hand. It is once I have begun to collect the behavioral characteristic that ideas start forming and my direction of development finds its self. I then combine this testing with a compatible process and ask myself 'What if ....?'.
My approach is to not to look at machines and tools for what they are designed to do but for what they can do.  The extruder is a tool that is ordinarily used for making parts, tea pot handles, coils for hand building it receives very little if any attention for its role in the making process. I wanted to elevate this tool and challenge its status. It was this attitude that inspired the notion that the extruder could be used like a pencil to draw objects.
Recently my work has been focused on making object that respond to a contemporary life style and environment. I particularly enjoy working with the multiple personalities of clay exploring its acute response to touch when in its plastic state and testing its tolerance when in its harden state. I have had a lot of interest in my work so I'm looking forward to the future.
I have showed my showed my work at the Liverpool Design Festival from 6th to 9th October, The Great Northern Contemporary Craft Fair in Manchester from 20th to 23rd October and will also display my work in MADE at Yorkshire Sculpture Park from 18th October to 28th February 2012. I have been nominated for a 'Networking' residency at Guldagergaard Ceramics Centre in Denmark which is taking place from early January to mid February 2012&quot;.
Anne has joined 2010 starter artists &lt;a href=&quot;http://milesgavin.co.uk/&quot; target=&quot;_blank&quot;&gt;Miles Gavin&lt;/a&gt; who graduated with a BA (Hons.) in Ceramic Design from St. Martin's College London and &lt;a href=&quot;http://www.joelneild.co.uk/&quot; target=&quot;_blank&quot;&gt;Joel Neild&lt;/a&gt; who graduated with a 1st class BA (Hons.) degree from the University of Wales in Cardiff. </description>         
            						<pubDate>Sun, 15 Jan 2012 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2012</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Manor-Oaks-Residency-2012</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Manor-Oaks-Residency-2012&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/edith_photo.jpg&quot; alt=&quot;EG portrait&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We welcome our new 2012 resident artist at Manor Oaks Studios: Edith Garcia.
Edith was selected in November 2011 by Yorkshire Artspace Ceramicists Miles Gavin and Susan Disley - both based at Manor Oaks Studios,  Chief Executive at Green Estate Sue France and Yorkshire Artspace programme manager Mir Jansen.
Born in Los Angeles, Edith Garcia is a ceramic sculptor and researcher. She received her BFA, from the Minneapolis College of Art and Design and MFA from the California College or Arts (and Crafts). Her work has been exhibited throughout North America, Mexico and Europe, and is included in the permanent Sculpture Garden of the Archie Bray Foundation in Montana and other public and private collections across the USA and UK. Her pieces have been featured in New Keramik, Ceramic Review, Ceramic Monthly, Time Out London, American Craft Magazine, Breaking the Mould, and Confrontational Ceramics.
Edith has recently completed her MPhil research into the human figure in sculpture at the Royal College of Art in London. And is the author of upcoming publication 'Ceramics and the Human Figure' published by A&amp;C Black. More information on the artist can be found at &lt;a href=&quot;http://www.nenadot.com&quot; target=&quot;_blank&quot;&gt;www.nenadot.com&lt;/a&gt;.</description>         
            						<pubDate>Fri, 13 Jan 2012 00:00:00 +0000</pubDate>
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						<title>SYMPOSIUM-Art Practice in a Social Context</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/SYMPOSIUM-Art-Practice-in-a-Social-Context</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/SYMPOSIUM-Art-Practice-in-a-Social-Context&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/symposium_web.jpg&quot; alt=&quot;Symposium&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Symposium Event - Art Practice in a Social Context
Judging by delegate feedback this event, which took place on 13th December at Knutton Road Studio Parson Cross, was a real success. 
There were 2 discussion sessions exploring the role that artists and buildings can play in a community setting and trying to unpick what 'socially engaged practice' means in practice. There were also presentations from artists Steve Pool &amp; Kate Genever, Rachael Dodd &amp; Kate Dore, Yorkshire Artspace, Francis McKee, CCA Glasgow and Ian Drayton SOAR Works. 
Audio files of the presentations are now available to download or listen to by clicking on the following:
&lt;a href=&quot;http://vimeo.com/34894046&quot; target=&quot;_blank&quot;&gt;Rachael Dodd, Yorkshire Artspace&lt;/a&gt;
&lt;a href=&quot;http://vimeo.com/34903110&quot; target=&quot;_blank&quot;&gt;Steve Pool &amp; Kate Genever, artists&lt;/a&gt;
&lt;a href=&quot;http://vimeo.com/34903749&quot; target=&quot;_blank&quot;&gt;Morning Discussion Sessio&lt;/a&gt;n- 1
&lt;a href=&quot;http://vimeo.com/34905101&quot; target=&quot;_blank&quot;&gt;Francis McKee, CCA Glasgow&lt;/a&gt;
&lt;a href=&quot;http://vimeo.com/34906146&quot; target=&quot;_blank&quot;&gt;Kate Dore, Yorkshire Artspace&lt;/a&gt;
&lt;a href=&quot;http://vimeo.com/34905814&quot; target=&quot;_blank&quot;&gt;Ian Drayton, SOAR Works&lt;/a&gt;
&lt;a href=&quot;http://vimeo.com/34906420&quot; target=&quot;_blank&quot;&gt;Afternoon Discussion Session - 2&lt;/a&gt;
Images from the day and the projection by Steve Pool &amp; Kate Genever are available to &lt;a href=&quot;http://www.flickr.com/photos/7523585@N07/&quot; target=&quot;_blank&quot;&gt;view here&lt;/a&gt;.
Comments from delegates:&gt;&gt;&gt;&quot;The most valuable learning is when people share what was difficult.&quot;   &gt;&gt;&gt;&quot;I really valued the morning discussion about not trying to engage and affect everyone but trying to form a relationship with those that you do work with.&quot;   &gt;&gt;&gt;&quot;I valued most the range of perspectives [of the presentations] and the stimulation of thinking that resulted from considering how they co-exist, relate and even challenge each other.&quot;  &gt;&gt;&gt;Will you do anything differently as a result of todays event? &quot;Give artists freer briefs.&quot;   &gt;&gt;&gt;&quot;Congratulations [Yorkshire Artspace] on a brilliant partnership and for providing such excellent opportunities for artists, a great event.&quot; 
Questions/issues explored during the day &gt;&gt;&gt;Can the arts and artists make a valuable contribution to a neighbourhood?&gt;&gt;&gt;Should culture be used to assist with social agendas? &gt;&gt;&gt;Can art be useful? &gt;&gt;&gt;What drives artists to work in a community context?  &gt;&gt;&gt;What motivates people to engage with art/artists?  &gt;&gt;&gt;Is it better never to mention art? &gt;&gt;&gt;What difference does it make?&gt;&gt;&gt;Beyond Regeneration-how can we take our work forward?&gt;&gt;&gt;In a harsh economic climate, how can engaged practice be made sustainable? Should it be expected to demonstrate a return on investment and if so, how? &gt;&gt;&gt;Does the current financial climate and funding cuts present exciting possibilities in an imperfect world?
We would like to thank our supporters for this event: Turning Point Yorkshire and Humber. 
Yorkshire Artspace Parson Cross Programme funded through: Paul Hamlyn Foundation and Arts Council England-Yorkshire</description>         
            						<pubDate>Tue, 10 Jan 2012 00:00:00 +0000</pubDate>
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						<title>Winter Craft/Art Workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Winter-CraftArt-Workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Winter-CraftArt-Workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/pw_throwing_class_web.jpg&quot; alt=&quot;PW throwing class&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Smokeless Wood-Fired kiln building course at Sheffield Manor Lodge with ceramicists Penny Withers and Sarah Villeneau: 24th March to 1st April 2012.
Yorkshire Artspace ceramicists Penny Withers and Sarah Villeneau have been working closely with Green Estate to expand the facilities for ceramicists at Sheffield Manor Lodge site where our Manor Oaks Studios are based.   An important part of the ongoing re-development of this site will be the construction of the first urban smokeless wood-fired kiln intended for community use. This kiln will be at the heart of the new Ceramics Centre at Manor Lodge which consists of a ceramics trail, a ceramic ware production line and the Yorkshire Artspace Starter Studio Programme for early career ceramicists and the annual Artist in Residence programme.
Sheffield Manor Lodge is managed by Green Estate and in keeping with the ethos of 'environmental sustainability, community involvement and education' there is a unique opportunity to participate in the building of this fabulous new kiln, designed by internationally acclaimed Japanese master of smokeless wood-fired kiln building: &lt;a href=&quot;http://www.miharuarts.com/kusakabe/index.php?page=profile&quot; target=&quot;_blank&quot;&gt;Masakazu Kusakabe&lt;/a&gt;.  We are looking for people with a keen interest in ceramics and wood-firing, previous experience is not required.The course will be run by established Yorkshire Artspace artists Penny Withers and Sarah Villeneau, both previous Chairs of the Rufford Wood-firing Society and highly experienced workshop leaders and wood-firers.
Participants will have the opportunity to learn about the basics of kiln design and hands-on construction, the theory and practice of wood-firing and the specific glazes used for wood-firing. Penny and Sarah will give demonstrations on throwing and hand-building in the pottery workshop.  Individual tuition as and when required.
The course runs from 24 March to 1 April and costs &#163;270.  This price includes:  one 12.5 Kg bag clay per person (additional clay available at cost), oxides and glazes for decoration, one biscuit firing and one glaze firing.  Free camping and barbecue facilities with washrooms and toilets available on site.  Alternatively, if it is not possible to commit to the full 9 days, participants will be able to sign up for a minimum of 4 days at a cost of  &#163;30 per day.  Booking is essential:  please contact Sarah Villeneau  or Penny Withers for a booking form.
Manor Oaks is situated approx. 10 minutes from Sheffield Midland Station (by car/taxi).  For directions, see contact button on the &lt;a href=&quot;http://www.artspace.org.uk&quot;&gt;home page&lt;/a&gt; of our website.
Portrait and Life Painting with Tim Rose
Painter and water colourist Tim Rose is still running his monthly life/portrait workshops from his own studio at Porter Brook.  'Portrait Painting' on Saturday 28 January and Saturday 24 March and costs &#163;27. 'Life Painting' day on Saturday 25 February also cost &#163;27.   To book a place contact Tim Rose on 0114 255 2171 or email Tim on  &lt;a href=&quot;mailto:tim@timrose.co.uk&quot;&gt;tim@timrose.co.uk &lt;/a&gt;
Printmaking with Rosemary Watson
Rosemary will run an Etching workshop on Saturday 14 January from 11am to 5pm  in Studio 22 at Persistence Works Studios on Brown Street.   This 5-hour etching workshop will be an opportunity to learn about and use less-toxic, more environmentally-friendly etching and printmaking processes. Suitable for printmakers with some previous experience and in particular printmakers wishing to set up their own printmaking facilities.   Maximum 4 participants.  Cost &#163;50 includes all materials.  Please book by emailing Rosemary directly &lt;a href=&quot;mailto:info@arosemarywatson.co.uk&quot;&gt;info@arosemarywatson.co.uk&lt;/a&gt;.
Weekend Throwing Workshop with Penny Withers
These popular workshops still have some places available on the following weekends: 25 and 26 February and 10 and 11 March.   Small groups to allow every participant access to a potters' wheel each with hands-on individual tuition. If you are a complete beginner you will be taught good techniques for centring, making different shapes and turning leather-hard pots. Experienced throwers will be able to have more specific tuition and new techniques can be demonstrated. Cost &#163;95 per person, for details and to book your place contact Penny directly on &lt;a href=&quot;mailto:penn@talktalk.net&quot;&gt;penn@talktalk.net&lt;/a&gt; or 07510668585
Weekly Ceramic Workshops with Brian Holland
Brian's sessions run every Friday from 9.30am to 12.30pm and Saturdays from 10.3 am to 1.30pm and 2pm to 5pm. All aspects of ceramics are covered including hand building, throwing, glazing and glaze formulation, raku firing, working with paper clay. You will be able to learn about making sculptural works, vessels and wall pieces.
The course suits beginners as well as the more experienced.  Cost per 3-hour session is &#163;15 but you can save a few pounds by booking for 5 sessions for just &#163;62.50 - these sessions don't have to be consecutive so if you miss one, it won't be a problem.  Please note: Materials are not included in the price, but you can drink as much green tea as you like at no extra cost.
Contact Brian directly for further details or to book a place &lt;a href=&quot;mailto:brian.holland100@virgin.net&quot;&gt;brian.holland100@virgin.net&lt;/a&gt;</description>         
            						<pubDate>Mon, 9 Jan 2012 02:00:00 +0000</pubDate>
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						<title>Introducing</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Introducing</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Introducing&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ak_pewter_bowl_for_web.jpg&quot; alt=&quot;AK pewter bowl web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We have been busy recruiting the new cohorts for the Starter Studio Programmes for Silversmithing (now entering it's 10th year!) The starter Studio Programme for Silversmithing and Jewellery is based at our city centre Persistence Works Studios where a maximum of 6 early career makers have access to a fully equipped workshop with technical, mentor and ongoing business support. Sponsored by the Sheffield Assay Office since 2001, the programme has supported 18 silversmiths to date, most of whom are now working from their own workshops around the UK. 
In October 2010 we recruited new starters &lt;a href=&quot;#chiara bett&quot;&gt;Chiara Bett&lt;/a&gt;, &lt;a href=&quot;#alexander kerrison&quot;&gt;Alexander Kerrison&lt;/a&gt;, &lt;a href=&quot;#Cathy sutherland&quot;&gt;Cathy Sutherlan&lt;/a&gt;d(pictured) and &lt;a href=&quot;#zoe watts&quot;&gt;Zoe Watts&lt;/a&gt; will be joining Sally Cox at Persistence Works Studios. This is how they describe what they do:
&lt;a name=&quot;chiara bett&quot;&gt;&lt;/a&gt;Chiara Bett, jeweller
A deep fascination with the human figure and the Fantastic is what distinguishes Chiara Bet's pieces of sculptural jewellery; the playful use of body forms and the rich palette of silver and gold are evocative of fanciful creatures of a Classical Grotesque nature and opulent artworks of Renaissance times, a reflection of her Italian background.
In her work she aspires to recreate the sense of wonder and amusement so peculiar to such styles by embedding her own myths and legends in figurative pendants, necklaces and brooches - offering bite size escapism from a disenchantment of reality.  To effectively render the narrative of her designs, she turned to wax carving, producing rather sculptural models based on the theme of deformity and unlikely unions within the human body. The use of wax gives her the opportunity to either electroform or cast her pieces in metal, allowing for the ready transposition in real life of the creatures inhabiting her thoughts.
Drawing is a crucial part of the creative process for Chiara. She likes to keep the energy of the designs alive through the making. Gemstones become part of the composition as a detail and narrative device, while the use of dark patina sets the mood for the work and the story behind it.  Each piece has a history drawn from her interest in the mythological as well as her most intimate mindscapes, and it is to be understood in the tradition of ornamental Grotesque.
&lt;a name=&quot;alexander kerrison&quot;&gt;&lt;/a&gt;Alexander Kerrison, silversmith
Alexander Kerrison is a designer and maker of contemporary pieces in a range of different materials and processes, specializing in silversmithing and glass blowing.
Alex enjoys travel and feels inspired by the different landscapes he encounters. In his work he tries to convey the movement and contours of landscape.  He uses a variety of processes from traditional hammering to pressing and casting.  Recently he has started to combine silver with glass.  This enables him to bring brightness of colour and light reflection into the work.
&quot;I am as passionate about metal, especially silver, as I am about glass.  To create my work I have to use very different skills.  Silver and other metals take time to transform through repetitive movements whilst glass is quick, you only have a short amount of time to get it right.  I love combining these materials - it opens up the scope of what I can achieve&quot;
Alex graduated with a 1st class (Hons) degree in 3D Design from the University of Wolverhampton in June 2011.  He exhibited his work in the Queens Gallery in New Delhi, India in 2011 and was also awarded  a Goldsmiths Company's  &amp;lsquo;Precious Metal' Bursary.    	   Since joining the Starter Studio Programme for silversmiths in Sheffield he has been commissioned by The Cutler's Hall to design and make a goblet for their private collection and he has recently been commissioned for Little Gems 2012, an annual commission from the Sheffield Assay Office to create new work.  This will go on display at Museums Sheffield: Millennium Galleries in March 2012. 
&lt;a name=&quot;Cathy sutherland&quot;&gt;&lt;/a&gt;Cathy Sutherland, jeweller
Cathy Sutherland's jewellery is influenced by the human body and the way we interact with objects around us. Her sculptural jewellery is inspired by delicate insects, fragile skeleton leaves and particularly human skin that, when studied more closely, bear the intricate networks of lines and detailed patterns that reflect the incredible natural surface decoration.
Hands and touch have been key themes throughout her work and my pieces are always made with reference to hands, skin and human contact. The curved, fluid shapes have been created through the process of piercing the lines and then chasing the texture throughout the piece, which allows her to reflect, in metal, the movement of the body and repetitive patterns of the skins surface.
She prefers the objects' surfaces to be uneven yet smooth, inviting you to &amp;lsquo;feel' the patterns of the metal. Cathy creates tactile objects that are personal and reassuring, shaped to fit comfortably in the hand and turned around in the fingers. She uses a combination of silver and patinated base metals as she enjoys the process of patination using acids and the combination of colours.
&lt;a name=&quot;zoe watts&quot;&gt;&lt;/a&gt;Zoe Watts, silversmith/jeweller
Zoe is a silversmith andjeweller working with traditional techniques. She creates beautiful, tangible objects that both retain a functional element and express her fascination with the natural elements.
&quot;I seek inspiration particularly from movement within nature; the twisting turmoil of storms or the curling of the waves, and am intent upon translating the undulation of natural energy into my pieces.   Intrigued partly by the juxtaposition of interesting form and texture, I enjoy the process of watching relief, shape and form being born and continuously evolving from flat precious metal sheet by means of hammering, chasing, twisting, coiling and shaping, and more recently fusing&quot;.
Zoe finds the journey of spontaneous experimentation and the choices she has to make during the making process especially exciting. Zoe exhibited at the 2011&lt;a href=&quot;http://www.thegoldsmiths.co.uk/exhibitions-promotions/goldsmiths'-fair/&quot;&gt;Goldsmiths Fair&lt;/a&gt;in London and was recently awarded the 2012 Little Gems commission, due to be displayed at Museums Sheffield Millennium Galleries from end of March 2012 for a period of 6 months.
Chiara, Alex, Cathy and Zoe will be joing Sally Cox who is now in her second and final year of the programme.
Sally Cox, silversmith/jeweller
Sally joined the programme in October 2010.  She was offered a Sheffield Assay Office Littel Gems commission to produce new work for Galvanize Sheffield 2011 which was shown at the Millennium Galleries.  She then went on to design and make a contemporary consort's badge for the Cutler Company of Hallamshire who installed their first female Master Cutler in October 2011. Sally is currently working on a new collection which she will be exhibiting later this year.</description>         
            						<pubDate>Thu, 5 Jan 2012 02:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2012-01/Manor-Oaks-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2012-01/Manor-Oaks-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/fp_nmw_rb_web.jpg&quot; alt=&quot;FP NMW RB web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest and New Manor Ware
Frances Priest makes ceramic forms, usually three dimensional, employing a rich language of pattern on the surface. Often her patterns are reminiscent of modernism with stripes and spots and chevrons, which, in turn are reminiscent of patterns we associate with non- Western cultures, especially textiles. The relationship between the full forms and their surface pattern is engaging and rewarding as curved surfaces and edges are amplified or camouflaged. Pattern is also used to draw attention to what we consider as surface- sometimes pattern sits on the surface, while other times it is inscribed in the forms, generating an additional interface between the surface pattern and form.
New Manor Ware is the result of a commission instigated by Yorkshire Artspace. The residency was designed to strengthen the relationship between Green Estate and Yorkshire Artspace, who together built the new Manor Oaks Studios. The residency also sought to build links with people in the surrounding communities. The studios sit amongst a16th Century Manor House a 19th Century Farm House, a green development organisation, a café, and a number of community organisations. Manor Lodge has an extraordinary craft history. In the 1700s, local potter John Fox rented the, then, unused North Wing of the Manor House from the owner, the Duke of Norfolk. Fox set up a pottery producing a simple, brown, everyday pottery used throughout Sheffield: Manor Ware.   At one end of the Manor Lodge site is an unexpected feature- a Tudor Turret House- an additional 16th century building added to the Manor House site. The building is perfectly whole, and appears strangely detached from the rest of the site, a little like a fairy tale castle, a folly, or even a children's drawing. Inside, the tight spiral staircase leads to a series of small rooms, and at the top, the banqueting room. This room is encrusted with an extraordinary visual history, spanning centuries, and continents of different tastes and attitudes. Victorian stained glass windows are accompanied by the most remarkable ornate plaster-work ceiling. The ceiling combines pattern-work and motifs never usually seen in the same place or time: classical, or even Etruscan faces loom down, amidst Tudor roses, corn, tulips, intertwining flower motifs held by hands, accompanied by lions and a stately Bassett hound. This diverse family of motifs is framed within diamond-shaped sections that appear to defy the conventional expectations of symmetry in ceiling moulding, making the room feel cave-like, almost like a grotto.
Priest sought a response to this visual history overload, thinking about how the complex array of surface pattern came about. She tells a great story of the 16th century Lady of the house, Bess of Hardwick, flicking through the latest pattern books and picking the ones she liked the best, then deciding how to knit these diverse designs together in her plaster mouldings. To do this, we imagine that these 'original' motifs, are then revolved, reversed, replicated and reformed to make them conform to a whole- being thoroughly re-contextualised in the process.  The lady of the house had the time and the authority to exert her taste and stamp her vision into the ceiling. The pattern books Bess used interest me in particular. I look at examples of pattern books and note the different qualities of the drawn lines- different instruments, marks of varying weights, and evident levels of caution and exuberance. In the case of New Manor Ware, Priest makes her own pattern book- but her version is the stored knowledge of a number of community groups, encouraged to draw the mouldings and other surface patterns in the building.   The cake-like ceiling of the banqueting room seems to directly mirror its original function- as a place to eat only sweet dishes while viewing the deer park below. This flamboyant stimulation of the senses was a strictly upper-class pleasure.
In contrast, Priest has involved a number of community groups on site, inviting them to draw and make prints to capture aspects of the ceiling. Involving community groups to produce New Manor Ware reconnects with the notion of an everyday domestic pottery, and upturns the exclusive use of the banqueting room.   However, there is also something more complicated happening in Priest's choice to involve groups, that reflect the historical processes of surface pattern. Whenever a pattern is built it is likely that multiple visual histories and geographies are being recalled. Sometimes the plundering of the past and other places is deliberate, responding to the spirit of the day and its reference to other times. But even without this deliberate process, patterns always contain elements borrowed, reused, pastiched and reinterpreted. By working with a group Priest mirrors the process of different knowledge and perspectives coming together. It seems that long visual histories are moved around with extraordinary profligacy when we make pattern. Far from the carefully guarded territories of copyright, pattern seems to be a shared cultural property to be used and reused as we wish. In this way pattern, for all its everyday usualness, has a utopian angle.
Despite histories of taste being shaped by the upper classes, pattern is still a language that all feel they can understand and take part in. This seems to be another of the reasons why working with groups makes sense. However, like in Lady Hardwick's ceiling, the final judgement about the work lies with Priest, making the work a reflection on the processes through which taste is finally congealed into form, and the way multiple influences settle into one new shape- usually through one person's final perspective.  The final ceramic pieces incorporate the community's drawings many times- sometimes elements appear as motifs, sometimes they form filigree-like patterns. The transferred patterns have a bluish, grey colour, giving the ware a warm, receptive surface that perhaps black and white would not have achieved.
The wares not only receive patterns, they lead to a reflection on what pattern is. This is emphasised on viewing Priest's working drawings for the work. The drawings are flat, describing the tracery of line that defines outline and determines pattern, not so dissimilar to a dress-making pattern, a cutler's pattern, or the patterns in Lady Hardwick's 16th century source book. Patterns tell you 'how to do it', a model to be replicated. Drawing then becomes the key tool through which we pass from instruction to practice, and from one time to the next. Drawing is the key tool of transit enabling one person's visual history to become the next person's. I'm reminded of a text by field archaeologist Helen Wickstead, writing about how drawing is used by archaeologists: By drawing and drawing and drawing again we let something material from another time act upon us, drawing us into the past.[1] 
Like in the pattern book, the identity of the drawer is preserved in the individuality of the drawn line. The pattern-work, rather than being a line inscribed by Priest, is still resolutely a drawing 'on' the surface', making us understand the historical mobility of 'the pattern' and its reproduction, rather than the touch of one individual. It seems that the use of transfers makes New Manor Ware seem more 'decorated' than Priests inscribed work. While there is no question that pattern is part of human visual languages that we enjoy, its derivation as 'surface' does throw up an inevitable moral dimension. Surface pattern is somehow not to be taken seriously, a decoration rather than a significant communication. I think Priest is playing with these ideas, as well as many others, and doing what Glenn Adamson describes in 'Thinking through Craft' when he says, 'artworks may not only be well made, but may address the conditions of their own manufacture'.[2]
Priest knows that transfers communicate differently to inscription, and that works made involving others generate questions about ownership of cultures and histories. Through these practical processes embedded in the production of the work, Priest enables us to reflect on our understanding of pattern.
Becky Shaw is an artist and Course Leader in Creative Arts Practice at Sheffield Hallam University.
Notes:[1] Wickstead, Helen (2008) Drawing Archaeology. In L. Duff, (ed.) 'Drawing: The Purpose'. Intellect Press, Bristol. Accessed from &lt;a href=&quot;http://www.artistsinarchaeology.org/assets/publications/drawing_the__purpose.pdf&quot; target=&quot;_blank&quot;&gt;Artists in Archaeology website&lt;/a&gt;. [2] Adamson, Glenn (2007) 'Thinking through Craft', Berg. Oxford.</description>         
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						<title>Manor Oaks Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-12/Manor-Oaks-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-12/Manor-Oaks-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/fp_nmw_rb_web.jpg&quot; alt=&quot;FP NMW RB web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest officially completed her residency on 24th September when she exhibited New Manor Ware, her new table ware range inspired by the beautiful 16thC decorative plaster ceiling preserved intact at the Turret House at Manor Lodge. 
The work is now on permanent display in teh banqueting room at the Turret House, open to the public every Friday between 11am and 4pm. 
New Manor Ware was exhibiting at the Gallery at Yorkshire Artspace from 2nd to 11th November, whenwe also showed how Frances' ideas and work developed over the 8 months of her residency including this video documentation of her final work and the opening event at the Turret House.
Frances will return to Sheffield in 2012 to work on a project with Green Estate to develop a simplified version of the design she originally made for New Manor Ware. This design will then be used by the Green Estate staff outreach team who will be working with people with learning disabilities to put into production a commercial range of tableware.
Mir Jansen, programme manager at Yorkshire Artspace
&lt;br /&gt;</description>         
            						<pubDate>Sat, 31 Dec 2011 00:00:00 +0000</pubDate>
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						<title>PW10 Exhibition</title>
						            	<link>http://artspace.org.uk/latest-news/2011-12/PW10-Exhibition</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-12/PW10-Exhibition&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/pw10_web.jpg&quot; alt=&quot;PW 10 flyer web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;PW10
Last chance to see our PW10 exhibition of limited edition artworks made by Yorkshire Artspace artists in conjunction with the 10th anniversary of Persistence Works Studios.
Wednesday 21st December from 11am to 2.30pm. 
32 Yorkshire Artspace artists were selected to create a limited edition of 10 artworks for sale for this very special 10-year anniversary of Persistence Works Studios. Launched on the same day as our annual Open Studios event, the wide range of work in this exhibition ranges from handmade books to jewellery, woodwork, prints and ceramics, all at affordable prices from &#163;20 to &#163;500. 
PW10 runs from Friday 18th November to Wednesday 21st December 2011 and is open between 11am and 5pm every Wednesday, Thursday, Friday and Saturday.
The artists selected are: David Appleyard (metal) \ Chiara Bet (jewellery) \ Chris Boland (jewellery) \ Kath Boyd (glass) \ Anna Childs (woodwork) \ Heather Dewick (books) \ Susan Disley (ceramics) \ Paul Evans (paint/print) \Katey Felton (jewellery) \ Miles Gavin (ceramics) \ Ross Gilbertson (metal) \ Jennie Gill (jewellery) \ Peter Griffiths (print) \ Andrew Hunt (paint/print) \ Alexander Kerrison (metal) \ Carol Lambert (print) \ Joel Neild (ceramics) \ Kate Orme (print) \ Annette Petch (jewellery) \ Trevor Pollard (books) \ Tim Rose (painting) \ Emilie Taylor (ceramics) \ Sue Taylor (print) \ John Thatcher (woodwork) \ Charlotte Tollyfield (metal) \ Keith Tyssen (metal) \ Sarah Villeneau (ceramics) \ Isobel Walker (print) \ Zoe Watts (metal) \ Hanne Westergaards (ceramics) \ Penny Withers (ceramics) \ Neil Woodall (print)</description>         
            						<pubDate>Mon, 19 Dec 2011 01:00:00 +0000</pubDate>
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						<title>Paul Morrison, Cicad 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-12/Paul-Morrison-Cicad-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-12/Paul-Morrison-Cicad-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/paul_morrison_cicad_web.jpg&quot; alt=&quot;Paul Morrison Cicad 2011&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Paul Morrison, Cicad 2011 - Made in Sheffield
Internationally acclaimed Yorkshire Artspace artist Paul Morrison has created this limited edition (10) mirror polished stainless steel laser etching entitled 'Cicad'. 
Paul, originally from Liverpool, studied at Sheffield City Polytechnic in the 1980s and at Goldsmiths College of Art in London the 1990s. He was artist in residence at Yorkshire Artspace in 2007. Represented by London based contemporary art gallery &lt;a href=&quot;http://www.alisonjacquesgallery.com/artists/28-Paul-Morrison/overview/&quot; target=&quot;_blank&quot;&gt;Alison Jacques&lt;/a&gt;, Paul is mostly known for his black and white big scale mural paintings as well as wood block prints of plant-life, from medieval leaf forms to Walt Disney blooms. He also creates large free-standing sculptural works, often created in black or mirror polished stainless steel, depicting similar plant-like forms.
Recent solo shows include Las Vegas Art Museum, Las Vegas (2008); Bloomberg SPACE, London (2007); The Contemporary Museum, Honolulu (2006). His work is held in the collections of eminent Museums and Galleries around the world including the British Council Collection, London; The Museum of Modern Art, New York; Rubell Collection, Miami; Städel Museum, Frankfurt and the Walker Art Gallery in his home town of Liverpool.
Paul is scheduled to have a major solo show at Museum Sheffield's Millennium Galleries in summer 2012.
Stainless Steel was developed in Sheffield in 1913 by Harry Brearley, making this a very 'Sheffield artwork. All proceeds from the sale of this work will help Yorkshire Artspace  to continue their work with different community groups in the new studio neighbourhoods of The Manor and Parson Cross in Sheffield. These neighbourhoods were developed especially to accommodate the workforce for the steel industries during the 1040s but have, since its decline, suffered a great deal of deprivation.
In the last year, in conjunction with our residency programme, we worked with the &lt;a href=&quot;http://www.manorlodge.org.uk/lunch_club&quot; target=&quot;_blank&quot;&gt;Manor Lodge over 50's Lunch Club&lt;/a&gt;, &lt;a href=&quot;http://www.enable-group.org.uk/services/medway-community-centre.php&quot; target=&quot;_blank&quot;&gt;Enable Day Care Centre&lt;/a&gt; for adults with learning difficulties, young people from &lt;a href=&quot;http://www.endeavour.org.uk/&quot; target=&quot;_blank&quot;&gt;Endeavour&lt;/a&gt; based at Wybourn Youth Trust, Anchor Court Sheltered Housing Association and &lt;a href=&quot;http://www.rmet.co.uk/freeman/&quot; target=&quot;_blank&quot;&gt;Ruskin Mill Educational Trust's Freeman College&lt;/a&gt;and residents from the Parson Cross community.
This special limited edition was laser etched by the Sheffield Assay Office with all materials donated by steel company Aalco Nottingham.  Yorkshire Artspace wants to thank Paul, Aalco Nottingham and Sheffield Assay Office for their generous support.
Pictured: Paul Morrison, 'Cicad' 2011, mirror polished stainless stell laser etching, 160mm x 127mm (x 2mm). Framed at &#163;490, Unframed at &#163;430. Limited edition of 10.  (only 4 left!) To order contact Mir Jansen &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;mir@artspace.org.uk&lt;/a&gt; or phone 01142130111</description>         
            						<pubDate>Thu, 1 Dec 2011 00:00:00 +0000</pubDate>
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						<title>Yorkshire Artspace annual Open Studios 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/Yorkshire-Artspace-annual-Open-Studios-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/Yorkshire-Artspace-annual-Open-Studios-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/open_studios_flyer_2011.jpg&quot; alt=&quot;OS 2011 postcard&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Over 60 artists will be opening their studios this November. Please come along to this wonderful yearly event that takes place atPersistence Works and Porter Brook Studios on Friday 18th November from 5.30pm to 9pm and Saturday 19th November 11am to 5pm.
There will be a mobile cafe in the Atrium on both days and guest musicians.  Our city centre buildings are just two minutes walk from the bus and rail stations and an equally short stroll downhill from Debenhams and John Lewis on Brown Street, S1 2BS
 Manor Oaks Studios will be open  Sunday 20th November from 11am to 4pm.  Drinks and food will be available from the Farmshop Cafe and there will be a Santa's Grotto and craft fair in the barns.  Chickens, rabbits and pigs will join Big Lad the Heavy Horse in the yard.  Manor Oaks Studios are located at 389 Manor Lane, S2 1UL. Free on-site parking and a couple of minutes up from the bus stop on Harborough Avenue.
For a list of all the artists that open the doors of their studios at Persistence Works, Porter Brook and Manor Oaks Studios, please visit our &lt;a href=&quot;http://artspace.org.uk/programmes/open-studios&quot;&gt;open studios webpage&lt;/a&gt;.</description>         
            						<pubDate>Fri, 11 Nov 2011 00:00:00 +0000</pubDate>
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						<title>PW10 Exhibition</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/PW10-Exhibition</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/PW10-Exhibition&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/pw10_web.jpg&quot; alt=&quot;PW 10 flyer web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;PW10
An exhibition of limited edition artworks made by Yorkshire Artspace artists in conjunction with the 10th anniversary of Persistence Works Studios.
From 18th November to 21st December \ Open Wednesday to Saturday 11am to 4pm
32 Yorkshire Artspace artists were selected to create a limited edition of 10 artworks for sale for this very special 10-year anniversary of Persistence Works Studios. Launched on the same day as our annual Open Studios event, the wide range of work in this exhibition ranges from handmade books to jewellery, woodwork, prints and ceramics, all at affordable prices from &#163;20 to &#163;500. 
PW10 runs from Friday 18th November to Wednesday 21st December 2011 and is open between 11am and 5pm every Wednesday, Thursday, Friday and Saturday.
The artists selected are: David Appleyard (metal) \ Chiara Bet (jewellery) \ Chris Boland (jewellery) \ Kath Boyd (glass) \ Anna Childs (woodwork) \ Heather Dewick (books) \ Susan Disley (ceramics) \ Paul Evans (paint/print) \Katey Felton (jewellery) \ Miles Gavin (ceramics) \ Ross Gilbertson (metal) \ Jennie Gill (jewellery) \ Peter Griffiths (print) \ Andrew Hunt (paint/print) \ Alexander Kerrison (metal) \ Carol Lambert (print) \ Joel Neild (ceramics) \ Kate Orme (print) \ Annette Petch (jewellery) \ Trevor Pollard (books) \ Tim Rose (painting) \ Emilie Taylor (ceramics) \ Sue Taylor (print) \ John Thatcher (woodwork) \ Charlotte Tollyfield (metal) \ Keith Tyssen (metal) \ Sarah Villeneau (ceramics) \ Isobel Walker (print) \ Zoe Watts (metal) \ Hanne Westergaards (ceramics) \ Penny Withers (ceramics) \ Neil Woodall (print)</description>         
            						<pubDate>Tue, 8 Nov 2011 01:00:00 +0000</pubDate>
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						<title>SYMPOSIUM - Art Practice in a Social Context</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/SYMPOSIUM-Art-Practice-in-a-Social-Context</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/SYMPOSIUM-Art-Practice-in-a-Social-Context&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/knutton_road_october_2011_windowview.jpg&quot; alt=&quot;Symposium image-SOAR Works/Knutton Road Studios&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Symposium Event - Art Practice in a Social Context
This symposium event will take place on 13th December at SOAR Works/Knutton Road Studios. We aim toexplore and examine the role that art, artists and arts organisations can play in communities and neighbourhoods. &gt;&gt;&gt;Can the arts and artists make a valuable contribution to a neighbourhood? Many claims are made about culture and the arts being transformative, able to shift perceptions and bring about change &gt;&gt;&gt;is this true and if so to what extent?
We hope this event will present an opportunity to discuss and ask questions; &gt;&gt;&gt;Should culture be used to assist with social agendas? &gt;&gt;&gt;Can art be useful? &gt;&gt;&gt;What drives artists to work in a community context? &gt;&gt;&gt;What motivates people to engage with art/artists? &gt;&gt;&gt;&gt;Is it better never to mention art? &gt;&gt;&gt;What difference does it make?
The event will take place at the Knutton Road Studios part of the new SOAR Works mixed-use development in the heart of Parson Cross neighbourhood, Sheffield. We will use this innovative model of culture within regeneration and housing renewal initiatives as a starting point for imagining what could be and the role that artist studios could play within the ongoing development of this community. &gt;&gt;&gt;Beyond Regeneration-how can we take our work forward? 
The morning will see presentations from resident artists commissioned by Yorkshire Artspace to work in the Parson Cross neighbourhood of Sheffield during 2011. There will be an introduction from Rachael Dodd Programme Manager at Yorkshire Artspace about the rationale for working in Parson Cross, the focus on arts practice within this social context and the research being supported by the Paul Hamlyn Foundation.  Steve Manthorpe will introduce Turning Point the national initiative to give a voice to the visual arts sector and asking &gt;&gt;&gt;In a harsh economic climate, how can engaged practice be made sustainable? Should it be expected to demonstrate a return on investment and if so, how? 
During the afternoon we will explore the role that buildings can play within communities and how artists and arts organisations can be part of developing their use. There will be a presentation from Francis McKee Director of the CCA Glasgow (Centre for Contemporary Arts), who will talk about how they shaped and adapted their building and programme in changing times. Along with representatives from SOAR Enterprises and Yorkshire Artspace to talk about SOAR Works and the Knutton Road Studios&gt;&gt;&gt;Does the current financial climate and funding cuts present exciting possibilities in an imperfect world? 
We would like to thank our supporters for this event: Turning Point Yorkshire and Humber. 
Yorkshire Artspace Parson Cross Programme funded through: Paul Hamlyn Foundation and Arts Council England-Yorkshire</description>         
            						<pubDate>Tue, 8 Nov 2011 00:00:00 +0000</pubDate>
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						<title>Open Studios 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/Open-Studios-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/Open-Studios-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/open_studios_flyer_2011.jpg&quot; alt=&quot;OS 2011 postcard&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Over 60 artists will be opening their studios this November. Please come along to this wonderful yearly event that takes place atPersistence Works and Porter Brook Studios on Friday 18th November from 5.30pm to 9pm and Saturday 19th November 11am to 5pm.
There will be a mobile cafe in the Atrium on both days and guest musicians.  Our city centre buildings are just two minutes walk from the bus and rail stations and an equally short stroll downhill from Debenhams and John Lewis on Brown Street, S1 2BS
 Manor Oaks Studios will be open  Sunday 20th November from 11am to 4pm.  Drinks and food will be available from the Farmshop Cafe and there will be a Santa's Grotto and craft fair in the barns.  Chickens, rabbits and pigs will join Big Lad the Heavy Horse in the yard.  Manor Oaks Studios are located at 389 Manor Lane, S2 1UL. Free on-site parking and a couple of minutes up from the bus stop on Harborough Avenue.
For a list of all the artists that open the doors of their studios at Persistence Works, Porter Brook and Manor Oaks Studios, please visit our &lt;a href=&quot;http://artspace.org.uk/programmes/open-studios&quot;&gt;open studios webpage&lt;/a&gt;.</description>         
            						<pubDate>Tue, 8 Nov 2011 00:00:00 +0000</pubDate>
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						<title>Winter Craft/Art Workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/Winter-CraftArt-Workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/Winter-CraftArt-Workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/CB-pendant.jpg&quot; alt=&quot;CB pendant&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Make your own brooch or medal with jeweller Chiara Bet
Co-inciding with the New Manor Ware exhibition, Yorkshire Artspace will run a drop-in craft workshop in the gallery on Saturday 5th November from 1pm to 4pm. Using the exhibition as inspiration for the creation of a brooch or medal this creative workshop is suitable for anyone aged 5 upwards. Come along to the Gallery at Persistence Works on 21 Brown Street, Sheffield S1 2BS. The event is free, no need to book, everyone welcome.
Learn to etch, print and paint with Rosemary Watson
Etching workshops will take place on Saturday 5 November and Saturday 3 December, from 11am to 5pm in Studio 22 at Persistence Works Studios.  This will be an opportunity to learn and explore further the less-toxic and more environmentally-friendly etching and printmaking processes based on zinc etched in a copper sulphate acid solution and is suitable for printmakers with some previous experience and in particular printmakers wishing to set up printmaking facilities at home or in their studio max 4 participants, Cost &#163;50 including all materials
Rosemary will also run two separateLife Drawing + Painting classes on Saturday 12 November and Saturday 10 December from 11am to 5pm in Studio 22 at Persistence Works Studios. This 5-hour workshop provides an opportunity to draw and paint from the life figure, using pastels and water-based paints. Suitable for beginners and individuals with previous experience. max 4 participants. Cost &#163;30 (plus models fee at approx &#163;15 per person)  To book a places on the workshops please contact the artist directly by email at &lt;a href=&quot;mailto:Info@arosemarywatson.co.uk&quot;&gt;Info@arosemarywatson.co.uk&lt;/a&gt;
Weekly Ceramic Workshops with Brian Holland
Brian's sessions run every Friday from 9.30am to 12.30pm and Saturdays from 10.3 am to 1.30pm and 2pm to 5pm. All aspects of ceramics are covered including hand building, throwing, glazing and glaze formulation, raku firing, working with paper clay. You will be able to learn about making sculptural works, vessels and wall pieces.
The course suits beginners as well as the more experienced.  Cost per 3-hour session is &#163;15 but you can save a few pounds by booking for 5 sessions for just &#163;62.50 - these sessions don't have to be consecutive so if you miss one, it won't be a problem.  Please note: Materials are not included in the price, but you can drink as much green tea as you like at no extra cost.
Contact Brian directly for further details or to book a place &lt;a href=&quot;mailto:brian.holland100@virgin.net&quot;&gt;brian.holland100@virgin.net&lt;/a&gt;</description>         
            						<pubDate>Fri, 4 Nov 2011 02:00:00 +0000</pubDate>
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						<title>Ania Bas Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/Ania-Bas-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/Ania-Bas-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ania_bas_portrait.jpg&quot; alt=&quot;Ania Bas&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We are really pleased to announce that artist Ania Bas will be the next resident artist working in Parson Cross during the course of 2011.
Ania is an artist and developer of art projects who in her own words &amp;lsquo;works with people rather than canvas.' In recent years has been artist in residence at Whitechapel Art Gallery and New Art Gallery Walsall and has developed work, projects and interventions in many locations within UK and Europe.  Ania will focus on Knutton Road Studios and the role they will have within the neighbourhood of Parson Cross and help us, the Parson Cross community and a community of artists connect with this new building and resource in the heart of the neighbourhood.
She works in various contexts, in open and enclosed spaces, with businesses and the streets, she is interested in people, process based practices and creating experimental art spaces and art sites all of which and more we hope she will bring to Parson Cross.   We look forward to working with her.
&lt;a href=&quot;http://www.aniabas.blogspot.com/&quot; target=&quot;_blank&quot;&gt;Find out more about Ania on her website&lt;/a&gt;</description>         
            						<pubDate>Tue, 1 Nov 2011 00:00:00 +0000</pubDate>
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						<title>Lisa Gallacher Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2011-11/Lisa-Gallacher-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-11/Lisa-Gallacher-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/made_for_you-fitting_of_poncho-_2_.jpg&quot; alt=&quot;LG PX Res_ponka fitting&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&quot;This week has been spent in Parson Cross doing more fittings. Betty's blouse is finished and once the necessary alterations have been made on the other garments the collection will be complete.  
If you were passing the English/Cross cafe on Friday you would have seen Ian and I busy with some(Extreme?)outdoortailoring, while Carl (the photographer) snapped away. Ian has named his parka-style-poncho (made from the blanket he rescued from a PX skip) - the 'Ponka'. When we met up, he produced a zip pull that he's made for it (from found objects) and he also plans to make some buttons for the lapels.
I met with Betty and Janet for our final fitting on Thursday and we spent a good ten minutes laughing about the fact that Betty's house (highlighted on her PX map blouse) is located in her arm-pit and that &amp;lsquo;Grenoside' and &amp;lsquo;Ecclesfield' mark &amp;lsquo;significant' places on her anatomy too........and so it went on.
Lisa looks great in her dress. It's a pale silvery grey silk with the cupped hands motif in repeat across the whole fabric - it looks very 1950's and it's first outing will be at one of the Christmas parties she's going to.
Gwen's tunic outfit really suits her too, we just need to bring the trousers in a bit and edge the top and jacket with her PX wild-flower fabric.   Grant and the Yewland's students are happy with their garments.
We have a few minor alterations to do on Scott's &amp;lsquo;gang of one' jacket and Shannon's &amp;lsquo;convict' dress. Grant has decided he would like the &amp;lsquo;PX' monogram on his parson's coat to be embroidered in silver and we're planning another fitting for Courtney's newspaper headline dress and Anna's memory dress soon.&quot; 
5 Nov 2011</description>         
            						<pubDate>Tue, 1 Nov 2011 00:00:00 +0000</pubDate>
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						<title>New Exhibition Programme</title>
						            	<link>http://artspace.org.uk/latest-news/2011-10/New-Exhibition-Programme</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-10/New-Exhibition-Programme&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/new_manor_ware_display_rb.jpg&quot; alt=&quot;FP NMW RB&quot; /&gt;&lt;/a&gt;&lt;br /&gt;New Manor Ware
New ceramic work created by Manor Oaks artist in residence Frances Priest.
From 2nd to 11th November \ Open Wednesday to Saturday 11am to 4pm
Frances' New Manor Ware' ceramic tableware range was inspired by the decorative plaster ceiling found in the banqueting room fo teh 16thC Turret House at Manor Lodge on Manor Lane Sheffield. 
During the 17th Century, local potter John Fox set up a workshop in a disused wing of the Manor House at Manor Lodge producing functional domestic pottery known as Manor Ware. Widely used across Sheffield, remnants of the pottery were, until recently, found in the many archaeoloigcal digs that took place on this site.
During her residency at Manor Oaks Studios, Frances worked with a total of 86 people from a number of different community groups to help her with designs for a new version for the tableware which she aptly named: New Manor Ware. It reflects Frances' personal response to the richly layered history of craftmanship and decorative art that forms an integral part of the Manor Lodge story from 16th Century through to the present day.
Frances has been the first ceramic artist in residence at the brand new Manor Oaks Studios in Sheffield which she started in January 2011. The New Manor Ware exhibition is shown at Persistence Works Gallery from Wednesday 2nd November when it will be open to the public on Wednesday, Thursday, Friday and Saturday from 11 am to 4pm until Friday 11th November.
A special Private Viewing will take place on Thursday 3rd November from 3pm to 5.30pm when Frances will be present for one last time before returning to her home and workshop in Edinburgh.
On Saturday 5th November, there will be an 'art-in-the-windows' craft workshop. Everyone from age 5 upwards will be able to create their own brooch, inspired by the exhibition display, between 1pm and 4pm. 
PW10
An exhibition of limited edition artworks made by Yorkshire Artspace artists in conjunction with the 10th anniversary of Persistence Works Studios.
From 18th November to 21st December \ Open Wednesday to Saturday 11am to 4pm
33 Yorkshire Artspace artists were selected to create a limited edition of 10 artworks for sale for this very special 10-year anniversary of Persistence Works Studios. Launched on the same day as our annual Open Studios event, the wide range of work in this exhibition ranges from handmade books to jewellery, woodwork, prints and ceramics, all at affordable prices from &#163;20 to &#163;500. 
PW10 runs from Friday 18th November to Wednesday 21st December 2011 and is open between 11am and 5pm every Wednesday, Thursday, Friday and Saturday.
The artists selected are: David Appleyard (metal) \ Chiara Bet (jewellery) \ Chris Boland (jewellery) \ Kath Boyd (glass) \ Anna Childs (woodwork) \ Heather Dewick (books) \ Susan Disley (ceramics) \ Paul Evans (paint/print) \Katey Felton (jewellery) \ Miles Gavin (ceramics) \ Ross Gilbertson (metal) \ Jennie Gill (jewellery) \ Peter Griffiths (print) \ Andrew Hunt (paint/print) \ Alexander Kerrison (metal) \ Carol Lambert (print) \ Joel Neild (ceramics) \ Kate Orme (print) \ Annette Petch (jewellery) \ Trevor Pollard (books) \ Tim Rose (painting) \ Emilie Taylor (ceramics) \ SueTaylor (print) \ John Thatcher (woodwork) \ Charlotte Tollyfield (metal) \ Keith Tyssen (metal) \ Sarah Villeneau (ceramics) \ Isobel Walker (print) \ Zoe Watts (metal) \ Hanne Westergaards (ceramics) \ Penny Withers (ceramics) \ Neil Woodall (print)</description>         
            						<pubDate>Thu, 27 Oct 2011 00:00:00 +0000</pubDate>
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						<title>Residency Parson Cross</title>
						            	<link>http://artspace.org.uk/latest-news/2011-10/Residency-Parson-Cross</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-10/Residency-Parson-Cross&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/LG-PX-made-to-measure-for-web.jpg&quot; alt=&quot;LG ParsonX made2measure web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Artist Lisa Gallacher lives and works in Glasgow and has been developing her practice to a national and international level for the past 12 years. Her work focuses on designing and creating wearable garment collections then can be seen as artworks in their own right. Recently Lisa has worked on arts projects with groups of young people addressing issues around identity, locality and fashion.  In one of these projects 'From D&amp;G to D&amp;G' (from Dumfries &amp; Galloway to Dolce &amp; Gabbana to) Lisa worked with over 250 young people from Dumfries schools to explore their sense of self, community and place.
In anticipation of the new Knutton Road Artist Studios managed by Yorkshire Artspace within the SOAR Works development in Parson Cross, Lisa will work in the neighbourhood during 2011. Lisa will be working  with a group of twelve Parson Cross residents of different ages to develop  the Parson Cross: Made to Measure project.
&quot;Every person working with me over the course of my residency will develop their own unique garment inspired by family, community life and the locality of Parson Cross. My work is often the product of direct engagement with particular communities. I am drawn towards situations where I can explore what it means to belong (or not belong) to a particular place. The reason I was drawn to this residency being offered by Yorkshire Artspace was that it had a very specific location; Parson Cross. I hope that Parson Cross: Made to Measure will not only provide the chance for participants to exchange ideas and share skills but that during the course of the year I will understand a little better what it means to be from the Parson Cross.&amp;rdquo; January 2011
The following is an update from artist in residence in Parson Cross Lisa Gallacher following a &amp;lsquo;record breaking' response to our glittering full page advert in local magazine 5Alive she has been on the Parson Cross trail and secured the first group of people who will work with her as part of Made-to-Measure:
&amp;ldquo;How do you meet people when you arrive in a new place for the first time? Do you place an advert in the local press? Put up notices in the shop windows? Call the radio station and regional newspapers? Invite local residents to come and meet you at the community centre?
When you put it this way the answer is obvious - but that's how I spent January and February. In March however, Kate introduced me to Betty and I met Janet through Betty. I contacted Gwen through Sarah who then introduced me to Lisa. Ruthie told me about Anna and through Rachael mentioned Dan, who recommended I speak to Lucy.... who in turn introduced me to Grant and through him I will meet others - who (I hope!) will introduce me to their brothers, sisters, mums and dads.... grandparents, aunties and uncles.It's now April, I'm looking for 12 Parson Cross residents to collaborate with and I'm almost there......
As a stranger to Parson Cross and an artist who develops garment collections exploring ideas of locality and belonging, &amp;lsquo;Made To Measure' will rely on developing close ties with these residents over the course of the next 8 months. Working with each member of the group, the project will involve creating a collection of bespoke garments that function collectively as a portrait of the area and its people. Unlike previous works, which have drawn on my observations of life in particular places (from the outside looking in), the &amp;lsquo;Made To Measure' project positions Parson Cross residents very firmly in the driving seat. They will decide what we make, how, when and why we make it. I will be following their instructions towards developing a made-to-measure garment for each member of the group. Ultimately, this is a project that aims to capture the essence of life in a place from the &amp;lsquo;inside' - from local people's perspective. At this stage, I have no idea what that will look like - but also know that I'm in expert hands.&amp;rdquo;
Lisa Gallacher, April 2011</description>         
            						<pubDate>Tue, 25 Oct 2011 00:00:00 +0000</pubDate>
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						<title>Lisa Gallacher Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2011-10/Lisa-Gallacher-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-10/Lisa-Gallacher-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/LG-anna-berry-red.jpg&quot; alt=&quot;LG anna berry red&quot; /&gt;&lt;/a&gt;&lt;br /&gt;3rd blog by Lisa Gallacher, September 2011
&quot;The &amp;lsquo;Parson Cross: Made To Measure' garment design stage was finalised in July and my time in the interim has been spent further designing and tweaking the Parson Cross inspired fabrics that will be used to make six of the garments.  These include Betty's map design in cotton; Gwen's wild-flowers in silk; &amp;lsquo;The Star' newspaper headline fabric for Courtney; Anna's &amp;lsquo;memory' design in berry red; Janet's butterfly poem satin and Lisa's Dupion silk fabric that will remind her how she arrived in Parson Cross for the first time.  Two of these fabrics have now been digitally printed and the rest will go into production when the samples are approved.
I have also been buying garment patterns for various dresses, blouses and tops, a cape, a Victorian gentleman's frock-coat (actually much easier than you would think!), a hooded sports jacket and a tunic-style outfit.  Other than that, I've been sourcing complimentary fabrics to be used alongside ones already printed and also to make the remaining four outfits. &amp;lsquo;Convict' stripes and love-heart tulle for Shannon; weather-proof blacks, silvers and breathable mesh for Scott's &amp;lsquo;Gang of One' jacket; &amp;lsquo;warm' violet and aubergine jerseys for Anna's dress; olive green crepe for Gwen.  Yorkshire &amp;lsquo;Melton' navy wool will be used for Grant's Parson's coat and I have chosen lining fabric for Ian's parka style poncho - which will be made from the blanket he rescued from a Parson Cross skip.
It's all shaping up. Theres is still lots to do ....... but I feel I'm getting there. For anyone who likes to hear what I have been doing, I will be giving a talk on Tuesday 4th October between 5 pm and 6 pm at Persistence Works Studios. If you like to come, please let Rachael know on rachael@artspace.org.uk&quot;. Lisa Gallacher</description>         
            						<pubDate>Thu, 20 Oct 2011 00:00:00 +0000</pubDate>
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						<title>Tester Post</title>
						            	<link>http://artspace.org.uk/latest-news/2011-10/Tester-Post</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-10/Tester-Post&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Overview_image.jpg&quot; alt=&quot;YAS Building&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Lorem ipsum dolor sit amet, consectetur adipiscing elit. Mauris magna diam, faucibus nec eleifend tristique, aliquam ut lectus. Vestibulum lacinia interdum tincidunt.
Nulla facilisi. Sed a luctus turpis. Nam sem libero, dictum a imperdiet at, condimentum ut turpis. Lorem ipsum dolor sit amet, consectetur adipiscing elit.
Nam gravida blandit urna vitae tincidunt. Vivamus purus lacus, tempus a cursus in, euismod in ante. Nam consectetur odio sit amet enim tempus iaculis. Aliquam erat volutpat. Nam elementum, odio sit amet dignissim sodales, dolor leo dictum odio, nec ullamcorper risus tortor a eros.</description>         
            						<pubDate>Mon, 17 Oct 2011 00:00:00 +0000</pubDate>
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						<title>Lisa Gallacher Parson Cross Residency</title>
						            	<link>http://artspace.org.uk/latest-news/2011-10/Lisa-Gallacher-Parson-Cross-Residency</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-10/Lisa-Gallacher-Parson-Cross-Residency&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/LG-Parson-X-made-to-measure-web.jpg&quot; alt=&quot;LG px residency&quot; /&gt;&lt;/a&gt;&lt;br /&gt;First Blog Entry May 2011:
&quot;Every person working with me over the course of my residency will develop their own unique garment inspired by family, community life and the locality of Parson Cross. My work is often the product of direct engagement with particular communities. I am drawn towards situations where I can explore what it means to belong (or not belong) to a particular place. The reason I was drawn to this residency being offered by Yorkshire Artspace was that it had a very specific location; Parson Cross. I hope that Parson Cross: Made to Measure will not only provide the chance for participants to exchange ideas and share skills but that during the course of the year I will understand a little better what it means to be from the Parson Cross.&amp;rdquo; January 2011
The following is an update from artist in residence in Parson Cross Lisa Gallacher following a &amp;lsquo;record breaking' response to our glittering full page advert in local magazine 5Alive she has been on the Parson Cross trail and secured the first group of people who will work with her as part of Made-to-Measure:  &amp;ldquo;How do you meet people when you arrive in a new place for the first time? Do you place an advert in the local press? Put up notices in the shop windows? Call the radio station and regional newspapers? Invite local residents to come and meet you at the community centre?  When you put it this way the answer is obvious - but that's how I spent January and February. In March however, Kate introduced me to Betty and I met Janet through Betty. I contacted Gwen through Sarah who then introduced me to Lisa. Ruthie told me about Anna and through Rachael mentioned Dan, who recommended I speak to Lucy.... who in turn introduced me to Grant and through him I will meet others - who (I hope!) will introduce me to their brothers, sisters, mums and dads.... grandparents, aunties and uncles.
It's now April, I'm looking for 12 Parson Cross residents to collaborate with and I'm almost there......  As a stranger to Parson Cross and an artist who develops garment collections exploring ideas of locality and belonging, &amp;lsquo;Made To Measure' will rely on developing close ties with these residents over the course of the next 8 months. Working with each member of the group, the project will involve creating a collection of bespoke garments that function collectively as a portrait of the area and its people. Unlike previous works, which have drawn on my observations of life in particular places (from the outside looking in), the &amp;lsquo;Made To Measure' project positions Parson Cross residents very firmly in the driving seat. They will decide what we make, how, when and why we make it. I will be following their instructions towards developing a made-to-measure garment for each member of the group. Ultimately, this is a project that aims to capture the essence of life in a place from the &amp;lsquo;inside' - from local people's perspective. At this stage, I have no idea what that will look like - but also know that I'm in expert hands.&amp;rdquo; April 2011</description>         
            						<pubDate>Wed, 12 Oct 2011 00:00:00 +0000</pubDate>
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						<title>Made For You Exhibition</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Made-For-You-Exhibition</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Made-For-You-Exhibition&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/made_for_you_web_press_release.jpg&quot; alt=&quot;SKKG Made for You&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Made for You
work created for shopkeepers in Parson Cross by artists Kate Genever and Steve Pool from THE COLLABORATORS.   From 19th to 28th October \ Open Wednesday to Friday 11am to 4pm \ Private View and Panel Discussion on Friday 21st October, 6 to 9pm
Made For You is a collection of artworks made as part of a long-term ongoing artist residency on the Parson Cross estate of Sheffield. The pieces shown here are the second edition of works installed in shops on Buchanan Road and Margetson Crescent in Parson Cross. The first editions are installed in their respective locations and were commissioned to meet a need expressed by the shopkeepers.  The images of old Parson Cross, for example, are in the &amp;lsquo;English Café' and create a talking point according to proprietor Deniz with people trying to locate their houses and guess the location.
When asked: &quot;Why they had made two of everything&quot;? Kate and Steve replied &quot;The same objects have different meanings in different situations, we hope people will think about context and place, the fact that there is no such thing as a neutral space, this is something this work explores&amp;rdquo;. Kate and Steve as part of their research are funded by Yorkshire Artspace through the grant received by Paul Hamlyn to explore how artists operate and situate themselves and their art within a community context.
Kate and Steve's work is dialogical, site/community responsive and collaborative. By trying to be &amp;rdquo;artists in the world not just artists in the art world&amp;rdquo; their practice is not driven by object outcomes but in by an attempt to &amp;ldquo;do the right thing&amp;rdquo; in a given situation.
Miwon Kwon (author of One Place After Another: Site-Specific Art and Locational Identity, MIT Press, 2002) argues that - community-specific work takes critiques of &quot;heavy metal&quot; public art as its point of departure to address the site as a social rather than formal or phenomenological framework. The inter-subjective space created through these projects becomes the focus and medium of artistic investigation.
Kate and Steve worked with all the shopkeepers in Parson Cross to find relevant individual solutions and feel these conversations and dialogue are central to the work. As such both artists will chair a panel debate and discussion in relation to site specificity and dialogical working as part of the exhibition opening on the 21st October. All Welcome.</description>         
            						<pubDate>Tue, 27 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Manor-Oaks-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Manor-Oaks-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/fp_nmw_rb_web.jpg&quot; alt=&quot;FP NMW RB web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;This is Frances Priest's last blog before the official opening of her exhibition at the Turret House in Sheffield
New Manor Ware is nearing completion, just in time for the Green Estate's very own 'Field to Feast' Harvest Festival on the 24th September.
The table setting will be presented in the banqueting room of the Tudor Turret house beneath the plasterwork ceiling that inspired the pattern designs for the tableware.  Befitting the original use of the banqueting room a sweet feast of ginger cake decorated with gold leaf will be served, baked by Green Estate's farm-cafe chef Tony Dunn.Visitors will be invited to cut a slice of ginger cake using the handmade cake slices that have been produced in collaboration with pupils from Freeman College in the traditional Whittle Tang Cutlery workshop.
The table setting features original drawings generated through a series of workshops with groups from Enable Day Care Centre, Endeavour Sheffield and Manor Lodge over 50's Lunch Club. It will be interesting to see who can spot their own artwork amongst the layered pattern designs.
New Manor Ware will open to the public on Saturday 24th September from 11pm to 4pm.  I very much hope you can come. For exhibition times, please visit our &lt;a href=&quot;http://artspace.org.uk/programmes/exhibitions&quot;&gt;exhibitions page&lt;/a&gt;&quot;.</description>         
            						<pubDate>Thu, 8 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Residency Lisa Gallacher</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Residency-Lisa-Gallacher</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Residency-Lisa-Gallacher&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/LG-anna-berry-red.jpg&quot; alt=&quot;LG anna berry red&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Lisa is our 2011 resident artist in Parson Cross. This is her third blog entry with an update on her 'Parson X - Made to Measure' project:-
&quot;The &amp;lsquo;Parson Cross: Made To Measure' garment design stage was finalised in July and my time in the interim has been spent further designing and tweaking the Parson Cross inspired fabrics that will be used to make six of the garments. These include Betty's map design in cotton; Gwen's wild-flowers in silk; &amp;lsquo;The Star' newspaper headline fabric for Courtney; Anna's &amp;lsquo;memory' design in berry red (pictured); Janet's butterfly poem satin and Lisa's Dupion silk fabric that will remind her how she arrived in Parson Cross for the first time.
Two of these fabrics have now been digitally printed and the rest will go into production when the samples are approved. I have also been buying garment patterns for various dresses, blouses and tops, a cape, a Victorian gentleman's frock-coat (actually much easier than you would think!), a hooded sports jacket and a tunic-style outfit.
Other than that, I've been sourcing complimentary fabrics to be used alongside ones already printed and also to make the remaining four outfits. &amp;lsquo;Convict' stripes and love-heart tulle for Shannon; weather-proof blacks, silvers and breathable mesh for Scott's &amp;lsquo;Gang of One' jacket; &amp;lsquo;warm' violet and aubergine jerseys for Anna's dress; olive green crepe for Gwen.
Yorkshire &amp;lsquo;Melton' navy wool will be used for Grant's Parson's coat and I have chosen lining fabric for Ian's parka style poncho - which will be made from the blanket he rescued from a Parson Cross skip.
It's all shaping up. Theres is still lots to do ....... but I feel I'm getting there.    For anyone who likes to hear what I have been doing, I will be giving a talk on Tuesday 4th October between 5 pm and 6 pm at Persistence Works Studios.  If you like to come, please let Rachael know on &lt;a href=&quot;mailto:rachael@artspace.org.uk&quot;&gt;rachael@artspace.org.uk&lt;/a&gt;&quot;.   Lisa Gallacher
Artist Lisa Gallacher lives and works in Glasgow and has been developing her practice to a national and international level for the past 12 years. Her work focuses on designing and creating wearable garment collections then can be seen as artworks in their own right. </description>         
            						<pubDate>Tue, 6 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Residency Frances Priest</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Residency-Frances-Priest</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Residency-Frances-Priest&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/FP-turret-table-2.jpg&quot; alt=&quot;FP turret table 2&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest, our artist in residence at Manor Oaks Studios has completed her residency and is exhibiting her new work: New Manor Ware at the Turret House, Manor Lodge, 197 Manor Lane in Sheffield. The exhibition is open to the public every Friday between 11am and 4pm until 21st October. 
New Manor Ware will be exhibited at Persistence Works Gallery from 2nd and is open to the public from 11am to 4pm on Wednesday, Thursday, Friday and Saturday until 11th November. Everyone welcome.
New Manor Ware opened in time for Green Estate's 'Field to Feast' Harvest Festival on the 24th September. The table setting was presented in the banqueting room of the Tudor Turret house beneath the plasterwork ceiling that inspired the pattern designs for the tableware. 
Befitting the original use of the banqueting room a sweet feast of ginger cake decorated with gold leaf was served to over 150 visitors. 17 of these delicious cakes were baked by Green Estate's farm-cafe chef Anthony Dunn.  Visitors were encouraged to cut a slice of cake using the handmade cake slices that had been produced in collaboration with pupils from Freeman College in the traditional Whittle Tang Cutlery workshop.
The table setting features original drawings generated through a series of workshops with groups from Enable Day Care Centre, Endeavour Sheffield and Manor Lodge over 55's activities club. It was wonderful to see former workshop participants trying to spot their own artwork amongst the beautifully complex layered pattern designs.
For further details and exhibition times, please visit our &lt;a href=&quot;http://artspace.org.uk/programmes/exhibitions&quot;&gt;exhibitions page&lt;/a&gt;&quot;.</description>         
            						<pubDate>Tue, 6 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Residency for Ceramicist</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Residency-for-Ceramicist</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Residency-for-Ceramicist&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ceramic-residency-2012-web-small.jpg&quot; alt=&quot;ceramic res 2012 advert small&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We are now inviting applications for our 2012 Manor Oaks Residency, starting from January 2012.
As with our previous programme: time, space and money will be available to a selected artists to develop new ideas and work. We are keen to work with artists who want to help us develop our programme activities in the new studio neighbourhood of Manor Oaks. 
At Manor Oaks the residency will have a focus on ceramics and the artist will have access to an equipped space. The site has a rich history and archaeological digs, still regularly taking place at the site, still reveal the importance of the pottery industry of 17thC. We hope the site brings plenty of inspiration to the selected artist.
The residency briefs, application form and selection procedures are now available from our website in the &lt;a href=&quot;http://artspace.org.uk/programmes/artist-residencies&quot;&gt;programme - artists residencies&lt;/a&gt; section - download from right hand side of page. Any queries can be directed at Programme Manager, Mir Jansen &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;mir@artspace.org.uk&lt;/a&gt;or 0114 2130111.</description>         
            						<pubDate>Tue, 6 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Autumn Craft/Art Workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Autumn-CraftArt-Workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Autumn-CraftArt-Workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/LC-card-making.jpg&quot; alt=&quot;LC card making&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Creative Card making with Lyn Carruthers 
Produce your own unique individually hand made cards. No experience needed. All workshops will run from 10am to 4pm, refreshments provided but bring lunch.  Cost &#163;35 per workshop or &#163;85 for all three.  The card making workshops will take place on at Yorkshire Artspace's Porter Brook Studios on Brown Street.  A selection of tools and materials will be provided.  6 places max per booking. For information and to book your place contact Lynn directly on &lt;a href=&quot;mailto:lyncarruthers@yahoo.com&quot;&gt;lyncarruthers@yahoo.com&lt;/a&gt;
Making Your Mark takes place on Saturday 1st October when Lynn will demonstrate and teach you how you can use everyday items to make your mark and print. A Stitch in Time takes place on Thursday 20th October where you will be using stitching and weaving techniques to make cards and  A Cut Above takes place on Sunday 13th November when Lynn will demonstrate and teach cutting and sticking techniques.
&amp;ldquo;Creative ideas just came to me due to Lyn's encouragement and friendly professional tuition&amp;rdquo; former participant
Jewellery Making with Annette Petch
Annette will be running a one day jewellery making workshop on Saturday 17 September, 10am to 4pm at Studio 1, Manor Oaks Studios, 389 Manor Lane, Sheffield S2 1UL.
On this course you will design and make a piece of silver jewellery (a ring or  pendant or a pair of earrings). No previous experience necessary. The maximum group size is 4 people. Techniques covered may include cutting and shaping, annealing, silver soldering, etching, chasing, roller texturing and patination. Cost &#163;75  (includes a small amount of silver).
Bring a packed lunch and footwear suitable for a workshop environment as you will be using heavy and sharp equipment. Tea, coffee and biscuits are provided.    There is a car park on site as well as good access by public transport. To book your place, contact Annette directly: &lt;a href=&quot;mailto:annette@annettepetchjewellery.co.uk&quot;&gt;annette@annettepetchjewellery.co.uk&lt;/a&gt; or phone 07952 235985. Early booking is recommended. For more information about Annette and her work go to &lt;a href=&quot;http://www.annettepetchjewellery.co.uk &quot; target=&quot;_blank&quot;&gt;www.annettepetchjewellery.co.uk &lt;/a&gt;
&lt;a href=&quot;http://www.annettepetchjewellery.co.uk &quot; target=&quot;_blank&quot;&gt;&lt;/a&gt; Learn to etch and print with Rosemary Watson
The popular Etching Workshop takes place on Saturday 1st October from 11am to 5pm in Studio 22 at Persistence Works Studios.  In this  5-hour workshop the particants will learn the techniques of etching using less toxic and more environmentally-friendly etching and printmaking processes.   Unique prints or limited editions may be printed from the plates you create.
 Printmaking from the Life Figure runs on Saturday 8th October from 2pm to 5pm in Studio 22 at Persistence Works Studios.  This 3-hour workshop explores aspects of the life figure through the techniques of monoprint.    Monoprinting is an exciting technique with elements of chance resulting in unique handmade prints.  Artists like Edgar Degas and Tracey Emin have used the technique frequently to represent the life figure.
Both print workshops are suitable for both beginners and individuals with previous experience.  Max 4 participants.  Cost &#163;35 for etching workship and &#163;25 for the Life Figure workshop plus model's fee at approx. &#163;6 per person.  both workshops include all materials. Book a place by contacting the artist directly &lt;a href=&quot;mailto:Info@arosemarywatson.co.uk&quot;&gt;Info@arosemarywatson.co.uk&lt;/a&gt;
Weekly Ceramic Workshops with Brian Holland
Brian's sessions run every Friday from 9.30am to 12.30pm and Saturdays from 10.3 am to 1.30pm and 2pm to 5pm. All aspects of ceramics are covered including hand building, throwing, glazing and glaze formulation, raku firing, working with paper clay. You will be able to learn about making sculptural works, vessels and wall pieces.
The course suits beginners as well as the more experienced.  Cost per 3-hour session is &#163;15 but you can save a few pounds by booking for 5 sessions for just &#163;62.50 - these sessions don't have to be consecutive so if you miss one, it won't be a problem.  Please note: Materials are not included in the price, but you can drink as much green tea as you like at no extra cost.
Contact Brian directly for further details or to book a place &lt;a href=&quot;mailto:brian.holland100@virgin.net&quot;&gt;brian.holland100@virgin.net&lt;/a&gt;</description>         
            						<pubDate>Tue, 6 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Starting Out 2011/12</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Starting-Out-201112</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Starting-Out-201112&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/image-starter-programme.jpg&quot; alt=&quot;ssp image&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
Book your place by emailing Mir at &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;mir@artspace.org.uk&lt;/a&gt;.</description>         
            						<pubDate>Tue, 6 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Studios</title>
						            	<link>http://artspace.org.uk/latest-news/2011-09/Manor-Oaks-Studios</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-09/Manor-Oaks-Studios&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/MO-field-to-feast-festival.jpg&quot; alt=&quot;MO field to feast festival &quot; /&gt;&lt;/a&gt;&lt;br /&gt;Manor Oaks Farm was the location for the annual 'Field to Feast' Harvest Festival on Saturday 24th September between 11am and 4pm.
All our Manor Oaks Studios were open to the public with many more artists invited to demonstrate their skills in the courtyard and Future Nature Garden. A beautifully sunny day with much to do, see and eat attracted a record 700 visitors to the site.
The next event we are looking forward to is the annual Open Studios at Manor Oaks which, this year, will take place on Sunday 20th November, between 11am and 4pm. More information will be available shortly.
More details the &lt;a href=&quot;http://www.manorlodge.org.uk/whats_on?id=79&quot; target=&quot;_blank&quot;&gt;Manor Lodge website&lt;/a&gt;</description>         
            						<pubDate>Mon, 5 Sep 2011 00:00:00 +0000</pubDate>
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						<title>Test post 4</title>
						            	<link>http://artspace.org.uk/latest-news/2011-08/Test-post-4</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-08/Test-post-4&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Starter_studio1.jpg&quot; alt=&quot;Starter Studio 1&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras et vestibulum tortor. Sed ac nunc quam, nec elementum dui. In et felis nibh, sit amet suscipit orci. Mauris vel dui erat. Sed eu rhoncus lectus. Praesent vitae placerat leo. Morbi nisl libero, cursus id bibendum sed, varius sit amet lectus.
Donec in enim eget arcu viverra ullamcorper. Donec consectetur, augue sit amet suscipit condimentum, risus ante condimentum urna, eu sodales erat nunc eget dui. Suspendisse congue blandit gravida. Etiam tempor mattis dignissim. Proin lobortis varius elit nec vulputate. Pellentesque vestibulum lacinia turpis.  Donec vel mauris metus, id convallis mauris. Nulla sit amet nunc vitae elit fringilla semper lobortis vel nisi. Nulla a dapibus ligula. Phasellus ac leo nisl.
Proin tincidunt tincidunt erat, et viverra arcu ullamcorper at. Duis pulvinar neque ut mauris aliquam sed tempus magna euismod. Quisque condimentum, enim in vulputate condimentum, justo est lacinia nisl, nec hendrerit dui ligula et diam.</description>         
            						<pubDate>Wed, 24 Aug 2011 00:00:00 +0000</pubDate>
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						<title>Aenean at sem erat</title>
						            	<link>http://artspace.org.uk/latest-news/2011-08/Aenean-at-sem-erat</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-08/Aenean-at-sem-erat&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/artist_02.jpg&quot; alt=&quot;Artist 02&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus cursus, magna eget tincidunt mattis, velit turpis interdum leo, convallis iaculis nisl leo at mauris. Praesent nibh mauris, hendrerit egestas ultricies eget, pharetra nec nulla. Vivamus eget nisi a arcu consequat lacinia.
Pellentesque dapibus dapibus elit vel scelerisque. Aenean at sem erat. Vestibulum venenatis leo et urna iaculis ornare. Fusce sit amet mi non purus feugiat aliquet. Donec pharetra, dui aliquam tincidunt pulvinar, turpis diam convallis neque, vitae dapibus magna nisi ac leo. Ut nec elit lacus, at congue velit. Cras sit amet turpis a nunc hendrerit rhoncus ac eu tortor.  Integer sem massa, porta ac convallis quis, pulvinar ac nibh. Proin id nisi ut purus lobortis lacinia vel in augue. In et malesuada dui. Aliquam eleifend, felis non sollicitudin convallis, odio purus porttitor metus, vel interdum metus leo non eros. In id ipsum sit amet felis vestibulum laoreet cursus in velit. Vivamus convallis lacinia leo ac pulvinar. Sed tristique dictum interdum.
Donec ac nisl eu odio rhoncus vehicula nec sed nunc. Mauris sit amet tortor sapien, vel congue nisi. In hac habitasse platea dictumst. Donec pulvinar consequat erat id pellentesque. Donec felis lorem, condimentum a imperdiet nec, aliquet in nulla.</description>         
            						<pubDate>Mon, 8 Aug 2011 00:00:00 +0000</pubDate>
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						<title>Residency Parson Cross</title>
						            	<link>http://artspace.org.uk/latest-news/2011-08/Residency-Parson-Cross</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-08/Residency-Parson-Cross&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Stallions-shop-int.jpg&quot; alt=&quot;SPKG mfy stallions&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Made for You
Artists Steve Pool &amp; Kate Genever of THE COLLABORATORS have recently installed artworks made for the shopkeepers on Buchanan Road, Parson Cross. They sit well in their respective locations and look a bit like art while meeting a need for the shop keepers. The images of old Parson Cross in the English Cafe are a talking point for customers according to proprietor Deniz with people trying to locate their houses and guess the location.
Part of the next phase of this project is to work with shopkeepers on the Margetson Crescent parade of shops next to the new Knutton Road Studios. Once all work is completed and installed we hope to have a community celebration event in Parson Cross. All work has been produced as an edition of 2 with the second edition to be shown in a gallery location.  When we asked Kate and Steve why they had made two of everything they replied &quot;The same things will have different meanings in different places, we hope people will think about context and place and this is something the work explores.&quot;</description>         
            						<pubDate>Thu, 4 Aug 2011 00:00:00 +0000</pubDate>
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						<title>Kid Acne Residency Test</title>
						            	<link>http://artspace.org.uk/latest-news/2011-08/Kid-Acne-Residency-Test</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-08/Kid-Acne-Residency-Test&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Overview_image.jpg&quot; alt=&quot;YAS Building&quot; /&gt;&lt;/a&gt;&lt;br /&gt;This is the content for the Kid Acne residency blog post</description>         
            						<pubDate>Mon, 1 Aug 2011 00:00:00 +0000</pubDate>
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						<title>Sheffield Summer Festivals</title>
						            	<link>http://artspace.org.uk/latest-news/2011-07/Sheffield-Summer-Festivals</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-07/Sheffield-Summer-Festivals&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/abbeyfield-festival-july-2011.jpg&quot; alt=&quot;abbeyfield festival july 2011&quot; /&gt;&lt;/a&gt;&lt;br /&gt;This summer we are taking our Yorkshire Artspace banner and artists to the local festivals in Firth Park, Burngreave and Hillsborough. 
We worked with ceramicist Miles Gavin at the Firth Park Festival on June 26th where he created clay flowers with people from the local community. The flowers were decorated and fired at the Flower Festival at Manor Oaks Studios on 3rd July and will be installed somewhere outside in the foreseeable future.
We had great fun at the Abbeyfield Park Multicultural Festival on 10th July where local artist Steve Pool (also one of our artist in residence in Parson Cross) fabricated the largest ever cardboard box den. Over 100 children visited us on the day, playing games and drawing pictures in and on the den as it grew larger and more colourful. It was a shame to see it dismantled at the end of a long afternoon.
We still have one festival to go. Join us if you like at the Hillsborough Park Extravaganza on Saturday 20th August from 11am to 4 pm with artist Ruthie Ford. </description>         
            						<pubDate>Tue, 19 Jul 2011 00:00:00 +0000</pubDate>
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						<title>Lisa Gallacher Residency Parson Cross</title>
						            	<link>http://artspace.org.uk/latest-news/2011-07/Lisa-Gallacher-Residency-Parson-Cross</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-07/Lisa-Gallacher-Residency-Parson-Cross&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/LG-planning-session.jpg&quot; alt=&quot;LS planning session&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Artist Lisa Gallacher lives and works in Glasgow and has been developing her practice to a national and international level for the past 12 years. Her work focuses on designing and creating wearable garment collections then can be seen as artworks in their own right. 
Lisa has been making regular visits to Parson Cross to work with her selected group of collaborators on developing their ideas and personal stories relating to their neighbourhood into designs for their unique 'Made to Measure' garments. This is her second blog entry:-
&amp;ldquo;There are many stories about how Parson Cross got its name. It's possible that at some point in the 1600's, a parson placed a cross on the roadside to remind travellers that the lord was with them. Others say that there was a parson called Mr Cross and that someone may have slapped a parson and made him cross. It is also possible that two parsons crossed paths on the way to their respective churches every day.
Grant, a local key-worker told me about a parson who would station himself at the crossroads and take a toll from visitors to the area. His parson will wear a purple Teddy- boy style coat. The breast pocket could be embroidered with the emblem &amp;lsquo;PX' and he may also have a neck-piece or sash that has been designed by members of his own &amp;lsquo;flock'.
In the 1980's, instead of going to school one day - a young girl got on a bus to the area to see her older sister and stayed until her early twenties. Her dress will represent how Parson Cross became a place of sanctuary for her.
A former Sheffield Transport employee has travelled around the edges of Parson Cross for much of her life. She has marked the landmarks and routes that are significant to her on a map of Parson Cross which will be translated into a digital print and pattern for a blouse. &amp;ldquo;My grandparents were the first to move to Wheata road when the houses were built in the 1940's&amp;rdquo;. As the third generation of her family to live in this house, Dawn wants a dress that will celebrate her heritage and the network of people and memories that connect her to Parson Cross.
Living alongside the human residents, are a large population of magpies, crows, foxes and domestic cats. The urban safari suit (camouflaged for Parson Cross terrain) will allow Ian to observe them without being seen.
Young people say that Parson Cross gets bad press. Jodie's dress would re-write recent newspaper headlines to reveal the truth about life in the area. David wants a jacket that would reclaim the &amp;lsquo;S5' post-code from its association with gang activity and Chloe's outfit would show that despite its reputation, her community is a caring one.
Every Year in the spring, fields of wild flowers appear on the patches of waste ground where houses once stood. Laura's garment will be edged with the poppies, sunflowers and forget-me-nots that represent (for her) new beginnings from old.&quot;
June 2011</description>         
            						<pubDate>Fri, 1 Jul 2011 00:00:00 +0000</pubDate>
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						<title>Interview with artist</title>
						            	<link>http://artspace.org.uk/latest-news/2011-07/Interview-with-artist</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-07/Interview-with-artist&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/KO-Nail-final.jpg&quot; alt=&quot;KO Nail final&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Kate Dore, Director of Yorkshire Artspace in conversation with Kate Orme, sculptor based at Persistence Works Studios.
Can you describe your creative practice to someone who may not be familiar with it?  I am a sculptor. I use non-traditional materials but choose them very carefully as they are a big part of my work. In &amp;lsquo;Nail'  I chose wax and lead. Wax is an odd material; it is always on the edge of becoming something else, inconstant; never stable, in a state of flux, just as we humans are. The piece for me represents the human condition; no matter how hard you try to be a better person, to strive towards purity and clarity, there is always toxic element that nails you to the floor. This is the lead. The power of the piece speaks through the voice of the materials.
 How long have you had a studio at Yorkshire Artspace and what brought you here? I have been here 2 years. A friend had a studio at Persistence Works that I liked. I was working from home in isolation, which is not healthy for an artist, we need the discourse with other artists, I wanted to be able to leave home, lock the door and go to work in a creative community.
 How do you make your living as an artist/maker? At the moment I am concentrating on developing my work without having to consider the constraints of the market. This allows me freedom and integrity.
 How does having a studio here support your practice? The dialogue with other artists is very important. I can knock on doors, say hello and have a quick chat or a longer discussion. I also have access to a much wider arts community.   And of course it offers me a really great space to work in.
 Please give a particular example of how this has resulted in a commission/ exhibition/ networking opportunity? At Open Studios in November last year, the curators of a forthcoming show at the Orchard Centre saw my work and asked me to exhibit. The exhibition closed in June and I got a huge amount of positive and encouraging feedback. 
 What has been your highlight over the last year? The Open Studio event. So many people come and want to talk about your work and ask questions. This makes you question your work again yourself which is always a good thing.
 What are you working on at the moment? &amp;lsquo;The Winds at the Edge of the Universe'.  I am interested in quantum physics, presence and what it is to be human. The atoms that I am composed of exist in other dimensions at the same time as they exist in me. I am interested in where these dimensions meet. This work will be shown at the Orchard Centre in May 2012.</description>         
            						<pubDate>Fri, 1 Jul 2011 00:00:00 +0000</pubDate>
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						<title>Residency Manor Oaks</title>
						            	<link>http://artspace.org.uk/latest-news/2011-07/Residency-Manor-Oaks</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-07/Residency-Manor-Oaks&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/FP-slices-drawing.jpg&quot; alt=&quot;FP drawings of cakeslics&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest, our artist in residence at Manor Oaks Studios was here during the week of the official opening of Manor Oaks Studios and the Future Nature Garden. This is her third blog entry:-
&quot;It feels like I am at the mid way point of my residency at Manor Oaks as my focus shifts from creating and running workshops to reflecting on the results of these activities. Looking back over the varied responses people have made to the Tudor Turret House, from hand made printing blocks, through quick sketch drawings, to collaged surfaces, I realise that I have a rich and exciting body of source material from which to develop pattern designs. It has been interesting to see what aspects of the decorative plasterwork individuals have responded to and I am excited by how the decorative language used in the ceiling has been interpreted, creating some very new and unexpected responses.
During my last visit to Sheffield I spent an enjoyable day with students and staff at Freeman college in the Whittle Tang Cuttlery workshop, stamping out, filing down and polishing 10 cake slice blades. The methodical and collective nature of the making process was a satisfying experience and seemed to reflect the collective nature of the design process I have been exploring, involving the input of many individuals to create a finished whole.   This approach was also put into action during the Manor Oaks studio opening event which was a great opportunity for me to share the progress of my residency so far.
Thank you to everyone who took the time to talk to me about the work and join in with adding their mark to the drawing wall. This really helped to move the pattern designs a step forward.
The cake slice designs are well underway and I am beginning to understand how they will relate to the rest of the table setting, considering what elements will make up the whole and whether it might be possible to transfer the pattern designs onto table linen too.
I will next be in Sheffield in mid July when I hope to share my designs with the Green Estate team and anyone else interested in the progress of the project.
&lt;a href=&quot;http://artspace.org.uk/programmes/artist-residencies&quot;&gt;http://artspace.org.uk/programmes/artist-residencies&lt;/a&gt;</description>         
            						<pubDate>Fri, 1 Jul 2011 00:00:00 +0000</pubDate>
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						<title>Make!Do!Grow!</title>
						            	<link>http://artspace.org.uk/latest-news/2011-06/MakeDoGrow</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-06/MakeDoGrow&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Longley-Park-spoons.jpg&quot; alt=&quot;Longley Park Spoons&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Ruthie Ford, starter studio artist in Engaged Practice, devised and managed a three week project with Longley Park 6th Form college students. The students were introduced to 3 different allotment sites: LEAF in Longley Park; HUERTA guerilla garden at Persistence Works Studios; and the allotments at Manor Oaks Studios where the food produced ends up in the on-site cafe farmshop. 
The allotment gardens served as inspiration for the designs of silver spoon made in the Persistence Works Silversmith studio where Drew Sutherland and Sally Cox taught the group of 8 students to skills and techniques of forging, raising and soldering. 
&quot;This is something that we would never be able to teach our students at Longley Park College. It is wonderful to see the enthusiasm and the unique designs the students have come up with&quot; Rob, tutor at Longley Park
The students will continue to improve their making skills later in July when they will visit Manor Oaks Studios where they will work with starter ceramicist Miles Gavin to make and decorate a ceramic bowl. The students will also be treated to a bowl of soup at the farmshop cafe made with locally produced food.
The rproject is supported by the Sheffield Church Burgesses Educational Foundation. You can follow progress on Ruthie's blogsite &lt;a href=&quot;http://makedogrow.blogspot.com/&quot; target=&quot;_blank&quot;&gt;MakeDoGrow&lt;/a&gt;</description>         
            						<pubDate>Thu, 30 Jun 2011 00:00:00 +0000</pubDate>
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						<title>Summer Craft/Art Workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2011-06/Summer-CraftArt-Workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-06/Summer-CraftArt-Workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/RR-life-drawing-flyer.jpg&quot; alt=&quot;RR life drawing poster&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Life Drawing at Porter Brook Studios every Tuesday evening from 7pm to 9pm with artist Rebecca Roche and illustrator Alex Coward. &#163;6 per session.
These sessions offer individuals of all abilities the opportunity to improve their drawing skills by working directly from life. We provide a fully equipped studio, free refreshments and a friendly and inspiring environment. Our male and female models change weekly on a rota basis, keeping each session new and interesting.
We also have a very few places left for our next full-day session on Saturday 9th July from 10.30am to 4pm.  This session costs &#163;20 and includes lunch.    Spaces are limited so anyone wishing to attend should email Rebecca and Alex at &lt;a href=&quot;mailto:pblifedrawing@yahoo.co.uk&quot;&gt;pblifedrawing@yahoo.co.uk&lt;/a&gt; or telephone Alex on 0114 221 97 33 to reserve a place.
Porterbrooks Studios are located next door to the main Yorkshire Artspace Persistence Works building at 3 - 7 Sidney Street, Sheffield, S1 4RG.  Join our Facebook group &lt;a href=&quot;http://www.facebook.com/group.php?gid=361579834967&quot; target=&quot;_blank&quot;&gt;Porter Brook Life Drawing&lt;/a&gt; for news about upcoming events such as our regular all day sessions. 
Etching Workshop with Rosemary Watson on Saturday 13th  August 2011 from 11am to 5pm in studio 22 at Persistence Works Studios.    In this 5-hour workshop you will be exploring the techniques of etching using less toxic and more environmentally-friendly etching and printmaking processes.   Limited editions may be printed from the plates or unique prints made using monoprint inking techniques.
Suitable for beginners and individuals with previous experience.  Max 4 participants.  Cost &#163;35 including all materials.
 Life Drawing + Painting Workshop with Rosemary Watson on Saturday 20th August 2011 from 11am to 5pm  in Studio 22 Persistence Works Studios.  This 5-hour workshop provides an opportunity to explore and practise the use of drawing pastel and water-based media to represent of the life figure.  Suitable for beginners and individuals with previous experience.  Max 4 participants.   Cost &#163;30 (plus model's fee approx &#163;15)
To book a place on one or both of Rosemary's workshops, please contact the artist directly at  &lt;a href=&quot;mailto:info@arosemarywatson.co.uk&quot;&gt;info@arosemarywatson.co.uk&lt;/a&gt;
Ceramics Workshops with Brian Holland at Persistence Works. Brian's sessions run every Friday from 9.30am to 12.30pm and Saturdays from 10.3 am to 1.30pm and 2pm to 5pm. All aspects of ceramics are covered including hand building, throwing, glazing and glaze formulation, raku firing, working with paper clay.
You will be able to learn about making sculptural works, vessels and wall pieces. The course suits beginners as well as the more experienced.  Cost per 3-hour session is &#163;15 but you can save a few pounds by booking for 5 sessions for just &#163;62.50 - these sessions don't have to be consecutive so if you miss one, it won't be a problem.
Please note: Materials are not included in the price fo Brian's workshops but you can drink as much green tea as you like at no extra cost. Contact Brian directly for further details or to book a place &lt;a href=&quot;mailto:brian.holland100@virgin.net&quot;&gt;brian.holland100@virgin.net&lt;/a&gt;</description>         
            						<pubDate>Thu, 30 Jun 2011 00:00:00 +0000</pubDate>
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						<title>Starter Studio Programmes</title>
						            	<link>http://artspace.org.uk/latest-news/2011-06/Starter-Studio-Programmes</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-06/Starter-Studio-Programmes&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ceramicssilversmiths-card-copy.jpg&quot; alt=&quot;ceramicsandsilversmiths card 2011&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Our Starter Studio Programmes for Silversmithing and Jewellery at Persistence Works Studios and Ceramics at Manor Oaks Studios are still receiving applications. Deadline is 11th July with interviews the following week and a start date in early October 2011. Download the simple application form from our &lt;a href=&quot;http://www.artspace.org.uk/programmes/starter-studios&quot;&gt;starter studio page&lt;/a&gt;, fill it in and send it with up to 10 images to &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;Mir Jansen&lt;/a&gt;, programme manager at Yorkshire Artspace.
We don't have a house style, we are not looking for perfection, we simply like to hear from committed and passionate early career makers who will benefit from this fantastic opportunity. 
Now entering its tenth year, the starter studio programme for silversmithing and jewellery is located at our award winning city centre Persistence Works Studios.  We offer places to early career silversmiths and jewellers who would benefit from access to equipped workshop facilities, mentor and business support and exhibition opportunities for a maximum of 2 years.  Download the application form from our &lt;a href=&quot;http://artspace.org.uk/programmes/starter-studios&quot;&gt;starter studio page&lt;/a&gt;.  Information about previous beneficiaries and further details of the programme can also be found here. Deadline for the 2011 intake is Monday 11th July with interviews taking place on Thursday, 21st July. 
Entering its second year, this programme is located at our brand new eco-designed Manor Oaks Studios.  We offer places to early career ceramicists / new graduates who would benefit from access to equipped workshop facilities, mentor and business support and exhibition opportunities for a maximum of 2 years.  Download applications from our starter studio page.  Deadline for the 2011 intake is Monday 11th July with interviews taking place the following week.</description>         
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						<title>Starter Studio Programme</title>
						            	<link>http://artspace.org.uk/latest-news/2011-06/Starter-Studio-Programme</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-06/Starter-Studio-Programme&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/engaged-practice-card-2011-web.jpg&quot; alt=&quot;engaged practice card 2011 web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Entering its second year, this programme is located at our brand new Knutton Road Studios due for completion this Summer.  We offer places to early career artists who have an interest to develop collaborative practice and/or have an interest in community engagement. You will benefit from access to equipped space, mentor and business support, paid work opportunities for a maximum of 2 years.  Download applications from our starter studio page.  Deadline for the 2011 intake is 30th July with interviews taking place in August.</description>         
            						<pubDate>Wed, 1 Jun 2011 00:00:00 +0000</pubDate>
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						<title>Starter Studio Programme</title>
						            	<link>http://artspace.org.uk/latest-news/2011-06/Starter-Studio-Programme</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-06/Starter-Studio-Programme&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/ceramics-card-2011-web.jpg&quot; alt=&quot;ceramics card 2011 web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Entering its second year, this programme is located at our brand new eco-designed Manor Oaks Studios. We offer places to early career ceramicists / new graduates who would benefit from access to equipped workshop facilities, mentor and business support and exhibition opportunities for a maximum of 2 years. Download applications from our &lt;a href=&quot;http://artspace.org.uk/programmes/starter-studios&quot;&gt;starter studio page&lt;/a&gt;. Deadline for the 2011 intake is Monday 11th July with interviews taking place the following week.</description>         
            						<pubDate>Wed, 1 Jun 2011 00:00:00 +0000</pubDate>
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						<title>Print & Ceramics in the City</title>
						            	<link>http://artspace.org.uk/latest-news/2011-05/Print-Ceramics-in-the-City</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-05/Print-Ceramics-in-the-City&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/PB-live-in-leeds-small-for-web.jpg&quot; alt=&quot;PB the who live in leeds small for web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Please note: due to a Our special event: &quot;Collecting Contemporary Art&quot; planned for Thursday 26th May, 5.30 to 7pm. had to be postponed due to a lack of response. We hope to stage this at a later date. 
This is the final week of our first selling exhibition, in collaboration with&lt;a href=&quot;http://www.gallerytop.co.uk&quot; target=&quot;_blank&quot;&gt;gallerytop&lt;/a&gt;. If you haven't seen the exhibition yet, don't delay and come along to have a peak at some of the UK's most talented print and ceramic artists. 
This exhibition of limited edition prints and ceramics feature some of the UK's most acclaimed artists.  The exhibition &amp;lsquo;Print and Ceramics ' is open Thursday, Friday and Saturday between 10am and 5pm at Persistence Works at 21 Brown Street in Sheffield. The exhibition finishes this Saturday, 28th May, at 5pm.
The exhibition features work for sale by local Yorkshire Artspace artists Susan Disley, Emilie Taylor, Penny Withers, Neil Woodall and Manor Oaks artist in residence Frances Priestalongside ceramics by Emmanuel Cooper, Eddie Curtis, Chris Keenan, Sara Moorhouse, Sacha Wardell, Gareth Mason, Barry Stedman as well as prints by Sir Terry Frost RA, Sir Peter Blake (pictured), Barabara Rae RA, Brendan Neiland, John Hoyland RA, Bruce McLean, Sandra Blow RA and Donald Hamilton Fraser RA.  For regular updates and background on artists follow gallerytop on &lt;a href=&quot;http://twitter.com/#!/galleryview&quot; target=&quot;_blank&quot;&gt;Twitter&lt;/a&gt;
gallertop exhibits contemporary art by emerging and established artists in painting, sculpture, ceramics, glass and jewellery. Located in the heart of the Derbyshire Peak District, their aim is to combine contemporary art with everyday life and provide an enjoyable experience to the interested browser, the art enthusiast and the seasoned collector. This is their first collaboration with Yorkshire Artspace in Sheffield.
Work is available to buy through the Arts Council's '&lt;a href=&quot;http://www.ownart.org.uk/&quot; target=&quot;_blank&quot;&gt;Own Art&lt;/a&gt;' scheme designed to make it easy and affordable to buy and collect contemporary art and craft. Loans from &#163;100 to &#163;2000 are re-payable in 10 monthly installments completely interest free.
The exhibition will be open to the public on Thursday, Friday and Saturday - 10am to 5pm and will run from the evening of 6th to 28th May 2011.</description>         
            						<pubDate>Thu, 26 May 2011 10:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-05/Manor-Oaks-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-05/Manor-Oaks-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/FP-workshop-with-RMpupils.jpg&quot; alt=&quot;FP workshop with RM pupils&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest, was in Sheffield during the week of the official opening of Manor Oaks Studios and the Future Nature Garden on Friday 6th May. This is her third blog entry:- 
&quot;It feels like I am at the mid way point of my residency at Manor Oaks as my focus shifts from creating and running workshops to reflecting on the results of these activities. Looking back over the varied responses people have made to the Tudor Turret House, from hand made printing blocks, through quick sketch drawings, to collaged surfaces, I realise that I have a rich and exciting body of source material from which to develop pattern designs.
It has been interesting to see what aspects of the decorative plasterwork individuals have responded to and I am excited by how the decorative language used in the ceiling has been interpreted, creating some very new and unexpected responses.  During my last visit to Sheffield I spent an enjoyable day with students and staff at Freeman college in the Whittle Tang Cuttlery workshop, stamping out, filing down and polishing 10 cake slice blades. The methodical and collective nature of the making process was a satisfying experience and seemed to reflect the collective nature of the design process I have been exploring, involving the input of many individuals to create a finished whole.
This approach was also put into action during the official Manor Oaks Studio opening event on 6th May, which was a great opportunity for me to share the progress of my residency so far.  Thank you to everyone who took the time to talk to me about the work and join in with adding their mark to the drawing wall. This really helped to move the pattern designs a step forward.  The cake slice designs are well underway and I am beginning to understand how they will relate to the rest of the table setting, considering what elements will make up the whole and whether it might be possible to transfer the pattern designs onto table linen too.
I will next be in Sheffield in mid July when I hope to share my designs with the Green Estate team and anyone else interested in the progress of the project.
Frances Priest, June 2011</description>         
            						<pubDate>Fri, 13 May 2011 00:00:00 +0000</pubDate>
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						<title>Residency Manor Oaks</title>
						            	<link>http://artspace.org.uk/latest-news/2011-05/Residency-Manor-Oaks</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-05/Residency-Manor-Oaks&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/work-in-progress.JPG&quot; alt=&quot;Frances Priest work in progress&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest, our artist in residence at Manor Oaks Studios, spent the week of 28th March to 1st April at Manor Oaks Studios.  This is her second blog entry:-
&quot;In between all the seasonal, royal and national holidays that seem to be tempting us away from work and into the glorious sunshine, I am making preparations for another trip to Sheffield and THE most important date in everyone's diary: the official opening of Manor Oaks Studios onFriday 6th May. I am looking forward to joining in the celebrations and using the opportunity to share some of the work I have been developing during my residency at Manor Oaks Studios and Manor Lodge.  A week in late March saw me working through a process of design development with a number of local groups and individuals toward realising my plan to make a table setting for the Tudor Turret House banqueting room. The Manor Lodge over 50's Lunch Club got the ball rolling, after a hearty Shepherd's Pie lunch, with an afternoon spent constructing printing blocks inspired by photographs of the Tudor Turret House plaster work ceiling and Victorian stained glass windows.
The following day I visited Enable Day Care Centre where an enthusiastic group took the design process a stage further, using the printing blocks to make a series of pattern samples and a magnificent printed banner. On Wednesday I met with a group of young people from Endeavour, based at Wybourn Youth Trust, who gamely climbed the narrow stairs of the Turret House to attempt some unusual observational drawing activities in the Banqueting Room. I also spent a fascinating afternoon at Anchor Court Sheltered Housing Association chatting and reminiscing with day visitors about Manor Lodge, hearing tales of secret tunnels between The Manor and Sheffield Castle, recalling school trips to Manor Lodge and wondering whether anyone remembered Maggie Webster, the last person to live in the Tudor Turret House.
I also found time to meet with Tony, the newly appointed Manor Lodge Farm Shop Café chef to discuss cakes and biscuits and made a second visit to the Freeman College Whittle Tang Cutlery workshop where a plan is emerging to make a series of cake slices for the table setting.
May 6th will be another chance to move the design process on a step by inviting guests to participate in making a collaborative collage that will cover the walls and floor of the Ceramic Starter Studio at Manor Oaks. My hope is that the drawing will grow throughout the afternoon as individuals add their little bit to a surface pattern made up of decorative motifs developed during the March workshops. It is exciting to see how it is possible to create a process in which so many people are invited to lend a hand in helping to evolve a pattern design that will eventually be used for the surface for decorative ceramic tableware.  This is a re-inventing of the decorative language that covers the ceiling, walls and windows of the Tudor Turret House banqueting room&quot;.
&lt;a href=&quot;http://artspace.org.uk/programmes/artist-residencies&quot;&gt;http://artspace.org.uk/programmes/artist-residencies&lt;/a&gt;</description>         
            						<pubDate>Tue, 3 May 2011 00:00:00 +0000</pubDate>
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						<title>Craft/Art Workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2011-05/CraftArt-Workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-05/CraftArt-Workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/RW-printmaking-workshop.jpg&quot; alt=&quot;RW printmaking workshop&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Printmaking workshops with Rosemary Watson, please contact the artist directly at &lt;a href=&quot;mailto:info@arosemarywatson.co.uk&quot;&gt;info@arosemarywatson.co.uk&lt;/a&gt; to book your place. 
Printmaking from the Life Figure with Rosemary Watson on  Saturday 14 May from 11am - 5pm  in studio 22 at Persistence Works Studios.  This  5-hour workshop provides an opportunity to explore aspects of the life figure through the techniques of monoprint and drypoint.      Monoprinting is a technique which involves elements of uncontrollability and chance resulting in unique handmade prints.  Artists Edgar Degas and Tracey Emin used this technique frequently to represent the life figure.    Drypoint is a direct method of printmaking.  The image is directly drawn into a metal plate with a hard pointed tool creating an incised line together with a raised edge of metal known as a &amp;lsquo;burr' and resulting in deep velvety blacks when the plate is inked up and printed.  The workshop is suitable for beginners and the more experienced. Max 4 participants.   Cost &#163;40 per person, includes all materials plus approx. &#163;9 for hire of life model.
Drypoint Workshop with Rosemary Watson on Saturday 21 May 2011 from 2pm - 5pm  in studio 22 at Persistence Works Studios.  This 3-hour workshop explores the techniques of drypoint printmaking or provides an opportunity to take further prints from existing drypoint or etched plates.   Suitable for beginners and individuals with previous experience.  Max 4 participants.   Cost &#163;25 includes all materials.        Etching Workshop with Rosemary Watson on Saturday 11 June 2011 from 11am - 5pm in studio 22 at Persistence Works Studios.  this  5-hour workshop exploring the techniques of etching using less toxic and more environmentally-friendly etching and printmaking processes.  Hard ground etching is a direct method of printmaking where the image is drawn with a pointed tool into a hard ground applied to the surface of a metal plate. The plate is then immersed in a copper sulphate acid solution which etches into the areas of metal exposed by the drawn marks. Limited editions may be printed from the plates or unique prints made using monoprint inking techniques.    Suitable for beginners and individuals with previous experience max 4 participants Cost &#163;35 including all materials
Life Drawing + Painting workshop with Rosemary Watson on Saturday 18 June from 11am - 5pm  in studio 22 at Persistence Works Studios.  This 5-hour workshop provides an opportunity to explore and use pastel and water-based media to draw or paint the life figure.  Suitable for beginners and individuals with previous experience.  Max 4 participants.  Cost &#163;30 plus models fee of approx &#163;15
 Jewellery making workshops with jeweller Annette Petch on Saturday 21 May from 10am to 4pm, studio 1 at Manor Oaks Studios.    On this course you will design and make a piece of silver jewellery, possibly a ring to fit your finger, a pendant, or a pair of earrings. No previous experience necessary. The maximum group size is 4 people. Techniques covered may include cutting and shaping, annealing, silver soldering, etching, chasing, roller texturing and patination. Cost &#163;75 - this includes a small amount of silver. Bring a packed lunch and footwear suitable for a workshop environment as you will be using heavy and sharp equipment. Tea, coffee and biscuits are provided.  Studio 1 at Manor Oaks Studios is situated at Green Estate, 389 Manor Lane, Sheffield, S2 1UL. There is a car park on site as well as good access by public transport.  To book your place, contact Annette directly: &lt;a href=&quot;mailto:annette@annettepetchjewellery.co.uk&quot;&gt;annette@annettepetchjewellery.co.uk&lt;/a&gt; or phone 07952 235985. Early booking is recommended. For more information about Annette and her work go to &lt;a href=&quot;http://www.annettepetchjewellery.co.uk&quot; target=&quot;_blank&quot;&gt;www.annettepetchjewellery.co.uk&lt;/a&gt;
Ceramics Workshops with Brian Holland at Persistence Works. Brian's sessions run every Friday from 9.30am to 12.30pm and Saturdays from 10.3 am to 1.30pm and 2pm to 5pm. All aspects of ceramics are covered including hand building, throwing, glazing and glaze formulation, raku firing, working with paper clay. You will be able to learn about making sculptural works, vessels and wall pieces. The course suits beginners as well as the more experienced. Cost per 3-hour session is &#163;15 but you can save a few pounds by booking for 5 sessions for just &#163;62.50 - these sessions don't have to be consecutive so if you miss one, this will not be a problem.  Please note: Materials are not included but you can drink as much green tea as you like at no extra cost. Contact Brian directly for further details or to book a place &lt;a href=&quot;mailto:brian.holland100@virgin.net&quot;&gt;brian.holland100@virgin.net&lt;/a&gt;</description>         
            						<pubDate>Mon, 2 May 2011 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Official Opening</title>
						            	<link>http://artspace.org.uk/latest-news/2011-05/Manor-Oaks-Official-Opening</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-05/Manor-Oaks-Official-Opening&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/invite-MO-for-web.jpg&quot; alt=&quot;Manor Oaks invitation&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Yorkshire Artspace and Green Estate would be thrilled if you could join us on Friday 6th May from 2pm onwards to celebrate the official opening of Manor Oaks Studios and the Future Nature Garden.
From 2pm onwards there will be much to do and much to see. Here are just some of the highlights;
* The Exhibition &amp;lsquo;Lords, Ladies and Apron Men' consists of 9 stoneware ceramic chargers decorated using oxide and luster, created by Green Estate staff members Kyle, Danny, Kyle, Charlie, Bob, Don, Andy and Matt. Yorkshire Artspace commissioned artist Emilie Taylor to work with the team of apprentices and their team leaders to explore issues of masculinity in the Renaissance period and the present day. &quot;Images were developed to incorporate historical symbolism alongside contemporary iconography from the men's daily lives, including their role as part of Green Estate. The plates celebrate the current Renaissance or re-birth of the Manor, and recognise the role of local people in developing the site both historically and today&quot;.
* All the beautiful new Manor Oaks Studios will be open to the public. Annette Petch (silver jewellery), Finbarr Lucas (furniture and sculpture in wood) and Susan Disley (ceramics) will be welcoming visitors with work on display and for sale.
* In our Starter Studio for Ceramicists, Manor Oaks resident artist Frances Priest will be providing an update on her project to design a table setting for the Turret House Banqueting Room at Manor Lodge assisted by starter ceramicists Joel Neild and Miles Gavin.
* In the Manor Oaks Studios courtyard, Yorkshire Artspace ceramicists Penny Withers, Sarah Villeneau and Hanne Westergaard will be showing their garden pots.
* Make your own Mini Beasty Box for your home garden - a fun family activity with Green Estate's Community and Education officer Anna Plant.
* Dr Nigel Dunnett, Reader in Urban Horticulture at the University of Sheffield, will be speaking about the development of the Future Nature Garden and all the features within it. The original garden was designed by ARK DM Ltd. architects Adrian Hallam and Chris Arrowsmith and horticulturalist Dr Dunnett for the 2009 RHS Chelsea Flower show where it achieved a Silver Gilt Award.
* Green Estate will be launching the new HLF funded South Yorkshire Local History Centre located above the Farmshop Café.
* Enjoy fresh strawberries &amp; cream on sale from the Farmshop Café.
Manor Oaks Studios and Future Nature Garden are located 389 Manor Lane, Sheffield S2 1UL. Parking on site or nearby. For directions click &lt;a href=&quot;http://maps.google.co.uk/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=S2+1UL&amp;aq=&amp;sll=53.800651,-4.064941&amp;sspn=21.06738,57.084961&amp;ie=UTF8&amp;hq=&amp;hnear=Sheffield,+South+Yorkshire+S2+1UL,+United+Kingdom&amp;z=16&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;
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            						<pubDate>Sun, 1 May 2011 00:00:00 +0000</pubDate>
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						<title>Interview with artist</title>
						            	<link>http://artspace.org.uk/latest-news/2011-04/Interview-with-artist</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-04/Interview-with-artist&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/FL-furniture-detail.jpg&quot; alt=&quot;FL furniture detail&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Kate Dore, Director of Yorkshire Artspace in conversation with Finbar Lucas, Furniture maker and wood sculptor based at Manor Oaks Studios.
Can you describe your creative practice to someone who may not be familiar with it? I make a broad range of wooden furniture. I trained in fine art and key to the form of the pieces I make is an interest in the work as a 3D object in its own right. At the heart of my work is a commitment to working in a sustainable way and this involves the sourcing of materials, design and construction.
 How long have you had a studio at Yorkshire Artspace and what brought you here? I have been at Manor Oaks since August last year when the new studios opened. The offer at Manor Oaks was so much better than my previous workspace. I also feel much more connected here as part of a large group of artists. 
How do you make your living as an artist/maker? I make a lot of furniture! I want to be &amp;lsquo;a useful member of the community' and I take on a wide range of different commissions for very varied pieces. I have good customer contacts and a reputation for being willing to meet their needs.
 How does having a studio here support your practice? For the first time in 7 years I am part of a large community of makers in a supportive environment. Not having to be responsible for the running or upkeep of the premises means I can concentrate on my creative work. The beautiful workspace and setting contribute to my professional reputation and image - I can see people's eyes light up as they enter the space and take in the remarkable structure of the building. 
 Please give a particular example of how this has resulted in a commission/ exhibition/ networking opportunity? The recent open day held here for Galvanize was really popular and I had lots of conversations with potential clients. I had made an A4 flyer for the event with details about my work and I hope this will lead to some commissions. 
What has been your highlight over the last year? Moving to such a great space, and also the Open Studios in November where I sold a coffee table. 
 What are you working on at the moment? An oak, ash and walnut cabinet and a 5m curved oak desk with a removable central section.</description>         
            						<pubDate>Sat, 30 Apr 2011 00:00:00 +0000</pubDate>
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						<title>Starter Studio Programmes</title>
						            	<link>http://artspace.org.uk/latest-news/2011-04/Starter-Studio-Programmes</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-04/Starter-Studio-Programmes&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/image-starter-programme-may.jpg&quot; alt=&quot;Starter Programme May&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We are are now inviting applications from artists/makers for the 2011 intake of our 3 starter studio programmes.    This year we will be doing it slightly differently in that we will accept applications from talented, commited makers/artists from March 2011 onwards.  We will be starting our interview process in May this year in order to give selected artists enough time to re-locate to Sheffield if needed. Final deadlines for applications are set for July. Check out our &lt;a href=&quot;http://artspace.org.uk/programmes/starter-studios&quot;&gt;starter studio page&lt;/a&gt; for details.
The Starter Studio for Designer Silversmithsis located at Persistence Works Studios and offers early career silversmiths access to a large 108m2 shared and equipped workspace at Persistence Works Studios. Now in its 10th year, the programme provides ongoing business, mentor and technical support as well as commission and exhibition opportunities. This year all our current and many of our previous beneficiaries were included in Galvanize Sheffield, our bi-annual festival for contemporary metalwork taking place across the city. For our programme details, background on our mentors and a website list of previous beneficiaries, please click &lt;a href=&quot;http://artspace.org.uk/programmes/starter-studios&quot;&gt;here &lt;/a&gt;
First deadline for applications for the Starter Studio Programme for Silversmiths is Friday, 13th May 2011 with interviews taking place on Monday 23rd May.
The Starter Studio Programme for Ceramicistsis based at Manor Oaks Studios and offers early career ceramicists/potters access to a fully equipped 55m2 shared workspace for two years with ongoing business, mentor and technical support and exhibition opportunities at Museums Sheffield's Millennium Galleries. For further details click &lt;a href=&quot;http://artspace.org.uk/programmes/starter-studios&quot;&gt;here&lt;/a&gt;
All our ceramicist starters also benefit from having dedicated time with our Manor Oaks artist in residence which, for 2011, is Edinburgh based ceramicist Frances Priest.
First deadline for applications for the Starter Studio Programme for Ceramicists is Wednesday 18th May with interviews taking place on Thursday 2nd June 2011.
The Starter Studio Programme for Engaged Practicewill be located at our soon to be completed brand new Knutton Road Studios in the Parson Cross area of Sheffield. This programme is designed for artists who want to develop a career as artists whose practice is concerned with community/social engagement.
Apart from access to a workspace, the selected artists will also be offered paid work opportunities, dedicated time with the Parson Cross artist in residence (currently Lisa Gallacher) and access to mentor and ongoing business support.   You will be based in one of new studios at SOAR Works which houses Knutton Road Studios.
Artist Ruthie Ford, who joined the first programme in 2010, has already benefited from paid work opportunities through the links we have with Sheffield City Council, Museums Sheffield and programme funding through Paul Hamlyn Foundation. For further details click &lt;a href=&quot;http://artspace.org.uk/programmes/starter-studios&quot;&gt;here&lt;/a&gt;
First deadline for applications for the Starter Studio Programme for Engaged Practice is Wednesday 25th May with interviews taking place on Friday 10th June 2011.
If you want to visit us or like further information on our programmes, please contactMir Jansen, programme manager for the Silversmiths and Ceramicists Programmes on &lt;a href=&quot;mailto:mir@artspace.org.uk&quot;&gt;mir@artspace.org.uk&lt;/a&gt;or Rachael Dodd, programme manager for the Engaged Practice Programme on &lt;a href=&quot;mailto:rachael@artspace.org.uk&quot;&gt;rachael@artspace.org.uk&lt;/a&gt;or telephone 0114 2130111.
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            						<pubDate>Fri, 29 Apr 2011 00:00:00 +0000</pubDate>
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						<title>Tanya Gomez</title>
						            	<link>http://artspace.org.uk/latest-news/2011-04/Tanya-Gomez</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-04/Tanya-Gomez&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/TG-pots-web.jpg&quot; alt=&quot;TG pots for web&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://www.tgceramics.co.uk/&quot; target=&quot;_blank&quot;&gt;Tanya Gomez&lt;/a&gt; graduated from the Royal College of Art in 2010 with a Masters degree in Ceramics and Glass. In her earlier years she worked on private yachts. Whilst travelling around the globe she became fascinated by colour, shape and the diversity of different cultures she encountered. This eventually manifested itself in her work.
Gomez makes functional vessels. She works in porcelain and uses a range of throwing techniques to create forms that capture fluidity, movement and provide a sense of space.
&quot;It is through a process of energetic making and rigorous selection that I have learnt to observe how the clay works and find new ways to move forward&quot;.
Tanya works from her home in Lewes, East Sussex, where she has been working as a professional ceramicist for 7 years. She exhibits her work around the UK and also works to commissions. Her work in the Prints &amp; Ceramics in the City exhibition is for sale and ranges between &#163;45 for smaller pieces to &#163;900 for the large scale work.

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            						<pubDate>Thu, 28 Apr 2011 16:04:00 +0000</pubDate>
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						<title>Knutton Road Studios </title>
						            	<link>http://artspace.org.uk/latest-news/2011-04/Knutton-Road-Studios-</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-04/Knutton-Road-Studios-&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Knutton-Road-Studios-7-April-2011-037.jpg&quot; alt=&quot;Knutton Road April 2011&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Our 10 brand new Knutton Road Studios in the new SOAR Works complex in Parson Cross are nearly complete.  If you are interested in seeing the spaces, please book yourself on one our regular Hard Hat Tours by contacting Kate Dore  &lt;a href=&quot;mailto:kate@artspace.org.uk&quot;&gt;kate@artspace.org.uk&lt;/a&gt;.
Please wear sturdy sensible shoes.  High viz jackets and hard hats will be provided. We meet at the entrance to SOAR Works on the crossing of Knutton Road and Margetson Crescent. For directions click &lt;a href=&quot;http://maps.google.co.uk/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=Knutton+road+Margetson+Crescent+Sheffield&amp;aq=&amp;sll=53.800651,-4.064941&amp;sspn=21.06738,57.084961&amp;ie=UTF8&amp;hq=Knutton+road&amp;hnear=Margetson+Crescent,+Sheffield,+South+Yorkshire+S5,+United+Kingdom&amp;z=16&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.
Knutton Road Studios are situated on the top floor of SOAR Works with wonderful natural skylights, sinks and extraction units.  Facilities include free on-site parking, a triple height communal atrium space and access to business services.   Breakdown of studio sizes and estimated cost per month (subject to confirmation and inclusive of VAT and rates);
7 studios 34 sq m (365 sq ft) at &#163;199 per month plus metered utilities (pictured)
2 studios 63 sq m (675 sq ft) at &#163;367 per month plus metered utilities
1 studio 55 sq m (595 sq ft) at &#163;324 per month plus metered utilities
We are now receiving applications for the new spaces which will be allocated by date of application following a selection interview. Follow this link to complete your &lt;a href=&quot;http://artspace.org.uk/studios/applying-for-studio-space&quot;&gt;studio application form&lt;/a&gt;. You can see how the buiding and studios are progressing by following our &lt;a href=&quot;http://www.flickr.com/photos/knutton-road-studios&quot; target=&quot;_blank&quot;&gt;Knutton Road Studios flickr page&lt;/a&gt;
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            						<pubDate>Tue, 26 Apr 2011 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-04/Manor-Oaks-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-04/Manor-Oaks-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/work-in-progress.JPG&quot; alt=&quot;Frances Priest work in progress&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances Priest 2nd blog entry from March 2011: 
&quot;In between all the seasonal, royal and national holidays that seem to be tempting us away from work and into the glorious sunshine, I am making preparations for another trip to Sheffield and THE most important date in everyone's diary: the official opening of Manor Oaks Studios on Friday 6th May.
I am looking forward to joining in the celebrations and using the opportunity to share some of the work I have been developing during my residency at Manor Oaks Studios and Manor Lodge.
A week in late March saw me working through a process of design development with a number of local groups and individuals toward realising my plan to make a table setting for the Tudor Turret House banqueting room. The Manor Lodge over 50's Lunch Club got the ball rolling, after a hearty Shepherd's Pie lunch, with an afternoon spent constructing printing blocks inspired by photographs of the Tudor Turret House plaster work ceiling and Victorian stained glass windows.
The following day I visited Enable Day Care Centre where an enthusiastic group took the design process a stage further, using the printing blocks to make a series of pattern samples and a magnificent printed banner.    On Wednesday I met with a group of young people from Endeavour, based at Wybourn Youth Trust, who gamely climbed the narrow stairs of the Turret House to attempt some unusual observational drawing activities in the Banqueting Room. I also spent a fascinating afternoon at Anchor Court Sheltered Housing Association chatting and reminiscing with day visitors about Manor Lodge, hearing tales of secret tunnels between The Manor and Sheffield Castle, recalling school trips to Manor Lodge and wondering whether anyone remembered Maggie Webster, the last person to live in the Tudor Turret House.
I also found time to meet with Tony, the newly appointed Manor Lodge Farm Shop Café chef to discuss cakes and biscuits and made a second visit to the Freeman College Whittle Tang Cutlery workshop where a plan is emerging to make a series of cake slices for the table setting.
May 6th will be another chance to move the design process on a step by inviting guests to participate in making a collaborative collage that will cover the walls and floor of the Ceramic Starter Studio at Manor Oaks. My hope is that the drawing will grow throughout the afternoon as individuals add their little bit to a surface pattern made up of decorative motifs developed during the March workshops.
It is exciting to see how it is possible to create a process in which so many people are invited to lend a hand in helping to evolve a pattern design that will eventually be used for the surface for decorative ceramic tableware. This is a re-inventing of the decorative language that covers the ceiling, walls and windows of the Tudor Turret House banqueting room&quot;.</description>         
            						<pubDate>Thu, 7 Apr 2011 00:00:00 +0000</pubDate>
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						<title>Space Hire </title>
						            	<link>http://artspace.org.uk/latest-news/2011-03/Space-Hire-</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-03/Space-Hire-&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/meeting-room-resized.jpg&quot; alt=&quot;Meeting Room Resized&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Persistence Works is our award-winning building located in Sheffield city centre and being at the heart of the Cultural Industries Quarter we are easily accessible (5 minutes from the train/bus stations and ten minutes from the motorway).
Persistence Works is home to over 50 artists studios and is an interesting and creative environment for hostingaway-days, meeting, conferences and workshops. We have a meeting room available for hire at &#163;102.13 per day (long term bookings of 3 weeks and over available at reduced rate). &lt;br /&gt;Please contact Anita Lloyd on anita@artspace.org.uk or 0114 213010 to discuss availability, bookings and your requirements.</description>         
            						<pubDate>Thu, 31 Mar 2011 00:00:00 +0000</pubDate>
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						<title>Residency Parson Cross</title>
						            	<link>http://artspace.org.uk/latest-news/2011-03/Residency-Parson-Cross</link>
                                    	<description>Following the selection of Lisa Gallacher, our first artist in residence in Parson Cross, we are currently running an open call competition in 5Alive the local neighbourhood magazine to find 12 Parson Cross residents of all ages. These residents will work with Lisa during 2011 to develop their own made-to-measure garment inspired by family, community life, local history or memories of particular places in Parson Cross.
The aim of the project is to create a clothes range that expresses the unique character and identity of the place and its people. If anyone from the Parson Cross area in Sheffield wants to know more or wants to get involved in Lisa's project, please contact Rachael Dodd, residency programme manager at &lt;a href=&quot;mailto:rachael@artspace.org.uk&quot;&gt;rachael@artspace.org.uk&lt;/a&gt;</description>         
            						<pubDate>Fri, 25 Mar 2011 00:00:00 +0000</pubDate>
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						<title>Darren Richardson</title>
						            	<link>http://artspace.org.uk/latest-news/2011-03/Darren-Richardson</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-03/Darren-Richardson&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/macromolecule-136.jpg&quot; alt=&quot;DR macromolecule 136&quot; /&gt;&lt;/a&gt;&lt;br /&gt;If you can spot 'macromolecule 136' a new seat consisting of 136 shiny steel spheres on BBC's coverage of the World Snooker Championship - let us know! This beautiful bench, situated in the Winter Garden was created by Yorkshire Artspace artist Darren Richardsonand especially commissioned for this year's Galvanize Sheffield festival.</description>         
            						<pubDate>Fri, 18 Mar 2011 16:04:00 +0000</pubDate>
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						<title>Manor Oaks Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-02/Manor-Oaks-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-02/Manor-Oaks-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/FP-ms-knive-handles.jpg&quot; alt=&quot;FP knive handles&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Frances spent her first week in residence between 14th and 18th February. 
&quot;On my first visit to Sheffield Manor Lodge in early January I was immediately drawn to the Tudor Turret House and in particular the banqueting room with its ornately decorated plaster work ceiling. A guided tour by Tudor expert Peter Machin provided me with stories full of descriptions of glorious sweet banquets and the intriguing tale of Bess of Hardwick and Mary Queen of Scots working together to design the plaster work ceiling.
My second visit in mid February allowed for further explorations of the site, revealing a rich history of craft, making and hand skills, from John Fox's pottery and its successful production of Manor-Ware, to census records that show Scissor Smiths, Pen Blade Forgers, Cutlers and Cutlery Handle Makers all having worked and lived across the site. I also found time to look further afield, visiting Museums Sheffield's store to look through drawers of beautiful cutlery and meeting with staff at Freeman College to look around their metal workshops.
An approach to my residency has begun to emerge with a focus on creating a link between the banqueting room of the Turret House and what I perceive to be its current and significantly more democratic equivalent: the Manor Lodge Farm-Shop and Café.
For my residency I would like to work with local Manor residents to explore the decorative features of the Turret House, from it 16th Century plaster work to Victorian stained glass windows, developing motifs and surface pattern designs that reflect the layered history of the site. These designs will be used to make a contemporary table setting for the banqueting room incorporating ceramic handled cutlery.
My next visit is planned for the end of March with a round of workshops to get the pattern designs under way and to make another visit to Freeman College to meet with students who may be able to work on making the cutlery. I am excited about returning to Sheffield and continuing a process which I hope will make connections between Sheffield Manor Lodge's history and its blossoming future&quot;.
Frances Priest, February 2011</description>         
            						<pubDate>Mon, 21 Feb 2011 00:00:00 +0000</pubDate>
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						<title>THE COLLABORATORS Parson Cross Residency 2011</title>
						            	<link>http://artspace.org.uk/latest-news/2011-01/THE-COLLABORATORS-Parson-Cross-Residency-2011</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2011-01/THE-COLLABORATORS-Parson-Cross-Residency-2011&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/teddyhead_web.jpg&quot; alt=&quot;THE COLLABORATORS_teddyhead&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://parson-cross.blogspot.com/&quot;&gt;Click here to go to the Parson Cross project blog created by THE COLLABORATORS&lt;/a&gt;</description>         
            						<pubDate>Wed, 26 Jan 2011 00:00:00 +0000</pubDate>
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						<title>Residencies</title>
						            	<link>http://artspace.org.uk/latest-news/2010-08/Residencies</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2010-08/Residencies&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/residency-image-web-copy.jpg&quot; alt=&quot;residencies image&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We are now inviting applications for our new residency programme, starting in January 2011. As with our previous programme: time, space and money will be available to two selected artists to develop new ideas and work. We are keen to work with artists who want to help us develop our programme activities in the new studio neighbourhoods of Manor Oaks and Parson Cross. 
At Manor Oaks the residency will have a focus on ceramics and the artist will have access to an equipped space. At Parson Cross the focus will be on engagement with the people and the environment of this particular Sheffield neighbourhood.
The residency briefs, application form and selection procedures are now available from our website in the &lt;a href=&quot;http://artspace.org.uk/programmes/artist-residencies&quot;&gt;programme - artists residencies&lt;/a&gt; section.

</description>         
            						<pubDate>Thu, 19 Aug 2010 00:00:00 +0000</pubDate>
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						<title>Artist's news</title>
						            	<link>http://artspace.org.uk/latest-news/2010-08/Artists-news</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2010-08/Artists-news&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/turpin-fishgate.jpg&quot; alt=&quot;Turpin fishgate&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Coralie Turpin's new artwork 'Fishgate' was designed with pupils from Firs Hill Primary School and a structural engineer. Made in Sheffield from stainless steel, it has large glass inserts made by Victoria Beech. Fabrication and installation was completed in just seven weeks.
Details on other artists at Yorkshire Artspace can be found on the artists' pages of this website &lt;a href=&quot;http://artspace.org.uk/artists&quot; target=&quot;_blank&quot; title=&quot;YAS Artists&quot;&gt;http://artspace.org.uk/artists&lt;/a&gt;</description>         
            						<pubDate>Mon, 2 Aug 2010 00:00:00 +0000</pubDate>
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						<title>Knutton Road Studios </title>
						            	<link>http://artspace.org.uk/latest-news/2010-07/Knutton-Road-Studios-</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2010-07/Knutton-Road-Studios-&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/tats-by-kate-genever.jpg&quot; alt=&quot;'Tats' by Kate Genever&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Yorkshire Artspace is delighted to announce that we have appointed artists Steve Pool and Kate Genever from THE COLLABORATORSto work with us in Parson Cross prior to the opening of the brand new Knutton Road Studios.
Kate and Steve will begin the process of introducing Yorkshire Artspace to the neighbourhood over the coming months so a lot more people in parson Cross have some idea of who we are and what we do.  The result of this engagement will be an event to celebrate the opening of the new Chaucer Buchanan public square and it is hoped that many members of the community can and will participate.
Kate and Steve are interested in trading ideas and skills in Parson Cross. They aim to meet as many people as possible: 'we wish to engage with the disorganised majority'. Their project will start towards the end of August. We will update you as the project progresses. 
Kate Genever is a freelance artist based in Lincolnshire, she completed an MA in printmaking at Royal College of Art in 2008.  In recent years she has undertaken a number of site specific public artworks in Blackpool, Derbyshire and Yorkshire.  In 2006/7 she was Artist in Residence in Golcar, Huddersfield on an audience development and inclusion project.  She is a part time lecturer at Nottingham and Leeds Universities.  More details can be found on her website &lt;a href=&quot;http://www.kategenever.com&quot;&gt;http://www.kategenever.com&lt;/a&gt;
Steve Pool is a freelance artist based in Sheffield whose practice includes brokering as well delivering creative projects in education, local authorities, regeneration, museums and galleries.  Recent work includes; artist and lecturer at the University of Sheffield architecture department, art consultant at the Whitworth Museum in Manchester and artist trainer at Leeds City Gallery.  He recently undertook a one-year residency based project Artists, Arts and Artefacts at Artemis, Leeds City Art Gallery.
For more information about the Knutton Road Studios development in Parson Cross visit our studios pages at&lt;a href=&quot;http://artspace.org.uk/studios/overview&quot;&gt;http://artspace.org.uk/studios/overview&lt;/a&gt;</description>         
            						<pubDate>Wed, 14 Jul 2010 00:00:00 +0000</pubDate>
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						<title>Persistence Works Reception</title>
						            	<link>http://artspace.org.uk/latest-news/2010-06/Persistence-Works-Reception</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2010-06/Persistence-Works-Reception&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/reception-consultation-for-web.jpg&quot; alt=&quot;what do you think&quot; /&gt;&lt;/a&gt;&lt;br /&gt;We are activley looking for ways to continue to show artists' work in the Persistence Works' reception area but are looking to do this in a more finacially sustainable way. If you have any suggestions or proposals please email &lt;a href=&quot;mailto:kate@artspace.org.uk&quot;&gt;kate@artspace.org.uk&lt;/a&gt;
Further information about the future of the reception area will be made after The Arts Council will make their budget announcements in November. </description>         
            						<pubDate>Tue, 22 Jun 2010 00:00:00 +0000</pubDate>
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						<title>Hybrid: Art & Science </title>
						            	<link>http://artspace.org.uk/latest-news/2010-01/Hybrid-Art-Science-</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2010-01/Hybrid-Art-Science-&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Hybrid-Kelly-Cumberlandresized.jpg&quot; alt=&quot;Hybrid Kelly Cumberland&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Photographic image by Kelly Cumberland.&lt;br /&gt;
This show brings together the often polarised opposing &amp;lsquo;disciplines' of art and science. The connection between the different art practices in the exhibition is that they are defined by the artistsBryony and Chloe Pritchard, Hondartza Fraga and David McNabas being in some way related to science.
'There are various ways of perceiving consciousness ranging from the subjective to the objective. In order to be able to process the enormous amount of knowledge that has accumulated over the centuries, it has become necessary to split information into different disciplines.'
The exhibition is supported by Hybrid Art Science Networking Association, Sheffield Institute of Arts Gallery and Arts Council England, Yorkshire. It is linked to a symposium at The Thackery Museum, Leeds on 20th March. For more information on the symposium please email &lt;a href=&quot;mailto:pjdigby@ntlworld.com&quot; target=&quot;_blank&quot; title=&quot;Hybrid Symposium&quot;&gt;pjdigby@ntlworld.com&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;The Persistence Works exhibition is one of several throughout the city, for more information visit&lt;a href=&quot;http://www.hybrid-art.co.uk&quot; target=&quot;_blank&quot; title=&quot;Hybrid Art web page&quot;&gt;www.hybrid-art.co.uk&lt;/a&gt;or email &lt;a href=&quot;mailto:lizz@tuckerman.freeserve.co.uk&quot; target=&quot;_blank&quot; title=&quot;Hybrid Exhibition&quot;&gt;lizz@tuckerman.freeserve.co.uk&lt;/a&gt;
&lt;a href=&quot;http://www.hybrid_art.co.uk&quot; target=&quot;_blank&quot; title=&quot;Hybrid Art web page&quot;&gt;&lt;/a&gt; Arts Council England works to get great art to everyone by championing, developing and investing in artistic experiences that enrich people's lives.  As the national development agency for the arts, they support a range of artistic activities from theatre to music, literature to dance, photography to digital art, and carnival to crafts.  Great art inspires us, brings us together and teaches us about ourselves, and the world around us. In short, it makes life better.  Between 2008 and 2011, they will invest &#163;1.3 billion of public money from government and a further &#163;0.3 billion from the National Lottery to create these experiences for as many people as possible across the country.</description>         
            						<pubDate>Wed, 20 Jan 2010 00:00:00 +0000</pubDate>
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						<title>Parson Cross event</title>
						            	<link>http://artspace.org.uk/latest-news/2009-12/Parson-Cross-event</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-12/Parson-Cross-event&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/David-Garratt-Freddie-Mercury-bauble.JPG&quot; alt=&quot;David Garratt Freddie Mercury bauble  &quot; /&gt;&lt;/a&gt;&lt;br /&gt;Why not take the opportunity to visit the sites where the &lt;a href=&quot;http://artspace.org.uk/studios/knutton-road&quot;&gt;Knutton Road Studios&lt;/a&gt; are being built and join in some festive fun...
Parson Cross Christmas Fair&lt;br /&gt;Margetson Crescent, Parson Cross &lt;br /&gt; Saturday 12th December 12 pm to 5 pm 
Remember remember the 12th December! Yorkshire Artspace will be running a free 'have-a-go' workshop for visitors to the Parson Cross Christmas Fair. Make your own Christmassy bauble and badge with artist David Garrett and let us know &amp;ldquo;What You Would Like For Christmas That Money Can't Buy?&amp;rdquo;. Other attractions include Santa's Grotto with real live reindeers, a choir, market stalls and much more.</description>         
            						<pubDate>Thu, 10 Dec 2009 00:00:00 +0000</pubDate>
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						<title>Manor Oaks event</title>
						            	<link>http://artspace.org.uk/latest-news/2009-12/Manor-Oaks-event</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-12/Manor-Oaks-event&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/DCentre.jpg&quot; alt=&quot;Discovery Centre, Manor oaks&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Why not take the opportunity to visit the sites where the studios are being built and join in some festive fun...
 Manor Oaks Christmas Fair &lt;br /&gt; Manor Lodge Discovery Centre, &lt;br /&gt;115 Manor Lane &lt;br /&gt; Sunday 13th December 11 am to 4 pm 
Penny Withers, ceramic artist based at Persistence Works, will be running a participatory workshop using clay at the Manor Oaks Christmas Fair. This is a good opportunity to get a feel for the environment where the new studios will be based and everyone is welcome.
image: Manor Oaks' Discovery Centre</description>         
            						<pubDate>Thu, 10 Dec 2009 00:00:00 +0000</pubDate>
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						<title>Manor Oaks Studios</title>
						            	<link>http://artspace.org.uk/latest-news/2009-12/Manor-Oaks-Studios</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-12/Manor-Oaks-Studios&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/penny-withers-manor-oaks-event-dec-09.jpg&quot; alt=&quot;Manor Oaks Christmas Event 09&quot; /&gt;&lt;/a&gt;&lt;br /&gt;All is still well at Manor Oaks. At the Manor Oaks Discovery Centre's Christmas Fair on Sunday 13th December ceramicist Penny Withers was busy with the &amp;lsquo;make-your-own-clay-castle' workshop, amongst other workshops and metal casting demonstrations. &lt;br /&gt; The studios are also developing swiftly with the first walls going up and doorways being put in. We took some ceramicists down to Manor Oaks in December to meet Sue France, the Director of Green Estate to talk about the possibility of having a wood fired kiln on the site and we'll keep you informed of the progress on these talks in future newsletters. &lt;br /&gt; If anyone is interested in a studio space at Manor Oaks please download the studio application form from our website at  www.artspace.org.uk/studios or just give us a ring on 0114 2761769 an informal chat.</description>         
            						<pubDate>Thu, 10 Dec 2009 00:00:00 +0000</pubDate>
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						<title>Silversmithing Skills Workshops</title>
						            	<link>http://artspace.org.uk/latest-news/2009-12/Silversmithing-Skills-Workshops</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-12/Silversmithing-Skills-Workshops&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/bowl-raising-with-cameron-maxfield-1.jpg&quot; alt=&quot;Bowl Raising with Cameron Maxfield&quot; /&gt;&lt;/a&gt;&lt;br /&gt;On the weekend of 7th and 8th November we ran a handraising skills workshop, lead by Cameron Maxfield. The course was a great success and everyone who took part managed to create a bowl from the flat silver disk we had provided them with at the start of this two day workshop. It is hoped that we will run another skills workshop next year lead by another established silversmith. If you are interested in taking part in any of our silvermithing skills workshops we will be running next year, please email mir@artspace.org.uk  with your name and telephone number and we'll keep you in the loop.
Image credit: Dan Sumption danshotme.com</description>         
            						<pubDate>Wed, 2 Dec 2009 10:00:00 +0000</pubDate>
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						<title>Open Studios 2009</title>
						            	<link>http://artspace.org.uk/latest-news/2009-11/Open-Studios-2009</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-11/Open-Studios-2009&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/Open-Studios-Dec-09.jpg&quot; alt=&quot;Open Studios Dec 09&quot; /&gt;&lt;/a&gt;&lt;br /&gt;What an amazing Open Studios we had - nearly 900 visitors to Persistence Works and Porter Brook Studios. Thank you to all the Yorkshire Artspace artists and makers who opened up their studios, the staff and volunteers for so much of their time and to all our visitors who braved the cold and the sideways rain. Much thanks must also go to Jo Nancarrow who lead the event this year. Here are some choice comments from the visitor feedback forms saying what they liked best about their visit:&lt;br /&gt;&quot;Loved meeting the artists and seeing all the beautiful creative work that is taking place'' &lt;br /&gt;&quot;... theopenness of the people who work here and are happy to share their thinking&quot;&lt;br /&gt;&quot;the variety and the atmosphere'' &lt;br /&gt;&quot;the fact that you can both buy and look&quot; &lt;br /&gt;&quot;the studios and the resources that are available for artists''&lt;br /&gt;And early feedback from one of the artists taking part: &lt;br /&gt;&quot;Visitors were interested and asked lots of questions. I got lots of very positive comments about the work, which for me, as an artist just starting out on the beginning of a professional career, was very affirming. I went home exhausted but very happy.''
Image credit: Dan Sumption danshotme.com</description>         
            						<pubDate>Mon, 9 Nov 2009 00:00:00 +0000</pubDate>
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						<title>A public realm strategy</title>
						            	<link>http://artspace.org.uk/latest-news/2009-09/A-public-realm-strategy</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-09/A-public-realm-strategy&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/knuttonrd.jpg&quot; alt=&quot;380knuttonrdsept09&quot; /&gt;&lt;/a&gt;&lt;br /&gt;With the planned studios at Knutton Road still awaiting final planning approvals we thought we would take this opportunity to focus on some of the other cultural activity that has been taking place in the Parson Cross neighbourhood.  Further info about the studio development at Knutton Road can be found at &lt;a href=&quot;http://artspace.org.uk/studios/knutton-road&quot; target=&quot;_blank&quot;&gt;http://artspace.org.uk/studios/knutton-road&lt;/a&gt;
Working with Sheffield City Council, artists Scott Farlow and Antony Lyons have completed a public realm strategy with ideas for the design of public open spaces in Parson Cross and Foxhill; the People Places and Spaces project. Their website &lt;a href=&quot;http://www.parsoncrossfoxhill.net&quot; target=&quot;_blank&quot;&gt;www.parsoncrossfoxhill.net&lt;/a&gt; now contains a full and summary version of the strategy.     Ideas from the strategy include looking at how communal gardens, orchards and food growing; green routes and gateways; viewing points and public art works can help to create and link open spaces together, forming &amp;lsquo;Green ribbons' across the two areas. The rationale behind this approach is to form networks that tie together new and existing public spaces and connect places together.
With the strategy now complete, Farlow &amp; Lyons will be involved in the next step of the project (Stage 2)- the design and delivery of real physical improvements to public spaces in the two neighbourhoods in the form of improvements to the Parson Cross Park entrance on Buchanan Road and landscaping in the new Chaucer public square.   Stage 3 will extend to other projects in the area to be created with developers and local agencies, including community groups and residents as and when these opportunities arise.
To find out more, or to register your interest in being kept informed of future Stage 3 developments contact Jonathan Ulley at the North Sheffield Regeneration Team on 0114 203 9568 or email&lt;a href=&quot;mailto:jonathan.ulley@sheffield.gov.uk&quot;&gt; jonathan.ulley@sheffield.gov.uk &lt;/a&gt;</description>         
            						<pubDate>Thu, 3 Sep 2009 00:00:00 +0000</pubDate>
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						<title>White</title>
						            	<link>http://artspace.org.uk/latest-news/2009-09/White</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-09/White&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/mazemed.jpg&quot; alt=&quot;Maze, Neil Woodall&quot; /&gt;&lt;/a&gt;&lt;br /&gt;Exhibition event Friday 4 Sept 7-9pm - All welcome!&lt;br /&gt;(Exhibition ends 18 Sept)
An exhibition of new work by printmaker Neil Woodall and ceramicist Penny Withers, both of whom have studios at Yorkshire Artspace: Persistence Works.
The show will present both individual works by each artist, alongside more experimental collaborative pieces.  Neil's large scale white on white woodcuts explore different surface textures where ambient light makes the images appear and then dissolve again. Penny's thrown porcelain Freeforms bring to life the whirling fluidity of the spinning clay presenting ever changing profiles.
The cohesion between two artists' work would be experienced in the exhibition's overall tonal emphasis, in the contrasting of matt and shiny surfaces and interaction between the work. There will also be collaborative pieces combining ceramics and print through techniques and through personal conceptual dialogues.
In Penny's words: &amp;ldquo;I have always admired Neil's work, and am looking forward to our collaboration and the opportunity of sharing ideas and techniques across two very different artforms. When we first discussed a collaborative exhibition he was painting cloudscapes and I was making forms reminiscent of large birds rearing into flight. However we have narrowed the concept of the exhibition down to an atmospheric rather than figurative connection, and as a result we are more able to merge our techniques and materials in pieces that combine ceramics and print&amp;rdquo;
All are welcome to the evening event: Friday 4 September 7-9pm</description>         
            						<pubDate>Thu, 3 Sep 2009 00:00:00 +0000</pubDate>
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						<title>Nature Observed</title>
						            	<link>http://artspace.org.uk/latest-news/2009-07/Nature-Observed</link>
                                    	<description>&lt;a href=&quot;http://artspace.org.uk/latest-news/2009-07/Nature-Observed&quot;&gt;&lt;img src=&quot;http://artspace.org.uk/images_site/auto-thumbs/thumbnail/small/exhibition2.jpg&quot; alt=&quot;Exhibitions 2&quot; /&gt;&lt;/a&gt;&lt;br /&gt;The current exhibition at Persistence Works is Nature Observed, featuring work byDanish born,Yorkshire Artspace based artist Hanne Westergaard, inspired by the rhythms and patterns of nature.For the artist who has more than 40 years' experience in using clay, the exhibition presents a new direction in her practice, moving away from her more functional ceramics to a desire to reflect aspects in nature through shape, texture and colour.
Inspired from walking on the moors and near the sea, and by looking at the ever-changing light, Westergaard is keen for this new work to capture what she most admires in nature, such as &quot;the elusive colour of the sky in the early morning and the freshness of a newly opened wild flower&quot;. The exhibition runs until the 24th July.
&lt;a href=&quot;http://artspace.org.uk/programmes/exhibitions/src/feature/nature-observed&quot;&gt;Click here for more information&lt;/a&gt;</description>         
            						<pubDate>Wed, 1 Jul 2009 00:00:00 +0000</pubDate>
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